{"id":224,"date":"2020-10-17T20:39:26","date_gmt":"2020-10-17T23:39:26","guid":{"rendered":"http:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/?page_id=224"},"modified":"2023-02-10T19:10:32","modified_gmt":"2023-02-10T22:10:32","slug":"otrasmiradas","status":"publish","type":"page","link":"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/","title":{"rendered":"Otras Miradas"},"content":{"rendered":"\n<h2 class=\"has-text-align-center\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#3a1c26\" class=\"has-inline-color\">Galer\u00eda fotogr\u00e1fica de la revista <em><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revistas\/index.php\/plural\/\" target=\"_blank\">Plural. Antropolog\u00edas desde Am\u00e9rica Latina y del Caribe<\/a><\/strong><\/em>, organizada por n\u00famero y serie fotogr\u00e1fica<\/mark><\/h2>\n\n\n\n<p><\/p>\n\n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-3de8f1a7 vp-id-Z2dzHIG\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"3\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural N\u00fam. 1\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_01\" data-vp-filter=\"serie_01\" value=\"serie_01\" >\n                Serie 01\n                                    (13)\n                                <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-4fe19304\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1920x2880.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-scaled.jpg 1707w\"\n                data-vp-popup-img-size=\"1920x2880\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-800x1200.jpg\"\n                data-vp-popup-md-img-size=\"800x1200\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Aguardando el amanecer. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1920x2880.jpg\" >\n        <img width=\"1920\" height=\"2880\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1920x2880.jpg\" class=\"wp-image-424\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-scaled.jpg 1707w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-1-1920x2880.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Aguardando el amanecer. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-805ac4f7\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1920x2880.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-scaled.jpg 1707w\"\n                data-vp-popup-img-size=\"1920x2880\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-800x1200.jpg\"\n                data-vp-popup-md-img-size=\"800x1200\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. El latido del fuego. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1920x2880.jpg\" >\n        <img width=\"1920\" height=\"2880\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1920x2880.jpg\" class=\"wp-image-425\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-scaled.jpg 1707w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-2-1920x2880.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. El latido del fuego. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-0be63aa3\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. El canto y la danza del fuego. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1920x1280.jpg\" class=\"wp-image-426\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-3-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. El canto y la danza del fuego. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-c45d6d50\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Brasero y palo santo. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1920x1280.jpg\" class=\"wp-image-427\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-4-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Brasero y palo santo. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-be3278ee\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1920x2880.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-scaled.jpg 1707w\"\n                data-vp-popup-img-size=\"1920x2880\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-800x1200.jpg\"\n                data-vp-popup-md-img-size=\"800x1200\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Q\u2019oando la piedra sagrada. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1920x2880.jpg\" >\n        <img width=\"1920\" height=\"2880\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1920x2880.jpg\" class=\"wp-image-429\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-scaled.jpg 1707w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-5-1920x2880.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Q\u2019oando la piedra sagrada. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-6649966e\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Preparando la ofrenda. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1920x1280.jpg\" class=\"wp-image-430\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-6-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Preparando la ofrenda. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-03fb0916\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Ofrenda para el tata Inti. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1920x1280.jpg\" class=\"wp-image-431\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-7-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Ofrenda para el tata Inti. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-224e3fc9\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1920x2880.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-scaled.jpg 1707w\"\n                data-vp-popup-img-size=\"1920x2880\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-800x1200.jpg\"\n                data-vp-popup-md-img-size=\"800x1200\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Avivando el fuego. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1920x2880.jpg\" >\n        <img width=\"1920\" height=\"2880\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1920x2880.jpg\" class=\"wp-image-432\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-scaled.jpg 1707w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-8-1920x2880.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Avivando el fuego. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-0d2a1f09\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1920x2880.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-scaled.jpg 1707w\"\n                data-vp-popup-img-size=\"1920x2880\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-800x1200.jpg\"\n                data-vp-popup-md-img-size=\"800x1200\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Alma y aliento. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1920x2880.jpg\" >\n        <img width=\"1920\" height=\"2880\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1920x2880.jpg\" class=\"wp-image-433\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-scaled.jpg 1707w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-9-1920x2880.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Alma y aliento. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-2bf2edcf\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Hacia el sol. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1920x1280.jpg\" class=\"wp-image-434\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-10-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Hacia el sol. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-7a5d5ab6\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. El alimento de la Pachamama. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1920x1280.jpg\" class=\"wp-image-435\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-11-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. El alimento de la Pachamama. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-5be86c69\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Bebida ritual- la chicha. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1920x1280.jpg\" class=\"wp-image-436\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-12-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Bebida ritual- la chicha. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-3e5af311\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1920x2880.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-scaled.jpg 1707w\"\n                data-vp-popup-img-size=\"1920x2880\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-800x1200.jpg\"\n                data-vp-popup-md-img-size=\"800x1200\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Reencuentro. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara, de Vero\u0301nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 1<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1920x2880.jpg\" >\n        <img width=\"1920\" height=\"2880\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1920x2880.jpg\" class=\"wp-image-437\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1920x2880.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-683x1024.jpg 683w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-500x750.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-800x1200.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1280x1920.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1024x1536.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1365x2048.jpg 1365w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-scaled.jpg 1707w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_1Veronica-Stella-TejerinaIMAGEN-13-1920x2880.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Reencuentro. Serie: Recibiendo la energi\u0301a solar. Ritual del Intiwatana: Nuevo an\u0303o andino aymara<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        \n\n\n<p><\/p>\n\n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-4a2aaca0 vp-id-Z299JVJ\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"3\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural N\u00fam. 2\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_01\" data-vp-filter=\"serie_01\" value=\"serie_01\" >\n                Serie 01\n                                    (14)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_02\" data-vp-filter=\"serie_02\" value=\"serie_02\" >\n                Serie 02\n                                    (7)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_03\" data-vp-filter=\"serie_03\" value=\"serie_03\" >\n                Serie 03\n                                    (8)\n                                <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-5f4cee6e\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1920x2399.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1920x2399.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-800x1000.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1280x1600.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1229x1536.jpg 1229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1639x2048.jpg 1639w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-scaled.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x2399\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-800x1000.jpg\"\n                data-vp-popup-md-img-size=\"800x1000\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-500x625.jpg\"\n                data-vp-popup-sm-img-size=\"500x625\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. La preparacio\u0301n, 24-08-2014. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1920x2399.jpg\" >\n        <img width=\"1920\" height=\"2399\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1920x2399.jpg\" class=\"wp-image-438\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1920x2399.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-800x1000.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1280x1600.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1229x1536.jpg 1229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1639x2048.jpg 1639w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-scaled.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin1-1920x2399.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. La preparacio\u0301n, 24-08-2014. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-a66a97fe\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1920x1536.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-2048x1639.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1536\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-800x640.jpg\"\n                data-vp-popup-md-img-size=\"800x640\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-500x400.jpg\"\n                data-vp-popup-sm-img-size=\"500x400\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Los Cristianos al ataque, 18-08-2013. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1920x1536.jpg\" >\n        <img width=\"1920\" height=\"1536\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1920x1536.jpg\" class=\"wp-image-440\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-2048x1639.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin2-1920x1536.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Los Cristianos al ataque, 18-08-2013. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-c3d80886\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1920x2399.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1920x2399.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-800x1000.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1280x1600.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1229x1536.jpg 1229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1639x2048.jpg 1639w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-scaled.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x2399\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-800x1000.jpg\"\n                data-vp-popup-md-img-size=\"800x1000\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-500x625.jpg\"\n                data-vp-popup-sm-img-size=\"500x625\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. La danza, 28-08-2017. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1920x2399.jpg\" >\n        <img width=\"1920\" height=\"2399\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1920x2399.jpg\" class=\"wp-image-441\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1920x2399.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-800x1000.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1280x1600.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1229x1536.jpg 1229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1639x2048.jpg 1639w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-scaled.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin3-1920x2399.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. La danza, 28-08-2017. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-956a0ecf\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1920x2399.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1920x2399.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-800x1000.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1280x1600.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1229x1536.jpg 1229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1639x2048.jpg 1639w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-scaled.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x2399\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-800x1000.jpg\"\n                data-vp-popup-md-img-size=\"800x1000\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-500x625.jpg\"\n                data-vp-popup-sm-img-size=\"500x625\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Primer enfrentamiento, 25-08-2013. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1920x2399.jpg\" >\n        <img width=\"1920\" height=\"2399\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1920x2399.jpg\" class=\"wp-image-443\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1920x2399.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-800x1000.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1280x1600.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1229x1536.jpg 1229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1639x2048.jpg 1639w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-scaled.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin4-1920x2399.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Primer enfrentamiento, 25-08-2013. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-96d9a3d5\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1920x1536.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-2048x1639.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1536\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-800x640.jpg\"\n                data-vp-popup-md-img-size=\"800x640\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-500x400.jpg\"\n                data-vp-popup-sm-img-size=\"500x400\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. El Moro Mexicano, 29-08-2011. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1920x1536.jpg\" >\n        <img width=\"1920\" height=\"1536\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1920x1536.jpg\" class=\"wp-image-444\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-2048x1639.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin5-1920x1536.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. El Moro Mexicano, 29-08-2011. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-5962f426\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1920x1536.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-2048x1639.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1536\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-800x640.jpg\"\n                data-vp-popup-md-img-size=\"800x640\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-500x400.jpg\"\n                data-vp-popup-sm-img-size=\"500x400\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. El solitario, 23-08-2015. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1920x1536.jpg\" >\n        <img width=\"1920\" height=\"1536\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1920x1536.jpg\" class=\"wp-image-445\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-2048x1639.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin6-1920x1536.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. El solitario, 23-08-2015. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-d2de0a72\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1920x2399.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1920x2399.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-800x1000.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1280x1600.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1229x1536.jpg 1229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1639x2048.jpg 1639w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-scaled.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x2399\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-800x1000.jpg\"\n                data-vp-popup-md-img-size=\"800x1000\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-500x625.jpg\"\n                data-vp-popup-sm-img-size=\"500x625\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. El perro del Moro, 28-08-2017. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1920x2399.jpg\" >\n        <img width=\"1920\" height=\"2399\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1920x2399.jpg\" class=\"wp-image-446\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1920x2399.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-800x1000.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1280x1600.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1229x1536.jpg 1229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1639x2048.jpg 1639w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-scaled.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin7-1920x2399.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. El perro del Moro, 28-08-2017. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-8dda4010\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1920x1536.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-2048x1639.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1536\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-800x640.jpg\"\n                data-vp-popup-md-img-size=\"800x640\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-500x400.jpg\"\n                data-vp-popup-sm-img-size=\"500x400\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Fin de la danza, 24-08-2015. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1920x1536.jpg\" >\n        <img width=\"1920\" height=\"1536\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1920x1536.jpg\" class=\"wp-image-448\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-2048x1639.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin8-1920x1536.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Fin de la danza, 24-08-2015. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-a2be60d0\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1920x1536.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-2048x1639.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1536\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-800x640.jpg\"\n                data-vp-popup-md-img-size=\"800x640\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-500x400.jpg\"\n                data-vp-popup-sm-img-size=\"500x400\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Mi ojo izquierdo, 29-08-2011. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1920x1536.jpg\" >\n        <img width=\"1920\" height=\"1536\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1920x1536.jpg\" class=\"wp-image-449\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-2048x1639.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin9-1920x1536.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Mi ojo izquierdo, 29-08-2011. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-7ac58e50\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1920x2399.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1920x2399.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-800x1000.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1280x1600.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1229x1536.jpg 1229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1639x2048.jpg 1639w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-scaled.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x2399\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-800x1000.jpg\"\n                data-vp-popup-md-img-size=\"800x1000\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-500x625.jpg\"\n                data-vp-popup-sm-img-size=\"500x625\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Segundo enfrentamiento, 22-08-2015. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1920x2399.jpg\" >\n        <img width=\"1920\" height=\"2399\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1920x2399.jpg\" class=\"wp-image-450\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1920x2399.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-800x1000.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1280x1600.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1229x1536.jpg 1229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1639x2048.jpg 1639w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-scaled.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin10-1920x2399.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Segundo enfrentamiento, 22-08-2015. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-2b6a3929\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1920x1536.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-2048x1639.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1536\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-800x640.jpg\"\n                data-vp-popup-md-img-size=\"800x640\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-500x400.jpg\"\n                data-vp-popup-sm-img-size=\"500x400\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. La muerte de un Moro, 25-08-2013. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1920x1536.jpg\" >\n        <img width=\"1920\" height=\"1536\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1920x1536.jpg\" class=\"wp-image-451\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-2048x1639.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin11-1920x1536.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. La muerte de un Moro, 25-08-2013. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-0adf0ff6\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1920x1536.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-2048x1639.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1536\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-800x640.jpg\"\n                data-vp-popup-md-img-size=\"800x640\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-500x400.jpg\"\n                data-vp-popup-sm-img-size=\"500x400\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Ondeando la bandera, 22-08-2015. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1920x1536.jpg\" >\n        <img width=\"1920\" height=\"1536\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1920x1536.jpg\" class=\"wp-image-452\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1920x1536.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-300x240.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1024x819.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-768x615.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-500x400.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-800x640.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1280x1024.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1536x1229.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-2048x1639.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin12-1920x1536.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Ondeando la bandera, 22-08-2015. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-6f6d908e\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Regalando una flor, 23-08-2015. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1920x1275.jpg\" class=\"wp-image-453\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin13-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Regalando una flor, 23-08-2015. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-d0bc33f2\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1920x2887.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1920x2887.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-681x1024.jpg 681w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-768x1155.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-500x752.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-800x1203.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1280x1925.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1021x1536.jpg 1021w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1362x2048.jpg 1362w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-scaled.jpg 1702w\"\n                data-vp-popup-img-size=\"1920x2887\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-800x1203.jpg\"\n                data-vp-popup-md-img-size=\"800x1203\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-500x752.jpg\"\n                data-vp-popup-sm-img-size=\"500x752\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. El pequen\u0303o Moro, 29-08-2011. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1920x2887.jpg\" >\n        <img width=\"1920\" height=\"2887\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1920x2887.jpg\" class=\"wp-image-457\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1920x2887.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-681x1024.jpg 681w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-768x1155.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-500x752.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-800x1203.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1280x1925.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1021x1536.jpg 1021w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1362x2048.jpg 1362w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-scaled.jpg 1702w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Fernando-Oscar-Martin14-1920x2887.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. El pequen\u0303o Moro, 29-08-2011. Serie: Danza de Moros y Cristianos: Atlatlahuca, Tenango del Valle, Estado de Me\u0301xico, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-66465888\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-1-copia.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-1-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-1-copia-300x200.jpg 300w\"\n                data-vp-popup-img-size=\"320x213\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-1-copia.jpg\"\n                data-vp-popup-md-img-size=\"320x213\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-1-copia.jpg\"\n                data-vp-popup-sm-img-size=\"320x213\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Grupo que conforma la Danza de Xochitines. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico, de Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez (M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-1-copia.jpg\" >\n        <img width=\"320\" height=\"213\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-1-copia.jpg\" class=\"wp-image-467\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-1-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-1-copia-300x200.jpg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-1-copia.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Grupo que conforma la Danza de Xochitines. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-4e45227c\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-2-copia.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-2-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-2-copia-300x200.jpg 300w\"\n                data-vp-popup-img-size=\"320x213\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-2-copia.jpg\"\n                data-vp-popup-md-img-size=\"320x213\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-2-copia.jpg\"\n                data-vp-popup-sm-img-size=\"320x213\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Cuatiltic (Izquierda), Maringuilla (Centro), Xochiti\u0301n (Derecha) son los personajes que conforman la danza. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico, de Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez (M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-2-copia.jpg\" >\n        <img width=\"320\" height=\"213\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-2-copia.jpg\" class=\"wp-image-468\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-2-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-2-copia-300x200.jpg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-2-copia.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Cuatiltic (Izquierda), Maringuilla (Centro), Xochiti\u0301n (Derecha) son los personajes que conforman la danza. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-2bf7bd04\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-3-copia.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-3-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-3-copia-300x200.jpg 300w\"\n                data-vp-popup-img-size=\"320x213\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-3-copia.jpg\"\n                data-vp-popup-md-img-size=\"320x213\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-3-copia.jpg\"\n                data-vp-popup-sm-img-size=\"320x213\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Antes de la presentacio\u0301n, el pueblo le da de comer a los integrantes. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico, de Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez (M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-3-copia.jpg\" >\n        <img width=\"320\" height=\"213\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-3-copia.jpg\" class=\"wp-image-469\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-3-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-3-copia-300x200.jpg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-3-copia.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Antes de la presentacio\u0301n, el pueblo le da de comer a los integrantes. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-f38c5384\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-4-copia.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-4-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-4-copia-300x200.jpg 300w\"\n                data-vp-popup-img-size=\"320x213\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-4-copia.jpg\"\n                data-vp-popup-md-img-size=\"320x213\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-4-copia.jpg\"\n                data-vp-popup-sm-img-size=\"320x213\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Prepara\u0301ndose para danzar&#8230; Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico, de Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez (M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-4-copia.jpg\" >\n        <img width=\"320\" height=\"213\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-4-copia.jpg\" class=\"wp-image-470\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-4-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-4-copia-300x200.jpg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-4-copia.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Prepara\u0301ndose para danzar&#8230; Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-dce87344\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-5-copia.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-5-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-5-copia-300x200.jpg 300w\"\n                data-vp-popup-img-size=\"320x213\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-5-copia.jpg\"\n                data-vp-popup-md-img-size=\"320x213\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-5-copia.jpg\"\n                data-vp-popup-sm-img-size=\"320x213\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Los Xochitines se acomodan en el exterior de la iglesia para que, al comenzar la mu\u0301sica, entren danzando. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico, de Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez (M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-5-copia.jpg\" >\n        <img width=\"320\" height=\"213\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-5-copia.jpg\" class=\"wp-image-471\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-5-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-5-copia-300x200.jpg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-5-copia.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Los Xochitines se acomodan en el exterior de la iglesia para que, al comenzar la mu\u0301sica, entren danzando. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-fd5d459b\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-6-copia.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-6-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-6-copia-300x200.jpg 300w\"\n                data-vp-popup-img-size=\"320x213\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-6-copia.jpg\"\n                data-vp-popup-md-img-size=\"320x213\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-6-copia.jpg\"\n                data-vp-popup-sm-img-size=\"320x213\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. La devocio\u0301n que tienen los Xochitines les permite danzar durante toda la noche hasta el amanecer. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico, de Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez (M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-6-copia.jpg\" >\n        <img width=\"320\" height=\"213\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-6-copia.jpg\" class=\"wp-image-472\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-6-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-6-copia-300x200.jpg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-6-copia.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. La devocio\u0301n que tienen los Xochitines les permite danzar durante toda la noche hasta el amanecer. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-b0f24057\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-7-copia.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-7-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-7-copia-300x200.jpg 300w\"\n                data-vp-popup-img-size=\"320x213\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-7-copia.jpg\"\n                data-vp-popup-md-img-size=\"320x213\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-7-copia.jpg\"\n                data-vp-popup-sm-img-size=\"320x213\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Los Xochitines danzando ante el altar. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico, de Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez (M\u00e9xico)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-7-copia.jpg\" >\n        <img width=\"320\" height=\"213\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-7-copia.jpg\" class=\"wp-image-473\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-7-copia.jpg 320w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-7-copia-300x200.jpg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Miguel-Angel-Marin-HernandezFotografi_a-7-copia.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Los Xochitines danzando ante el altar. Serie: La Danza de Xochitines en Cojolapa, Tamazunchale, Me\u0301xico<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel-\u00c1ngel Mar\u00edn Hern\u00e1ndez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-daadacae\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1920x1077.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1920x1077.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-300x168.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1024x574.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-768x431.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-500x280.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-800x449.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1280x718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1536x862.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-2048x1149.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1077\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-800x449.jpg\"\n                data-vp-popup-md-img-size=\"800x449\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-500x280.jpg\"\n                data-vp-popup-sm-img-size=\"500x280\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. De corazo\u0301n, el anticucho. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016, de Mauricio Alejandro Barria (Argentina)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1920x1077.jpg\" >\n        <img width=\"1920\" height=\"1077\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1920x1077.jpg\" class=\"wp-image-459\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1920x1077.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-300x168.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1024x574.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-768x431.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-500x280.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-800x449.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1280x718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1536x862.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-2048x1149.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-1-1920x1077.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. De corazo\u0301n, el anticucho. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Mauricio Alejandro Barria    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-9ae9e827\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1920x1077.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1920x1077.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-300x168.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1024x575.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-768x431.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-800x449.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1280x718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1536x862.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-2048x1149.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1077\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-800x449.jpg\"\n                data-vp-popup-md-img-size=\"800x449\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Damita danzante, grupo \u2018San Simo\u0301n\u2019. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016, de Mauricio Alejandro Barria (Argentina)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1920x1077.jpg\" >\n        <img width=\"1920\" height=\"1077\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1920x1077.jpg\" class=\"wp-image-460\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1920x1077.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-300x168.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1024x575.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-768x431.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-800x449.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1280x718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1536x862.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-2048x1149.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-2-1920x1077.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Damita danzante, grupo \u2018San Simo\u0301n\u2019. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Mauricio Alejandro Barria    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-5552bfd4\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-scaled.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-scaled.jpg 1436w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-168x300.jpg 168w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-574x1024.jpg 574w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-768x1369.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-500x891.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-800x1426.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-1280x2282.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-862x1536.jpg 862w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-1149x2048.jpg 1149w\"\n                data-vp-popup-img-size=\"1436x2560\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-800x1426.jpg\"\n                data-vp-popup-md-img-size=\"800x1426\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-500x891.jpg\"\n                data-vp-popup-sm-img-size=\"500x891\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Danza Tinku, pisando fuerte. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016, de Mauricio Alejandro Barria (Argentina)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-scaled.jpg\" >\n        <img width=\"1436\" height=\"2560\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-scaled.jpg\" class=\"wp-image-461\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-scaled.jpg 1436w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-168x300.jpg 168w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-574x1024.jpg 574w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-768x1369.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-500x891.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-800x1426.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-1280x2282.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-862x1536.jpg 862w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-1149x2048.jpg 1149w\" sizes=\"(max-width: 1436px) 100vw, 1436px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-3-scaled.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Danza Tinku, pisando fuerte. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Mauricio Alejandro Barria    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-518cd6d7\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1920x1077.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1920x1077.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-300x168.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1024x574.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-768x431.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-500x280.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-800x449.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1280x718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1536x862.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-2048x1149.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1077\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-800x449.jpg\"\n                data-vp-popup-md-img-size=\"800x449\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-500x280.jpg\"\n                data-vp-popup-sm-img-size=\"500x280\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Abundancia. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016, de Mauricio Alejandro Barria (Argentina)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1920x1077.jpg\" >\n        <img width=\"1920\" height=\"1077\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1920x1077.jpg\" class=\"wp-image-462\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1920x1077.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-300x168.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1024x574.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-768x431.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-500x280.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-800x449.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1280x718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1536x862.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-2048x1149.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-4-1920x1077.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Abundancia. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Mauricio Alejandro Barria    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-9e378124\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1920x1077.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1920x1077.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-300x168.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1024x574.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-768x431.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-500x280.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-800x449.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1280x718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1536x862.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-2048x1149.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1077\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-800x449.jpg\"\n                data-vp-popup-md-img-size=\"800x449\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-500x280.jpg\"\n                data-vp-popup-sm-img-size=\"500x280\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Cholitas, polleras en vaive\u0301n. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016, de Mauricio Alejandro Barria (Argentina)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1920x1077.jpg\" >\n        <img width=\"1920\" height=\"1077\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1920x1077.jpg\" class=\"wp-image-463\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1920x1077.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-300x168.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1024x574.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-768x431.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-500x280.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-800x449.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1280x718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1536x862.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-2048x1149.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-5-1920x1077.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Cholitas, polleras en vaive\u0301n. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Mauricio Alejandro Barria    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-12e6bb69\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1920x1077.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1920x1077.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-300x168.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1024x574.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-768x431.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-500x280.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-800x449.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1280x718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1536x862.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-2048x1149.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1077\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-800x449.jpg\"\n                data-vp-popup-md-img-size=\"800x449\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-500x280.jpg\"\n                data-vp-popup-sm-img-size=\"500x280\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Color y alegri\u0301a, damita danzante, grupo \u2018San Simo\u0301n\u2019. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016, de Mauricio Alejandro Barria (Argentina)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1920x1077.jpg\" >\n        <img width=\"1920\" height=\"1077\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1920x1077.jpg\" class=\"wp-image-464\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1920x1077.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-300x168.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1024x574.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-768x431.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-500x280.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-800x449.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1280x718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1536x862.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-2048x1149.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-6-1920x1077.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Color y alegri\u0301a, damita danzante, grupo \u2018San Simo\u0301n\u2019. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Mauricio Alejandro Barria    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-dd5dec9a\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-1920x3423.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-1920x3423.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-168x300.jpg 168w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-574x1024.jpg 574w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-768x1369.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-500x891.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-800x1426.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-1280x2282.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-862x1536.jpg 862w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-1149x2048.jpg 1149w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-scaled.jpg 1436w\"\n                data-vp-popup-img-size=\"1920x3423\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-800x1426.jpg\"\n                data-vp-popup-md-img-size=\"800x1426\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-500x891.jpg\"\n                data-vp-popup-sm-img-size=\"500x891\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Danza de los Caporales, grupo \u2018San Simo\u0301n\u2019. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016, de Mauricio Alejandro Barria (Argentina)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-1920x3423.jpg\" >\n        <img width=\"1920\" height=\"3423\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-1920x3423.jpg\" class=\"wp-image-465\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-1920x3423.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-168x300.jpg 168w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-574x1024.jpg 574w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-768x1369.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-500x891.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-800x1426.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-1280x2282.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-862x1536.jpg 862w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-1149x2048.jpg 1149w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-scaled.jpg 1436w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-7-1920x3423.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Danza de los Caporales, grupo \u2018San Simo\u0301n\u2019. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Mauricio Alejandro Barria    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-1c37ad76\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-scaled.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-scaled.jpg 1436w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-168x300.jpg 168w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-574x1024.jpg 574w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-768x1369.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-500x891.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-800x1426.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-1280x2282.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-862x1536.jpg 862w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-1149x2048.jpg 1149w\"\n                data-vp-popup-img-size=\"1436x2560\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-800x1426.jpg\"\n                data-vp-popup-md-img-size=\"800x1426\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-500x891.jpg\"\n                data-vp-popup-sm-img-size=\"500x891\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. El Tinku, el encuentro. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016, de Mauricio Alejandro Barria (Argentina)\nRevista Plural N\u00fam. 2<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-scaled.jpg\" >\n        <img width=\"1436\" height=\"2560\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-scaled.jpg\" class=\"wp-image-466\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-scaled.jpg 1436w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-168x300.jpg 168w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-574x1024.jpg 574w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-768x1369.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-500x891.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-800x1426.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-1280x2282.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-862x1536.jpg 862w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-1149x2048.jpg 1149w\" sizes=\"(max-width: 1436px) 100vw, 1436px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/1_2Mauricio-Alejandro-BarriaFoto-8-scaled.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. El Tinku, el encuentro. Serie: Veneracio\u0301n a la Virgen de Copacabana en La Plata, agosto 2016<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Mauricio Alejandro Barria    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        \n\n\n<p><\/p>\n\n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-2e464dab vp-id-2dNQH4\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"3\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural N\u00fam. 3\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_01\" data-vp-filter=\"serie_01\" value=\"serie_01\" >\n                Serie 01\n                                    (12)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_02\" data-vp-filter=\"serie_02\" value=\"serie_02\" >\n                Serie 02\n                                    (6)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_03\" data-vp-filter=\"serie_03\" value=\"serie_03\" >\n                Serie 03\n                                    (10)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_04\" data-vp-filter=\"serie_04\" value=\"serie_04\" >\n                Serie 04\n                                    (21)\n                                <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-32966741\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2-800x532.jpg 800w\"\n                data-vp-popup-img-size=\"945x628\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2-800x532.jpg\"\n                data-vp-popup-md-img-size=\"800x532\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Acta del Cabildo Nasa. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2.jpg\" >\n        <img width=\"945\" height=\"628\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2.jpg\" class=\"wp-image-474\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2-800x532.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz0-Acta-del-Cabildo-Nasa2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Acta del Cabildo Nasa. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-fd2d30b2\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2.jpg 628w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2-500x752.jpg 500w\"\n                data-vp-popup-img-size=\"628x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2.jpg\"\n                data-vp-popup-md-img-size=\"628x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2-500x752.jpg\"\n                data-vp-popup-sm-img-size=\"500x752\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Preparativos del casorio. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2.jpg\" >\n        <img width=\"628\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2.jpg\" class=\"wp-image-475\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2.jpg 628w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2-500x752.jpg 500w\" sizes=\"(max-width: 628px) 100vw, 628px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz1-Preparativos-del-casorio2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Preparativos del casorio. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-7691cee6\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2-800x532.jpg 800w\"\n                data-vp-popup-img-size=\"945x628\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2-800x532.jpg\"\n                data-vp-popup-md-img-size=\"800x532\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Ritual del sacrificio. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2.jpg\" >\n        <img width=\"945\" height=\"628\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2.jpg\" class=\"wp-image-476\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2-800x532.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz2-Ritual-del-sacrificio2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Ritual del sacrificio. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-b92a9915\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2-800x532.jpg 800w\"\n                data-vp-popup-img-size=\"945x628\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2-800x532.jpg\"\n                data-vp-popup-md-img-size=\"800x532\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Preparacio\u0301n del Mote comunitario. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2.jpg\" >\n        <img width=\"945\" height=\"628\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2.jpg\" class=\"wp-image-477\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2-800x532.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz3-Preparacion-del-Mote-comunitario2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Preparacio\u0301n del Mote comunitario. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-b442bc3d\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2-800x532.jpg 800w\"\n                data-vp-popup-img-size=\"945x628\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2-800x532.jpg\"\n                data-vp-popup-md-img-size=\"800x532\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Mujeres guardianas del fogo\u0301n. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2.jpg\" >\n        <img width=\"945\" height=\"628\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2.jpg\" class=\"wp-image-478\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2-800x532.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz4-Mujeres-guardianas-del-fogon2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Mujeres guardianas del fogo\u0301n. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-7bf9ebce\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2-800x532.jpg 800w\"\n                data-vp-popup-img-size=\"945x628\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2-800x532.jpg\"\n                data-vp-popup-md-img-size=\"800x532\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Minga comunitaria. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2.jpg\" >\n        <img width=\"945\" height=\"628\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2.jpg\" class=\"wp-image-479\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2-800x532.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz5-Minga-comunitaria2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Minga comunitaria. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-9708e04b\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Entretejiendo los lazos. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2.jpg\" class=\"wp-image-480\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz6-Entretejiendo-los-lazos2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Entretejiendo los lazos. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-58b3b7b8\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2-800x532.jpg 800w\"\n                data-vp-popup-img-size=\"945x628\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2-800x532.jpg\"\n                data-vp-popup-md-img-size=\"800x532\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Llegada de los novios. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2.jpg\" >\n        <img width=\"945\" height=\"628\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2.jpg\" class=\"wp-image-481\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2-800x532.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz7-Llegada-de-los-novios2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Llegada de los novios. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-99d9f654\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2-800x532.jpg 800w\"\n                data-vp-popup-img-size=\"945x628\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2-800x532.jpg\"\n                data-vp-popup-md-img-size=\"800x532\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Bienvenida a la comunidad. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2.jpg\" >\n        <img width=\"945\" height=\"628\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2.jpg\" class=\"wp-image-482\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2-800x532.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz8-Bienvenida-a-la-comunidad2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Bienvenida a la comunidad. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-5662a1a7\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2-800x532.jpg 800w\"\n                data-vp-popup-img-size=\"945x628\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2-800x532.jpg\"\n                data-vp-popup-md-img-size=\"800x532\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Casorio alrededor del fuego. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2.jpg\" >\n        <img width=\"945\" height=\"628\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2.jpg\" class=\"wp-image-483\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2-800x532.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz9-Casorio-al-rededor-del-fuego2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Casorio alrededor del fuego. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-eeaeb3eb\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2-800x532.jpg 800w\"\n                data-vp-popup-img-size=\"945x628\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2-800x532.jpg\"\n                data-vp-popup-md-img-size=\"800x532\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Gui\u0301as espirituales. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2.jpg\" >\n        <img width=\"945\" height=\"628\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2.jpg\" class=\"wp-image-484\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2-800x532.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz10-Guias-espirituales2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Gui\u0301as espirituales. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-2115e418\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2-800x532.jpg 800w\"\n                data-vp-popup-img-size=\"945x628\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2-800x532.jpg\"\n                data-vp-popup-md-img-size=\"800x532\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. El baile de la unio\u0301n indi\u0301gena. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena, de Alejandra Mu\u00f1oz Ruiz (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2.jpg\" >\n        <img width=\"945\" height=\"628\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2.jpg\" class=\"wp-image-485\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2-800x532.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Alejandra-Munoz11-El-baile-de-la-union-indigena2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. El baile de la unio\u0301n indi\u0301gena. Seri\u00e9: Unio\u0301n de parejas indi\u0301genas nasa Nasa Phtamnxu\u0302u: Ritual del matrimonio tradicional indi\u0301gena<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Alejandra Mu\u00f1oz Ruiz    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-ff7e3850\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1.jpg 850w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-216x300.jpg 216w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-737x1024.jpg 737w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-768x1067.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-500x695.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-800x1112.jpg 800w\"\n                data-vp-popup-img-size=\"850x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-800x1112.jpg\"\n                data-vp-popup-md-img-size=\"800x1112\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-500x695.jpg\"\n                data-vp-popup-sm-img-size=\"500x695\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Sacrificio a Yemaya. Serie: La playa como espacio ritual<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La playa como espacio ritual, de Gabriela Torres Ramos (M\u00e9xico)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1.jpg\" >\n        <img width=\"850\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1.jpg\" class=\"wp-image-850\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1.jpg 850w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-216x300.jpg 216w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-737x1024.jpg 737w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-768x1067.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-500x695.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1-800x1112.jpg 800w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Sacrificio a Yemaya. Serie: La playa como espacio ritual<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriela Torres Ramos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-30c56fa3\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Sacrificio a Yemaya. Serie: La playa como espacio ritual<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La playa como espacio ritual, de Gabriela Torres Ramos (M\u00e9xico)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo.jpg\" class=\"wp-image-851\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-2-gallo.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Sacrificio a Yemaya. Serie: La playa como espacio ritual<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriela Torres Ramos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-341b06a0\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3.jpg 825w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-210x300.jpg 210w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-715x1024.jpg 715w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-768x1099.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-500x716.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-800x1145.jpg 800w\"\n                data-vp-popup-img-size=\"825x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-800x1145.jpg\"\n                data-vp-popup-md-img-size=\"800x1145\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-500x716.jpg\"\n                data-vp-popup-sm-img-size=\"500x716\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Sacrificio a Yemaya. Serie: La playa como espacio ritual<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La playa como espacio ritual, de Gabriela Torres Ramos (M\u00e9xico)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3.jpg\" >\n        <img width=\"825\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3.jpg\" class=\"wp-image-852\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3.jpg 825w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-210x300.jpg 210w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-715x1024.jpg 715w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-768x1099.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-500x716.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3-800x1145.jpg 800w\" sizes=\"(max-width: 825px) 100vw, 825px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Sacrificio-a-Yemaya-3.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Sacrificio a Yemaya. Serie: La playa como espacio ritual<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriela Torres Ramos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-026e890c\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Ceremonia Yemaya\u0301 tambores. Serie: La playa como espacio ritual<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La playa como espacio ritual, de Gabriela Torres Ramos (M\u00e9xico)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4.jpg\" class=\"wp-image-849\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Yemaya\u0301-tambores-4.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Ceremonia Yemaya\u0301 tambores. Serie: La playa como espacio ritual<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriela Torres Ramos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-67dc1674\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5.jpg 744w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5-189x300.jpg 189w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5-645x1024.jpg 645w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5-500x794.jpg 500w\"\n                data-vp-popup-img-size=\"744x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5.jpg\"\n                data-vp-popup-md-img-size=\"744x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5-500x794.jpg\"\n                data-vp-popup-sm-img-size=\"500x794\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Ceremonia Nganga tambores. Serie: La playa como espacio ritual<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La playa como espacio ritual, de Gabriela Torres Ramos (M\u00e9xico)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5.jpg\" >\n        <img width=\"744\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5.jpg\" class=\"wp-image-848\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5.jpg 744w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5-189x300.jpg 189w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5-645x1024.jpg 645w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5-500x794.jpg 500w\" sizes=\"(max-width: 744px) 100vw, 744px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-tambores-5.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Ceremonia Nganga tambores. Serie: La playa como espacio ritual<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriela Torres Ramos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-4fdf6c80\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6.jpg 659w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6-167x300.jpg 167w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6-571x1024.jpg 571w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6-500x896.jpg 500w\"\n                data-vp-popup-img-size=\"659x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6.jpg\"\n                data-vp-popup-md-img-size=\"659x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6-500x896.jpg\"\n                data-vp-popup-sm-img-size=\"500x896\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Ceremonia Nganga. Serie: La playa como espacio ritual<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 , de Gabriela Torres Ramos (M\u00e9xico)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6.jpg\" >\n        <img width=\"659\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6.jpg\" class=\"wp-image-847\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6.jpg 659w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6-167x300.jpg 167w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6-571x1024.jpg 571w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6-500x896.jpg 500w\" sizes=\"(max-width: 659px) 100vw, 659px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ceremonia-Nganga-6.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Ceremonia Nganga. Serie: La playa como espacio ritual<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriela Torres Ramos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-8b70bef5\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Espera en Punta Arenas. Serie: Viaje al santuario de la Virgen de Montserrat<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Viaje al santuario de la Virgen de Montserrat: participantes y devociones en la peregrinacio\u0301n\nmariana ma\u0301s austral de Latinoame\u0301rica, de Pablo Rojas Bahamonde\nPuerto Montt (Chile)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1920x1280.jpg\" class=\"wp-image-511\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-1.-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Espera en Punta Arenas. Serie: Viaje al santuario de la Virgen de Montserrat<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Rojas Bahamonde    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-aac5882a\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. A\u0301rea de culto en la estepa magalla\u0301nica de la comuna de Ri\u0301o Verde. Serie: Viaje al santuario de la Virgen de Montserrat<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Viaje al santuario de la Virgen de Montserrat: participantes y devociones en la peregrinacio\u0301n\nmariana ma\u0301s austral de Latinoame\u0301rica, de Pablo Rojas Bahamonde\nPuerto Montt (Chile)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1920x1280.jpg\" class=\"wp-image-512\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-2.-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. A\u0301rea de culto en la estepa magalla\u0301nica de la comuna de Ri\u0301o Verde. Serie: Viaje al santuario de la Virgen de Montserrat<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Rojas Bahamonde    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-e76a8de6\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Saludo a la \u201cMorena\u201d. Serie: Viaje al santuario de la Virgen de Montserrat<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Viaje al santuario de la Virgen de Montserrat: participantes y devociones en la peregrinacio\u0301n\nmariana ma\u0301s austral de Latinoame\u0301rica, de Pablo Rojas Bahamonde\nPuerto Montt (Chile)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1920x1280.jpg\" class=\"wp-image-513\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-3.-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Saludo a la \u201cMorena\u201d. Serie: Viaje al santuario de la Virgen de Montserrat<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Rojas Bahamonde    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-c1b27f20\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Objetos a la venta. Serie: Viaje al santuario de la Virgen de Montserrat<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Viaje al santuario de la Virgen de Montserrat: participantes y devociones en la peregrinacio\u0301n\nmariana ma\u0301s austral de Latinoame\u0301rica, de Pablo Rojas Bahamonde\nPuerto Montt (Chile)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1920x1280.jpg\" class=\"wp-image-514\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-4.-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Objetos a la venta. Serie: Viaje al santuario de la Virgen de Montserrat<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Rojas Bahamonde    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-a400e058\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Comienzo misa de la man\u0303ana. Serie: Viaje al santuario de la Virgen de Montserrat<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Viaje al santuario de la Virgen de Montserrat: participantes y devociones en la peregrinacio\u0301n\nmariana ma\u0301s austral de Latinoame\u0301rica, de Pablo Rojas Bahamonde\nPuerto Montt (Chile)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1920x1280.jpg\" class=\"wp-image-515\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-5.-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Comienzo misa de la man\u0303ana. Serie: Viaje al santuario de la Virgen de Montserrat<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Rojas Bahamonde    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-85b5d687\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6..jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6..jpg 1417w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-300x203.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-1024x694.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-768x520.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-500x339.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-800x542.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-1280x867.jpg 1280w\"\n                data-vp-popup-img-size=\"1417x960\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-800x542.jpg\"\n                data-vp-popup-md-img-size=\"800x542\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-500x339.jpg\"\n                data-vp-popup-sm-img-size=\"500x339\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Bajada a la gruta. Serie: Viaje al santuario de la Virgen de Montserrat<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Viaje al santuario de la Virgen de Montserrat: participantes y devociones en la peregrinacio\u0301n\nmariana ma\u0301s austral de Latinoame\u0301rica, de Pablo Rojas Bahamonde\nPuerto Montt (Chile)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6..jpg\" >\n        <img width=\"1417\" height=\"960\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6..jpg\" class=\"wp-image-516\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6..jpg 1417w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-300x203.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-1024x694.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-768x520.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-500x339.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-800x542.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6.-1280x867.jpg 1280w\" sizes=\"(max-width: 1417px) 100vw, 1417px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-6..jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Bajada a la gruta. Serie: Viaje al santuario de la Virgen de Montserrat<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Rojas Bahamonde    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-ffdac339\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Veneracio\u0301n en altar. Serie: Viaje al santuario de la Virgen de Montserrat<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Viaje al santuario de la Virgen de Montserrat: participantes y devociones en la peregrinacio\u0301n\nmariana ma\u0301s austral de Latinoame\u0301rica, de Pablo Rojas Bahamonde\nPuerto Montt (Chile)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1920x1280.jpg\" class=\"wp-image-518\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-7.-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Veneracio\u0301n en altar. Serie: Viaje al santuario de la Virgen de Montserrat<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Rojas Bahamonde    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-306194ca\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-2048x1365.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Bendicio\u0301n de agua. Serie: Viaje al santuario de la Virgen de Montserrat<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Viaje al santuario de la Virgen de Montserrat: participantes y devociones en la peregrinacio\u0301n\nmariana ma\u0301s austral de Latinoame\u0301rica, de Pablo Rojas Bahamonde\nPuerto Montt (Chile)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1920x1280.jpg\" class=\"wp-image-519\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1280x853.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-9.-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Bendicio\u0301n de agua. Serie: Viaje al santuario de la Virgen de Montserrat<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Rojas Bahamonde    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-7025d043\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11..jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11..jpg 1417w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-300x202.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-1024x690.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-768x518.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-500x337.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-800x539.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-1280x863.jpg 1280w\"\n                data-vp-popup-img-size=\"1417x955\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-800x539.jpg\"\n                data-vp-popup-md-img-size=\"800x539\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-500x337.jpg\"\n                data-vp-popup-sm-img-size=\"500x337\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Ofrecimiento de hostia y transubstanciacio\u0301n del agua en misa de la tarde. Serie: Viaje al santuario de la Virgen de Montserrat<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Viaje al santuario de la Virgen de Montserrat: participantes y devociones en la peregrinacio\u0301n\nmariana ma\u0301s austral de Latinoame\u0301rica, de Pablo Rojas Bahamonde\nPuerto Montt (Chile)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11..jpg\" >\n        <img width=\"1417\" height=\"955\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11..jpg\" class=\"wp-image-520\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11..jpg 1417w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-300x202.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-1024x690.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-768x518.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-500x337.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-800x539.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11.-1280x863.jpg 1280w\" sizes=\"(max-width: 1417px) 100vw, 1417px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-11..jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Ofrecimiento de hostia y transubstanciacio\u0301n del agua en misa de la tarde. Serie: Viaje al santuario de la Virgen de Montserrat<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Rojas Bahamonde    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-bf9e87b0\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12..jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12..jpg 1417w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-300x201.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-1024x687.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-768x515.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-500x335.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-800x536.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-1280x858.jpg 1280w\"\n                data-vp-popup-img-size=\"1417x950\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-800x536.jpg\"\n                data-vp-popup-md-img-size=\"800x536\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-500x335.jpg\"\n                data-vp-popup-sm-img-size=\"500x335\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Asado familiar. Serie: Viaje al santuario de la Virgen de Montserrat<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Viaje al santuario de la Virgen de Montserrat: participantes y devociones en la peregrinacio\u0301n\nmariana ma\u0301s austral de Latinoame\u0301rica, de Pablo Rojas Bahamonde\nPuerto Montt (Chile)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12..jpg\" >\n        <img width=\"1417\" height=\"950\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12..jpg\" class=\"wp-image-521\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12..jpg 1417w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-300x201.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-1024x687.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-768x515.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-500x335.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-800x536.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12.-1280x858.jpg 1280w\" sizes=\"(max-width: 1417px) 100vw, 1417px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Pablo-Rojas-BahamondeFotografia-12..jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Asado familiar. Serie: Viaje al santuario de la Virgen de Montserrat<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Rojas Bahamonde    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-82b480f8\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1-500x667.jpg 500w\"\n                data-vp-popup-img-size=\"768x1024\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1.jpg\"\n                data-vp-popup-md-img-size=\"768x1024\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1-500x667.jpg\"\n                data-vp-popup-sm-img-size=\"500x667\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Imagem do Gauchito Gil. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1.jpg\" >\n        <img width=\"768\" height=\"1024\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1.jpg\" class=\"wp-image-486\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1-500x667.jpg 500w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Imagem do Gauchito Gil. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-4d0fd70b\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Carro de devotosa caminho da festa do Gauchito. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1920x1080.jpg\" class=\"wp-image-487\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-2-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Carro de devotosa caminho da festa do Gauchito. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-9dd8aca0\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Imagens do Gauchito Gil a caminho do Santua\u0301rio. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1920x1080.jpg\" class=\"wp-image-488\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-3-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Imagens do Gauchito Gil a caminho do Santua\u0301rio. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-5263fb53\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Festa dos gau\u0301chos para o Gauchito. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1920x1080.jpg\" class=\"wp-image-489\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-4-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Festa dos gau\u0301chos para o Gauchito. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-2011dd58\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Rosa\u0301rio de Gauchitos para venda durante a festa. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1920x1080.jpg\" class=\"wp-image-490\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-5-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Rosa\u0301rio de Gauchitos para venda durante a festa. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-76a3db11\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Procisa\u0303o dos devotos levando a Cruz e a imagem ao altar. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1920x1080.jpg\" class=\"wp-image-492\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Procisa\u0303o dos devotos levando a Cruz e a imagem ao altar. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-9c73d33e\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1.jpg 1417w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-300x170.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-1024x579.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-768x434.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-500x283.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-800x452.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-1280x724.jpg 1280w\"\n                data-vp-popup-img-size=\"1417x801\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-800x452.jpg\"\n                data-vp-popup-md-img-size=\"800x452\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-500x283.jpg\"\n                data-vp-popup-sm-img-size=\"500x283\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Procisa\u0303o dos devotos levando a Cruz e a imagem ao altar. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1.jpg\" >\n        <img width=\"1417\" height=\"801\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1.jpg\" class=\"wp-image-493\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1.jpg 1417w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-300x170.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-1024x579.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-768x434.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-500x283.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-800x452.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1-1280x724.jpg 1280w\" sizes=\"(max-width: 1417px) 100vw, 1417px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-6-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Procisa\u0303o dos devotos levando a Cruz e a imagem ao altar. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-baab21f8\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Oferenda a Gauchito Gil. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1920x1080.jpg\" class=\"wp-image-494\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-7-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Oferenda a Gauchito Gil. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-df19be80\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Devoto tocando a imagem no altar. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1920x1080.jpg\" class=\"wp-image-495\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-8-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Devoto tocando a imagem no altar. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-feac885f\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9.jpg 1772w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-1024x578.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-768x434.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-500x282.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-800x452.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-1280x723.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-1536x868.jpg 1536w\"\n                data-vp-popup-img-size=\"1772x1001\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-800x452.jpg\"\n                data-vp-popup-md-img-size=\"800x452\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-500x282.jpg\"\n                data-vp-popup-sm-img-size=\"500x282\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Imagens de velas no inicio da noite. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9.jpg\" >\n        <img width=\"1772\" height=\"1001\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9.jpg\" class=\"wp-image-496\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9.jpg 1772w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-1024x578.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-768x434.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-500x282.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-800x452.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-1280x723.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9-1536x868.jpg 1536w\" sizes=\"(max-width: 1772px) 100vw, 1772px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-9.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Imagens de velas no inicio da noite. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-d1c8a89f\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10.jpg 1772w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1024x578.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-768x434.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-500x282.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-800x452.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1280x723.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1536x868.jpg 1536w\"\n                data-vp-popup-img-size=\"1772x1001\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-800x452.jpg\"\n                data-vp-popup-md-img-size=\"800x452\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-500x282.jpg\"\n                data-vp-popup-sm-img-size=\"500x282\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Placas com pedidos de milagre. Serie: auchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10.jpg\" >\n        <img width=\"1772\" height=\"1001\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10.jpg\" class=\"wp-image-497\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10.jpg 1772w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1024x578.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-768x434.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-500x282.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-800x452.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1280x723.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1536x868.jpg 1536w\" sizes=\"(max-width: 1772px) 100vw, 1772px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Placas com pedidos de milagre. Serie: auchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-f9cbd26b\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"1024x768\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Placas com pedidos de milagre. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1.jpg\" >\n        <img width=\"1024\" height=\"768\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1.jpg\" class=\"wp-image-498\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1-800x600.jpg 800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-10-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Placas com pedidos de milagre. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-e83818bd\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Velas pro\u0301ximas ao altar. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1920x1080.jpg\" class=\"wp-image-500\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-11-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Velas pro\u0301ximas ao altar. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-27834f4e\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. Chamas da fe\u0301. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1920x1080.jpg\" class=\"wp-image-501\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. Chamas da fe\u0301. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-ac3fb11a\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">15. Chamas da fe\u0301. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1920x1080.jpg\" class=\"wp-image-502\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-12-1-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    15. Chamas da fe\u0301. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-6384e6e9\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">16. Altar do Gauchito Gil a\u0300 noite. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1920x1080.jpg\" class=\"wp-image-503\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-13-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    16. Altar do Gauchito Gil a\u0300 noite. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-60374bf3\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">17. Imagens do Gauchito desde o altar. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1920x1080.jpg\" class=\"wp-image-504\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-14-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    17. Imagens do Gauchito desde o altar. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-36854dba\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">18. Altar do Gauchito com devotos. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1920x1080.jpg\" class=\"wp-image-506\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-15-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    18. Altar do Gauchito com devotos. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-5337d2c2\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">19. Imagens e velas apo\u0301s a festa. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1920x1080.jpg\" class=\"wp-image-507\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-16-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    19. Imagens e velas apo\u0301s a festa. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-5c6a2447\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18-800x450.jpg 800w\"\n                data-vp-popup-img-size=\"945x531\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">20. Imagem do Gauchito apo\u0301s a festa entre placas com pedidos de milagre. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18.jpg\" >\n        <img width=\"945\" height=\"531\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18.jpg\" class=\"wp-image-861\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18-800x450.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Imagen-18.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    20. Imagem do Gauchito apo\u0301s a festa entre placas com pedidos de milagre. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-2357b860\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">21. Placa de agradecimento ao milagre concedido. Serie: Gauchito Gil &#8211; el santo rojo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Gauchito Gil &#8211; el santo rojo, de Danielle Ara\u00fajo &amp; Renato Martins (Brasil)\nRevista Plural N\u00fam. 3<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1920x1080.jpg\" class=\"wp-image-508\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/3Danielle-Araujo-y-Renato-MartinsImagen-19-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    21. Placa de agradecimento ao milagre concedido. Serie: Gauchito Gil &#8211; el santo rojo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Danielle Ara\u00fajo &amp; Renato Martins    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        \n\n\n<p><\/p>\n\n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-05f176b5 vp-id-Z2b1UaY\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"3\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural N\u00fam. 4\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_01\" data-vp-filter=\"serie_01\" value=\"serie_01\" >\n                Serie 01\n                                    (24)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_02\" data-vp-filter=\"serie_02\" value=\"serie_02\" >\n                Serie 02\n                                    (7)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_03\" data-vp-filter=\"serie_03\" value=\"serie_03\" >\n                Serie 03\n                                    (10)\n                                <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-a7405c06\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-1360x2048.jpg 1360w\"\n                data-vp-popup-img-size=\"1500x2258\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-800x1204.jpg\"\n                data-vp-popup-md-img-size=\"800x1204\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-500x753.jpg\"\n                data-vp-popup-sm-img-size=\"500x753\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1.jpg\" >\n        <img width=\"1500\" height=\"2258\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1.jpg\" class=\"wp-image-522\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1-1360x2048.jpg 1360w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-68fb0bf5\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1920x1275.jpg\" class=\"wp-image-523\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-2-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-e42a31b8\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-1360x2048.jpg 1360w\"\n                data-vp-popup-img-size=\"1500x2258\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-800x1204.jpg\"\n                data-vp-popup-md-img-size=\"800x1204\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-500x753.jpg\"\n                data-vp-popup-sm-img-size=\"500x753\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3.jpg\" >\n        <img width=\"1500\" height=\"2258\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3.jpg\" class=\"wp-image-524\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3-1360x2048.jpg 1360w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-3.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-2b91664b\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1920x1275.jpg\" class=\"wp-image-525\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-4-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-2f4f0f48\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-1360x2048.jpg 1360w\"\n                data-vp-popup-img-size=\"1500x2258\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-800x1204.jpg\"\n                data-vp-popup-md-img-size=\"800x1204\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-500x753.jpg\"\n                data-vp-popup-sm-img-size=\"500x753\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5.jpg\" >\n        <img width=\"1500\" height=\"2258\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5.jpg\" class=\"wp-image-526\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5-1360x2048.jpg 1360w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-5.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-e0f458bb\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1920x1275.jpg\" class=\"wp-image-527\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-6-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-62feeac4\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-1360x2048.jpg 1360w\"\n                data-vp-popup-img-size=\"1500x2258\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-800x1204.jpg\"\n                data-vp-popup-md-img-size=\"800x1204\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-500x753.jpg\"\n                data-vp-popup-sm-img-size=\"500x753\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7.jpg\" >\n        <img width=\"1500\" height=\"2258\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7.jpg\" class=\"wp-image-528\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7-1360x2048.jpg 1360w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-7.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-ad45bd37\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1920x1275.jpg\" class=\"wp-image-529\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-8-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-95e12484\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1920x1275.jpg\" class=\"wp-image-530\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-9-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-5a5a7377\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1920x1275.jpg\" class=\"wp-image-531\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-10-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-92fc95b4\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1920x1275.jpg\" class=\"wp-image-533\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-11-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-b4246772\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-1360x2048.jpg 1360w\"\n                data-vp-popup-img-size=\"1500x2258\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-800x1204.jpg\"\n                data-vp-popup-md-img-size=\"800x1204\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-500x753.jpg\"\n                data-vp-popup-sm-img-size=\"500x753\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12.jpg\" >\n        <img width=\"1500\" height=\"2258\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12.jpg\" class=\"wp-image-534\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12-1360x2048.jpg 1360w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-12.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-d196f80a\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1920x1275.jpg\" class=\"wp-image-535\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-13-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-f023ced5\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1920x1275.jpg\" class=\"wp-image-536\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-14-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-8a4cdb6b\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">15. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1920x1275.jpg\" class=\"wp-image-538\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-15-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    15. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-45f78c98\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">16. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1920x1275.jpg\" class=\"wp-image-539\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-16-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    16. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-61df0d15\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-214x300.jpg 214w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-731x1024.jpg 731w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-768x1075.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-500x700.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-800x1120.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-1280x1792.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-1097x1536.jpg 1097w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-1463x2048.jpg 1463w\"\n                data-vp-popup-img-size=\"1500x2100\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-800x1120.jpg\"\n                data-vp-popup-md-img-size=\"800x1120\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-500x700.jpg\"\n                data-vp-popup-sm-img-size=\"500x700\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">17. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17.jpg\" >\n        <img width=\"1500\" height=\"2100\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17.jpg\" class=\"wp-image-540\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-214x300.jpg 214w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-731x1024.jpg 731w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-768x1075.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-500x700.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-800x1120.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-1280x1792.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-1097x1536.jpg 1097w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17-1463x2048.jpg 1463w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-17.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    17. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-ae645ae6\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">18. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1920x1275.jpg\" class=\"wp-image-541\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-18-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    18. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-6f0e1b0a\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">19. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1920x1275.jpg\" class=\"wp-image-542\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-19-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    19. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap vp-portfolio__item-uid-a0b54cf9\" data-vp-filter=\"\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-1360x2048.jpg 1360w\"\n                data-vp-popup-img-size=\"1500x2258\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-800x1204.jpg\"\n                data-vp-popup-md-img-size=\"800x1204\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-500x753.jpg\"\n                data-vp-popup-sm-img-size=\"500x753\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">20. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20.jpg\" >\n        <img width=\"1500\" height=\"2258\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20.jpg\" class=\"wp-image-543\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20-1360x2048.jpg 1360w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-20.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<h2 class=\"vp-portfolio__item-meta-title\">\n    20. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-0479ec00\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">21. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1920x1275.jpg\" class=\"wp-image-544\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-21-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    21. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-cbc2bbf3\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22.jpg 1660w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-768x1157.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-800x1205.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-1280x1928.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-1360x2048.jpg 1360w\"\n                data-vp-popup-img-size=\"1660x2500\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-800x1205.jpg\"\n                data-vp-popup-md-img-size=\"800x1205\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-500x753.jpg\"\n                data-vp-popup-sm-img-size=\"500x753\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">22. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22.jpg\" >\n        <img width=\"1660\" height=\"2500\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22.jpg\" class=\"wp-image-545\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22.jpg 1660w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-768x1157.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-800x1205.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-1280x1928.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22-1360x2048.jpg 1360w\" sizes=\"(max-width: 1660px) 100vw, 1660px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-22.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    22. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-407e45a7\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-1360x2048.jpg 1360w\"\n                data-vp-popup-img-size=\"1500x2258\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-800x1204.jpg\"\n                data-vp-popup-md-img-size=\"800x1204\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-500x753.jpg\"\n                data-vp-popup-sm-img-size=\"500x753\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">23. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23.jpg\" >\n        <img width=\"1500\" height=\"2258\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23.jpg\" class=\"wp-image-546\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23.jpg 1500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-768x1156.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-500x753.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-800x1204.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-1280x1927.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-1020x1536.jpg 1020w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23-1360x2048.jpg 1360w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-23.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    23. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-8fc51254\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">24. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1920x1275.jpg\" class=\"wp-image-547\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-24-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    24. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-82ad377c\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1920x1275.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-2048x1360.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1275\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-800x531.jpg\"\n                data-vp-popup-md-img-size=\"800x531\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-500x332.jpg\"\n                data-vp-popup-sm-img-size=\"500x332\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">25. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Carnaval de San Francisco Tlalcilalcalpan, de Fernando Oscar Mart\u00edn (Argentina\/M\u00e9xico)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1920x1275.jpg\" >\n        <img width=\"1920\" height=\"1275\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1920x1275.jpg\" class=\"wp-image-548\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1920x1275.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1024x680.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-768x510.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-500x332.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-800x531.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1280x850.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1536x1020.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-2048x1360.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Fernando-Oscar-Martinfoto-25-1920x1275.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    25. Serie: Carnaval de San Francisco Tlalcilalcalpan<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Fernando Oscar Mart\u00edn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-4d16608f\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-2048x1152.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Retratos de los andes peruanos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Retratos de los andes peruanos, de MayJenn (Mayra Jennifer Morales Tob\u00f3n) (Valle del Cauca, Colombia)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1920x1080.jpg\" class=\"wp-image-549\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1280x720.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn1-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Retratos de los andes peruanos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De MayJenn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-3f644684\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1920x1003.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1920x1003.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-300x157.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1024x535.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-768x401.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-500x261.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-800x418.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1280x668.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1536x802.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-2048x1070.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1003\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-800x418.jpg\"\n                data-vp-popup-md-img-size=\"800x418\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-500x261.jpg\"\n                data-vp-popup-sm-img-size=\"500x261\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Retratos de los andes peruanos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Retratos de los andes peruanos, de MayJenn (Mayra Jennifer Morales Tob\u00f3n) (Valle del Cauca, Colombia)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1920x1003.jpg\" >\n        <img width=\"1920\" height=\"1003\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1920x1003.jpg\" class=\"wp-image-550\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1920x1003.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-300x157.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1024x535.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-768x401.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-500x261.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-800x418.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1280x668.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1536x802.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-2048x1070.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn2-1920x1003.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Retratos de los andes peruanos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De MayJenn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-f0df1177\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1920x1330.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1920x1330.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-300x208.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1024x710.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-768x532.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-500x346.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-800x554.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1280x887.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1536x1064.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-2048x1419.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1330\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-800x554.jpg\"\n                data-vp-popup-md-img-size=\"800x554\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-500x346.jpg\"\n                data-vp-popup-sm-img-size=\"500x346\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Retratos de los andes peruanos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Retratos de los andes peruanos, de MayJenn (Mayra Jennifer Morales Tob\u00f3n) (Valle del Cauca, Colombia)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1920x1330.jpg\" >\n        <img width=\"1920\" height=\"1330\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1920x1330.jpg\" class=\"wp-image-551\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1920x1330.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-300x208.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1024x710.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-768x532.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-500x346.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-800x554.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1280x887.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1536x1064.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-2048x1419.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn3-1920x1330.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Retratos de los andes peruanos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De MayJenn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-31b5509b\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1920x1267.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1920x1267.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-300x198.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1024x675.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-768x507.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-500x330.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-800x528.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1280x844.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1536x1013.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-2048x1351.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1267\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-800x528.jpg\"\n                data-vp-popup-md-img-size=\"800x528\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-500x330.jpg\"\n                data-vp-popup-sm-img-size=\"500x330\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Retratos de los andes peruanos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Retratos de los andes peruanos, de MayJenn (Mayra Jennifer Morales Tob\u00f3n) (Valle del Cauca, Colombia)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1920x1267.jpg\" >\n        <img width=\"1920\" height=\"1267\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1920x1267.jpg\" class=\"wp-image-552\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1920x1267.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-300x198.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1024x675.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-768x507.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-500x330.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-800x528.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1280x844.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1536x1013.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-2048x1351.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn4-1920x1267.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Retratos de los andes peruanos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De MayJenn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-fe0e0768\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1920x1450.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1920x1450.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-300x227.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1024x773.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-768x580.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-500x378.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-800x604.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1280x967.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1536x1160.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-2048x1547.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1450\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-800x604.jpg\"\n                data-vp-popup-md-img-size=\"800x604\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-500x378.jpg\"\n                data-vp-popup-sm-img-size=\"500x378\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Retratos de los andes peruanos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Retratos de los andes peruanos, de MayJenn (Mayra Jennifer Morales Tob\u00f3n) (Valle del Cauca, Colombia)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1920x1450.jpg\" >\n        <img width=\"1920\" height=\"1450\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1920x1450.jpg\" class=\"wp-image-553\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1920x1450.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-300x227.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1024x773.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-768x580.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-500x378.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-800x604.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1280x967.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1536x1160.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-2048x1547.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn5-1920x1450.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Retratos de los andes peruanos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De MayJenn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-2002f4f1\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1920x1273.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1920x1273.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1024x679.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-800x530.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1280x848.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1536x1018.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-2048x1357.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1273\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Retratos de los andes peruanos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Retratos de los andes peruanos, de MayJenn (Mayra Jennifer Morales Tob\u00f3n) (Valle del Cauca, Colombia)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1920x1273.jpg\" >\n        <img width=\"1920\" height=\"1273\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1920x1273.jpg\" class=\"wp-image-554\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1920x1273.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1024x679.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-800x530.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1280x848.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1536x1018.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-2048x1357.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn6-1920x1273.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Retratos de los andes peruanos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De MayJenn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-efb9a302\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-1024x684.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-768x513.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-500x334.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-800x534.jpg 800w\"\n                data-vp-popup-img-size=\"1280x855\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-800x534.jpg\"\n                data-vp-popup-md-img-size=\"800x534\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-500x334.jpg\"\n                data-vp-popup-sm-img-size=\"500x334\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Retratos de los andes peruanos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Retratos de los andes peruanos, de MayJenn (Mayra Jennifer Morales Tob\u00f3n) (Valle del Cauca, Colombia)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7.jpg\" >\n        <img width=\"1280\" height=\"855\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7.jpg\" class=\"wp-image-555\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-1024x684.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-768x513.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-500x334.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7-800x534.jpg 800w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4MayJenn7.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Retratos de los andes peruanos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De MayJenn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-64055d56\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Artesano de San Juan de Oriente 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes, de Nelson Gabriel Garc\u00eda Mendoza (Managua, Nicaragua)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1920x1440.jpg\" class=\"wp-image-556\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-1-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Artesano de San Juan de Oriente 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-abbe0aa5\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Trabajando los detalles. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes, de Nelson Gabriel Garc\u00eda Mendoza (Managua, Nicaragua)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1920x1440.jpg\" class=\"wp-image-557\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-2-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Trabajando los detalles. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-a6d62f8d\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Concentracio\u0301n en el molde. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes, de Nelson Gabriel Garc\u00eda Mendoza (Managua, Nicaragua)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1920x1440.jpg\" class=\"wp-image-558\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-3-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Concentracio\u0301n en el molde. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-696d787e\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Acabado para luego pintar. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes, de Nelson Gabriel Garc\u00eda Mendoza (Managua, Nicaragua)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1920x1440.jpg\" class=\"wp-image-559\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-4-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Acabado para luego pintar. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-29293cf7\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Proceso de moldeado. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes, de Nelson Gabriel Garc\u00eda Mendoza (Managua, Nicaragua)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1920x1440.jpg\" class=\"wp-image-560\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-5-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Proceso de moldeado. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-e6926b04\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Creando hoyas de barro. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes, de Nelson Gabriel Garc\u00eda Mendoza (Managua, Nicaragua)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1920x1440.jpg\" class=\"wp-image-561\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-6-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Creando hoyas de barro. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-27f82ae8\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Terminando la pieza, pintura y disen\u0303o. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes, de Nelson Gabriel Garc\u00eda Mendoza (Managua, Nicaragua)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1920x1440.jpg\" class=\"wp-image-562\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-7-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Terminando la pieza, pintura y disen\u0303o. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-e8437d1b\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Artesani\u0301as ya elaboradas. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes, de Nelson Gabriel Garc\u00eda Mendoza (Managua, Nicaragua)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1920x1440.jpg\" class=\"wp-image-563\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-8-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Artesani\u0301as ya elaboradas. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-b90f7b22\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Artesani\u0301as listas para su comercio. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes, de Nelson Gabriel Garc\u00eda Mendoza (Managua, Nicaragua)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1920x1440.jpg\" class=\"wp-image-564\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-9-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Artesani\u0301as listas para su comercio. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-76b42cd1\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Arte precolombino, creativo y utilitario. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes, de Nelson Gabriel Garc\u00eda Mendoza (Managua, Nicaragua)\nRevista Plural N\u00fam. 4<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1920x1440.jpg\" class=\"wp-image-565\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/4Nelson-GarciaFotografia-10-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Arte precolombino, creativo y utilitario. San Juan de Oriente, 2016. Serie: Ser artesano en San Juan de Oriente: Acercamiento etnogra\u0301fico por ima\u0301genes<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        \n\n\n<p><\/p>\n\n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-25cba92e vp-id-1TAnQV\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"3\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural N\u00fam. 5\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_01\" data-vp-filter=\"serie_01\" value=\"serie_01\" >\n                Serie 01\n                                    (14)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_02\" data-vp-filter=\"serie_02\" value=\"serie_02\" >\n                Serie 02\n                                    (11)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_03\" data-vp-filter=\"serie_03\" value=\"serie_03\" >\n                Serie 03\n                                    (10)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_04\" data-vp-filter=\"serie_04\" value=\"serie_04\" >\n                Serie 04\n                                    (14)\n                                <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-c4415d1b\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1920x1118.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1920x1118.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-300x175.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1024x596.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-768x447.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-500x291.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-800x466.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1280x745.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1536x894.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-2048x1192.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1118\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-800x466.jpg\"\n                data-vp-popup-md-img-size=\"800x466\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-500x291.jpg\"\n                data-vp-popup-sm-img-size=\"500x291\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Comunidade Remanso, palafitas para seguranc\u0327a em tempos de cheia. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1920x1118.jpg\" >\n        <img width=\"1920\" height=\"1118\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1920x1118.jpg\" class=\"wp-image-566\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1920x1118.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-300x175.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1024x596.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-768x447.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-500x291.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-800x466.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1280x745.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1536x894.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-2048x1192.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez001-REMANSO-1920x1118.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Comunidade Remanso, palafitas para seguranc\u0327a em tempos de cheia. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-0bfa0ae8\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1920x974.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1920x974.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-300x152.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1024x519.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-768x389.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-500x254.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-800x406.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1280x649.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1536x779.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-2048x1039.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x974\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-800x406.jpg\"\n                data-vp-popup-md-img-size=\"800x406\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-500x254.jpg\"\n                data-vp-popup-sm-img-size=\"500x254\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Embarcac\u0327o\u0303es ancoradas na comunidade de Cachoerinha. 2018. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1920x974.jpg\" >\n        <img width=\"1920\" height=\"974\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1920x974.jpg\" class=\"wp-image-567\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1920x974.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-300x152.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1024x519.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-768x389.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-500x254.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-800x406.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1280x649.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1536x779.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-2048x1039.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez002-CACHEORINHA1-1920x974.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Embarcac\u0327o\u0303es ancoradas na comunidade de Cachoerinha. 2018. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-89f0b897\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1920x2214.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1920x2214.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-260x300.jpg 260w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-888x1024.jpg 888w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-768x885.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-500x576.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-800x922.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1280x1476.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1332x1536.jpg 1332w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1776x2048.jpg 1776w\"\n                data-vp-popup-img-size=\"1920x2214\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-800x922.jpg\"\n                data-vp-popup-md-img-size=\"800x922\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-500x576.jpg\"\n                data-vp-popup-sm-img-size=\"500x576\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Crianc\u0327as da comunidade de Sacai\u0301 produzem barcos de papel. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1920x2214.jpg\" >\n        <img width=\"1920\" height=\"2214\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1920x2214.jpg\" class=\"wp-image-568\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1920x2214.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-260x300.jpg 260w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-888x1024.jpg 888w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-768x885.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-500x576.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-800x922.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1280x1476.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1332x1536.jpg 1332w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1776x2048.jpg 1776w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez003-SACAI-1920x2214.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Crianc\u0327as da comunidade de Sacai\u0301 produzem barcos de papel. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-464bef64\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1920x1114.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1920x1114.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-300x174.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1024x594.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-768x446.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-500x290.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-800x464.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1280x743.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1536x891.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-2048x1188.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1114\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-800x464.jpg\"\n                data-vp-popup-md-img-size=\"800x464\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-500x290.jpg\"\n                data-vp-popup-sm-img-size=\"500x290\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Garoto da comunidade de Panacarica conduzindo embarcac\u0327a\u0303o. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1920x1114.jpg\" >\n        <img width=\"1920\" height=\"1114\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1920x1114.jpg\" class=\"wp-image-569\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1920x1114.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-300x174.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1024x594.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-768x446.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-500x290.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-800x464.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1280x743.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1536x891.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-2048x1188.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez004-PANACARICA-1920x1114.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Garoto da comunidade de Panacarica conduzindo embarcac\u0327a\u0303o. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-bb5b5e38\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1920x1134.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1920x1134.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-300x177.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1024x605.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-768x454.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-500x295.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-800x472.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1280x756.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1536x907.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-2048x1210.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1134\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-800x472.jpg\"\n                data-vp-popup-md-img-size=\"800x472\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-500x295.jpg\"\n                data-vp-popup-sm-img-size=\"500x295\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Diversa\u0303o nas a\u0301guas na comunidade Remanso. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1920x1134.jpg\" >\n        <img width=\"1920\" height=\"1134\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1920x1134.jpg\" class=\"wp-image-570\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1920x1134.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-300x177.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1024x605.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-768x454.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-500x295.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-800x472.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1280x756.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1536x907.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-2048x1210.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez005-REMANSO-1920x1134.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Diversa\u0303o nas a\u0301guas na comunidade Remanso. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-74e009cb\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI.jpg 1250w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-300x206.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-1024x704.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-768x528.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-500x344.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-800x550.jpg 800w\"\n                data-vp-popup-img-size=\"1250x859\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-800x550.jpg\"\n                data-vp-popup-md-img-size=\"800x550\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-500x344.jpg\"\n                data-vp-popup-sm-img-size=\"500x344\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Brincadeiras de crianc\u0327a na comunidade de Sacai\u0301. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI.jpg\" >\n        <img width=\"1250\" height=\"859\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI.jpg\" class=\"wp-image-571\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI.jpg 1250w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-300x206.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-1024x704.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-768x528.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-500x344.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI-800x550.jpg 800w\" sizes=\"(max-width: 1250px) 100vw, 1250px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez006-SACAI.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Brincadeiras de crianc\u0327a na comunidade de Sacai\u0301. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-ff5cf79f\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1920x1142.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1920x1142.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-300x179.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1024x609.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-768x457.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-500x298.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-800x476.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1280x762.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1536x914.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-2048x1219.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1142\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-800x476.jpg\"\n                data-vp-popup-md-img-size=\"800x476\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-500x298.jpg\"\n                data-vp-popup-sm-img-size=\"500x298\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Alunos va\u0303o para escola na comunidade de Sacai\u0301. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1920x1142.jpg\" >\n        <img width=\"1920\" height=\"1142\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1920x1142.jpg\" class=\"wp-image-572\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1920x1142.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-300x179.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1024x609.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-768x457.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-500x298.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-800x476.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1280x762.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1536x914.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-2048x1219.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez007-SACAI-1920x1142.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Alunos va\u0303o para escola na comunidade de Sacai\u0301. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-30e7a06c\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1920x1207.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1920x1207.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-300x189.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1024x644.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-768x483.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-500x314.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-800x503.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1280x805.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1536x966.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-2048x1287.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1207\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-800x503.jpg\"\n                data-vp-popup-md-img-size=\"800x503\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-500x314.jpg\"\n                data-vp-popup-sm-img-size=\"500x314\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Crianc\u0327as brincando em Sacai\u0301. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1920x1207.jpg\" >\n        <img width=\"1920\" height=\"1207\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1920x1207.jpg\" class=\"wp-image-573\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1920x1207.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-300x189.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1024x644.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-768x483.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-500x314.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-800x503.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1280x805.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1536x966.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-2048x1287.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez008-SACAI-1920x1207.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Crianc\u0327as brincando em Sacai\u0301. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-f6e02599\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1920x1368.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1920x1368.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-300x214.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1024x729.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-768x547.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-500x356.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-800x570.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1280x912.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1536x1094.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-2048x1459.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1368\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-800x570.jpg\"\n                data-vp-popup-md-img-size=\"800x570\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-500x356.jpg\"\n                data-vp-popup-sm-img-size=\"500x356\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Chinelos na entrada da escola na comunidade Terra Preta. 2018. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1920x1368.jpg\" >\n        <img width=\"1920\" height=\"1368\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1920x1368.jpg\" class=\"wp-image-574\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1920x1368.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-300x214.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1024x729.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-768x547.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-500x356.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-800x570.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1280x912.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1536x1094.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-2048x1459.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez009-TERRA-PRETA-1920x1368.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Chinelos na entrada da escola na comunidade Terra Preta. 2018. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-395b726a\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1920x2465.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1920x2465.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-234x300.jpg 234w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-798x1024.jpg 798w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-768x986.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-500x642.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-800x1027.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1280x1643.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1196x1536.jpg 1196w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1595x2048.jpg 1595w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-scaled.jpg 1994w\"\n                data-vp-popup-img-size=\"1920x2465\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-800x1027.jpg\"\n                data-vp-popup-md-img-size=\"800x1027\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-500x642.jpg\"\n                data-vp-popup-sm-img-size=\"500x642\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Menina com animal de estimac\u0327a\u0303o na comunidade de Bela Vista. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1920x2465.jpg\" >\n        <img width=\"1920\" height=\"2465\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1920x2465.jpg\" class=\"wp-image-575\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1920x2465.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-234x300.jpg 234w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-798x1024.jpg 798w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-768x986.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-500x642.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-800x1027.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1280x1643.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1196x1536.jpg 1196w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1595x2048.jpg 1595w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-scaled.jpg 1994w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez10-BELA-VISTA-1920x2465.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Menina com animal de estimac\u0327a\u0303o na comunidade de Bela Vista. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-86faa43f\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1920x1229.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1920x1229.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-300x192.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1024x655.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-768x491.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-500x320.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-800x512.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1280x819.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1536x983.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-2048x1310.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1229\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-800x512.jpg\"\n                data-vp-popup-md-img-size=\"800x512\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-500x320.jpg\"\n                data-vp-popup-sm-img-size=\"500x320\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Casa de farinha na comunidade de Lago Grande. 2018. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1920x1229.jpg\" >\n        <img width=\"1920\" height=\"1229\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1920x1229.jpg\" class=\"wp-image-576\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1920x1229.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-300x192.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1024x655.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-768x491.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-500x320.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-800x512.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1280x819.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1536x983.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-2048x1310.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez11-LAGO-GRANDE-1920x1229.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Casa de farinha na comunidade de Lago Grande. 2018. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-4941f3cc\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1920x2578.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1920x2578.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-223x300.jpg 223w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-763x1024.jpg 763w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-768x1031.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-500x671.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-800x1074.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1280x1718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1144x1536.jpg 1144w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1526x2048.jpg 1526w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-scaled.jpg 1907w\"\n                data-vp-popup-img-size=\"1920x2578\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-800x1074.jpg\"\n                data-vp-popup-md-img-size=\"800x1074\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-500x671.jpg\"\n                data-vp-popup-sm-img-size=\"500x671\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Agricultura chegando da roc\u0327a na comunidade de Cachoerinha. 2018. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1920x2578.jpg\" >\n        <img width=\"1920\" height=\"2578\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1920x2578.jpg\" class=\"wp-image-577\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1920x2578.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-223x300.jpg 223w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-763x1024.jpg 763w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-768x1031.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-500x671.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-800x1074.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1280x1718.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1144x1536.jpg 1144w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1526x2048.jpg 1526w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-scaled.jpg 1907w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez12-CACHOEIRINHA-1920x2578.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Agricultura chegando da roc\u0327a na comunidade de Cachoerinha. 2018. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-cb4b41b3\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1920x2373.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1920x2373.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-243x300.jpg 243w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-829x1024.jpg 829w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-768x949.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-500x618.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-800x989.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1280x1582.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1243x1536.jpg 1243w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1657x2048.jpg 1657w\"\n                data-vp-popup-img-size=\"1920x2373\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-800x989.jpg\"\n                data-vp-popup-md-img-size=\"800x989\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-500x618.jpg\"\n                data-vp-popup-sm-img-size=\"500x618\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Piloteiro atracando embarcac\u0327a\u0303o na comunidade de Remanso. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1920x2373.jpg\" >\n        <img width=\"1920\" height=\"2373\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1920x2373.jpg\" class=\"wp-image-578\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1920x2373.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-243x300.jpg 243w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-829x1024.jpg 829w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-768x949.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-500x618.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-800x989.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1280x1582.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1243x1536.jpg 1243w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1657x2048.jpg 1657w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez13-XIXUAU-1920x2373.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Piloteiro atracando embarcac\u0327a\u0303o na comunidade de Remanso. 2019. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-04f01640\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1920x1110.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1920x1110.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-300x173.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1024x592.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-768x444.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-500x289.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-800x462.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1280x740.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1536x888.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-2048x1184.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1110\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-800x462.jpg\"\n                data-vp-popup-md-img-size=\"800x462\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-500x289.jpg\"\n                data-vp-popup-sm-img-size=\"500x289\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. Ancia\u0303o da comunidade de Sacai\u0301. 2018. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o &quot;Outros Olhares&quot;<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Amazo\u0302nia ribeirinha: a experie\u0302ncia geracional do espac\u0327o vivido Sec\u0327a\u0303o \u00abOutros Olhares\u00bb, de \u00c9der Rodrigues dos Santos (Roraima, Brasil)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1920x1110.jpg\" >\n        <img width=\"1920\" height=\"1110\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1920x1110.jpg\" class=\"wp-image-579\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1920x1110.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-300x173.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1024x592.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-768x444.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-500x289.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-800x462.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1280x740.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1536x888.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-2048x1184.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Eder-Rodriguez14-SACAI-1920x1110.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. Ancia\u0303o da comunidade de Sacai\u0301. 2018. Serie: Amaz\u00f4nia ribeirinha: a experi\u00eancia geracional do espa\u00e7o vivido Se\u00e7\u00e3o \u00abOutros Olhares\u00bb<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De \u00c9der Rodrigues dos Santos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-67638a92\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1920x2005.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1920x2005.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-287x300.jpg 287w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-981x1024.jpg 981w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-768x802.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-500x522.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-800x835.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1280x1337.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1471x1536.jpg 1471w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1961x2048.jpg 1961w\"\n                data-vp-popup-img-size=\"1920x2005\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-800x835.jpg\"\n                data-vp-popup-md-img-size=\"800x835\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-500x522.jpg\"\n                data-vp-popup-sm-img-size=\"500x522\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Cartel de bienvenida a la feria elaborado con mai\u0301ces nativos. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1920x2005.jpg\" >\n        <img width=\"1920\" height=\"2005\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1920x2005.jpg\" class=\"wp-image-580\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1920x2005.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-287x300.jpg 287w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-981x1024.jpg 981w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-768x802.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-500x522.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-800x835.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1280x1337.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1471x1536.jpg 1471w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1961x2048.jpg 1961w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-1-1920x2005.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Cartel de bienvenida a la feria elaborado con mai\u0301ces nativos. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-a8d8dd61\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Sobre la mesa la variedad de colores deslumbra al fora\u0301neo. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1920x1440.jpg\" class=\"wp-image-581\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-2-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Sobre la mesa la variedad de colores deslumbra al fora\u0301neo. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-23642335\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Las mazorcas y sus colores en la sierra wixarika. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1920x1440.jpg\" class=\"wp-image-582\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-3-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Las mazorcas y sus colores en la sierra wixarika. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-ecdf74c6\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-1920x2560.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-scaled.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-768x1024.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-500x667.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-800x1067.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-1280x1707.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-1152x1536.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-1536x2048.jpg 1536w\"\n                data-vp-popup-img-size=\"1920x2560\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-800x1067.jpg\"\n                data-vp-popup-md-img-size=\"800x1067\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-500x667.jpg\"\n                data-vp-popup-sm-img-size=\"500x667\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Niwetsika tallada sobre una piedra. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-1920x2560.jpg\" >\n        <img width=\"1920\" height=\"2560\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-1920x2560.jpg\" class=\"wp-image-583\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-scaled.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-768x1024.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-500x667.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-800x1067.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-1280x1707.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-1152x1536.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-4-1920x2560.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Niwetsika tallada sobre una piedra. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-2ad8f133\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-1920x2560.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-scaled.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-768x1024.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-500x667.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-800x1067.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-1280x1707.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-1152x1536.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-1536x2048.jpg 1536w\"\n                data-vp-popup-img-size=\"1920x2560\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-800x1067.jpg\"\n                data-vp-popup-md-img-size=\"800x1067\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-500x667.jpg\"\n                data-vp-popup-sm-img-size=\"500x667\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. A Niwetsika se le ofrendan mazorcas, peyotes y varas de mando. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-1920x2560.jpg\" >\n        <img width=\"1920\" height=\"2560\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-1920x2560.jpg\" class=\"wp-image-584\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-scaled.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-768x1024.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-500x667.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-800x1067.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-1280x1707.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-1152x1536.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-5-1920x2560.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. A Niwetsika se le ofrendan mazorcas, peyotes y varas de mando. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-e563a6c0\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Los wixaritari concursan por la mejor mazorca. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1920x1440.jpg\" class=\"wp-image-585\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-6-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Los wixaritari concursan por la mejor mazorca. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-46c2c220\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1920x2168.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1920x2168.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-266x300.jpg 266w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-907x1024.jpg 907w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-768x867.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-500x565.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-800x904.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1280x1446.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1360x1536.jpg 1360w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1813x2048.jpg 1813w\"\n                data-vp-popup-img-size=\"1920x2168\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-800x904.jpg\"\n                data-vp-popup-md-img-size=\"800x904\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-500x565.jpg\"\n                data-vp-popup-sm-img-size=\"500x565\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Los nin\u0303os tambie\u0301n caminan por la feria. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1920x2168.jpg\" >\n        <img width=\"1920\" height=\"2168\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1920x2168.jpg\" class=\"wp-image-586\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1920x2168.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-266x300.jpg 266w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-907x1024.jpg 907w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-768x867.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-500x565.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-800x904.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1280x1446.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1360x1536.jpg 1360w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1813x2048.jpg 1813w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-7-1920x2168.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Los nin\u0303os tambie\u0301n caminan por la feria. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-897995d3\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1920x1327.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1920x1327.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-300x207.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1024x708.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-768x531.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-500x346.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-800x553.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1280x885.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1536x1062.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-2048x1416.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1327\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-800x553.jpg\"\n                data-vp-popup-md-img-size=\"800x553\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-500x346.jpg\"\n                data-vp-popup-sm-img-size=\"500x346\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Ellas buscan el puesto de su familia. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1920x1327.jpg\" >\n        <img width=\"1920\" height=\"1327\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1920x1327.jpg\" class=\"wp-image-587\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1920x1327.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-300x207.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1024x708.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-768x531.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-500x346.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-800x553.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1280x885.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1536x1062.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-2048x1416.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-8-1920x1327.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Ellas buscan el puesto de su familia. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-0b7327ac\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1920x2336.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1920x2336.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-247x300.jpg 247w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-842x1024.jpg 842w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-768x935.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-500x608.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-800x973.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1280x1558.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1262x1536.jpg 1262w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1683x2048.jpg 1683w\"\n                data-vp-popup-img-size=\"1920x2336\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-800x973.jpg\"\n                data-vp-popup-md-img-size=\"800x973\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-500x608.jpg\"\n                data-vp-popup-sm-img-size=\"500x608\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. En la mesa los mestizos disfrutan ma\u0301s de Niwetsika. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1920x2336.jpg\" >\n        <img width=\"1920\" height=\"2336\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1920x2336.jpg\" class=\"wp-image-588\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1920x2336.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-247x300.jpg 247w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-842x1024.jpg 842w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-768x935.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-500x608.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-800x973.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1280x1558.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1262x1536.jpg 1262w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1683x2048.jpg 1683w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-9-1920x2336.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. En la mesa los mestizos disfrutan ma\u0301s de Niwetsika. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-c4c8705f\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-2048x1536.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Primero mazorcas y luego tortillas. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1920x1440.jpg\" class=\"wp-image-589\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1280x960.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-2048x1536.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-10-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Primero mazorcas y luego tortillas. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-39d8c103\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-1920x2560.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-scaled.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-768x1024.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-500x667.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-800x1067.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-1280x1707.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-1152x1536.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-1536x2048.jpg 1536w\"\n                data-vp-popup-img-size=\"1920x2560\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-800x1067.jpg\"\n                data-vp-popup-md-img-size=\"800x1067\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-500x667.jpg\"\n                data-vp-popup-sm-img-size=\"500x667\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Tambie\u0301n en el canasto las mazorcas se cuidan. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 La feria de Niwetsika:\nLos wixaritari de Me\u0301xico celebran\ny exponen la existencia de su madre-mai\u0301z, de Jos\u00e9 Manuel Oyola Ballesteros (Zamora, M\u00e9xico)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-1920x2560.jpg\" >\n        <img width=\"1920\" height=\"2560\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-1920x2560.jpg\" class=\"wp-image-590\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-scaled.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-768x1024.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-500x667.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-800x1067.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-1280x1707.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-1152x1536.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Jose-Manuel-OyolaFoto-11-1920x2560.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Tambie\u0301n en el canasto las mazorcas se cuidan. Serie: La feria de Niwetsika: Los wixaritari de M\u00e9xico celebran y exponen la existencia de su madre-ma\u00edz<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jos\u00e9 Manuel Oyola Ballesteros    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-f66396f0\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"1152x864\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Corinto, Chinandega 2017. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Etnografi\u0301a visual: Ser pescador artesanal en El Realejo, Chinandega, Nicaragua, de Nelson Gabriel Garc\u00eda Mendoza (Chinandega, Nicaragua)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1.jpg\" >\n        <img width=\"1152\" height=\"864\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1.jpg\" class=\"wp-image-591\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1-800x600.jpg 800w\" sizes=\"(max-width: 1152px) 100vw, 1152px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Corinto, Chinandega 2017. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-7ddf68a4\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2.jpg 1019w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2-300x254.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2-768x651.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2-500x424.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2-800x678.jpg 800w\"\n                data-vp-popup-img-size=\"1019x864\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2-800x678.jpg\"\n                data-vp-popup-md-img-size=\"800x678\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2-500x424.jpg\"\n                data-vp-popup-sm-img-size=\"500x424\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Pescador en el estero Don\u0303a Paula. Municipio de El Realejo, Chinandega 2017. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Etnografi\u0301a visual: Ser pescador artesanal en El Realejo, Chinandega, Nicaragua, de Nelson Gabriel Garc\u00eda Mendoza (Chinandega, Nicaragua)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2.jpg\" >\n        <img width=\"1019\" height=\"864\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2.jpg\" class=\"wp-image-592\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2.jpg 1019w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2-300x254.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2-768x651.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2-500x424.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2-800x678.jpg 800w\" sizes=\"(max-width: 1019px) 100vw, 1019px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Pescador en el estero Don\u0303a Paula. Municipio de El Realejo, Chinandega 2017. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-b2643f57\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"1152x864\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Pescador regresando de faenar. Municipio de El Realejo, Chinandega 2017, Hora: 07:00 am. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Etnografi\u0301a visual: Ser pescador artesanal en El Realejo, Chinandega, Nicaragua, de Nelson Gabriel Garc\u00eda Mendoza (Chinandega, Nicaragua)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3.jpg\" >\n        <img width=\"1152\" height=\"864\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3.jpg\" class=\"wp-image-593\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3-800x600.jpg 800w\" sizes=\"(max-width: 1152px) 100vw, 1152px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-3.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Pescador regresando de faenar. Municipio de El Realejo, Chinandega 2017, Hora: 07:00 am. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-7463baa2\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4.jpg 864w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-800x1000.jpg 800w\"\n                data-vp-popup-img-size=\"864x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-800x1000.jpg\"\n                data-vp-popup-md-img-size=\"800x1000\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-500x625.jpg\"\n                data-vp-popup-sm-img-size=\"500x625\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Reparando el trasmallo en el lugar conocido como \u00abPuerto Histo\u0301rico\u00bb. Municipio de El Realejo, Chinandega 2017, Hora: 08:00 a.m. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Etnografi\u0301a visual: Ser pescador artesanal en El Realejo, Chinandega, Nicaragua, de Nelson Gabriel Garc\u00eda Mendoza (Chinandega, Nicaragua)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4.jpg\" >\n        <img width=\"864\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4.jpg\" class=\"wp-image-594\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4.jpg 864w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-819x1024.jpg 819w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-768x960.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-500x625.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4-800x1000.jpg 800w\" sizes=\"(max-width: 864px) 100vw, 864px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-4.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Reparando el trasmallo en el lugar conocido como \u00abPuerto Histo\u0301rico\u00bb. Municipio de El Realejo, Chinandega 2017, Hora: 08:00 a.m. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-bbd8ed51\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"1152x864\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Pescadores en el proceso conocido como \u00ablevantar el trasmallo\u00bb. Municipio de El Realejo, Chinandega 2017, Hora: 10:45 p.m. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Etnografi\u0301a visual: Ser pescador artesanal en El Realejo, Chinandega, Nicaragua, de Nelson Gabriel Garc\u00eda Mendoza (Chinandega, Nicaragua)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5.jpg\" >\n        <img width=\"1152\" height=\"864\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5.jpg\" class=\"wp-image-595\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5-800x600.jpg 800w\" sizes=\"(max-width: 1152px) 100vw, 1152px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-5.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Pescadores en el proceso conocido como \u00ablevantar el trasmallo\u00bb. Municipio de El Realejo, Chinandega 2017, Hora: 10:45 p.m. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-62b9dad1\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"1152x864\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Encendiendo los visuales. Municipio de El Realejo, Chinandega 2017, Hora: 11:00 pm. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Etnografi\u0301a visual: Ser pescador artesanal en El Realejo, Chinandega, Nicaragua, de Nelson Gabriel Garc\u00eda Mendoza (Chinandega, Nicaragua)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6.jpg\" >\n        <img width=\"1152\" height=\"864\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6.jpg\" class=\"wp-image-596\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6-800x600.jpg 800w\" sizes=\"(max-width: 1152px) 100vw, 1152px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-6.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Encendiendo los visuales. Municipio de El Realejo, Chinandega 2017, Hora: 11:00 pm. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-ad028d22\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"1152x864\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Municipio de El Realejo, Chinandega 2017, Hora: 02:00 pm. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Etnografi\u0301a visual: Ser pescador artesanal en El Realejo, Chinandega, Nicaragua, de Nelson Gabriel Garc\u00eda Mendoza (Chinandega, Nicaragua)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7.jpg\" >\n        <img width=\"1152\" height=\"864\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7.jpg\" class=\"wp-image-597\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7-800x600.jpg 800w\" sizes=\"(max-width: 1152px) 100vw, 1152px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-7.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Municipio de El Realejo, Chinandega 2017, Hora: 02:00 pm. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-2f083f5d\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"1152x864\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Lanchas cerca de finca Bateri\u0301a. Municipio de El Realejo, Chinandega 2017, Hora: 10:45 a.m. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Etnografi\u0301a visual: Ser pescador artesanal en El Realejo, Chinandega, Nicaragua, de Nelson Gabriel Garc\u00eda Mendoza (Chinandega, Nicaragua)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8.jpg\" >\n        <img width=\"1152\" height=\"864\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8.jpg\" class=\"wp-image-598\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8-800x600.jpg 800w\" sizes=\"(max-width: 1152px) 100vw, 1152px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-8.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Lanchas cerca de finca Bateri\u0301a. Municipio de El Realejo, Chinandega 2017, Hora: 10:45 a.m. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-e0b368ae\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"1152x864\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Proceso conocido como \u00abdestripar el pescado\u00bb, acopio familiar. Municipio de El Realejo, Chinandega. 2016, Hora: 7:30 a.m. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Etnografi\u0301a visual: Ser pescador artesanal en El Realejo, Chinandega, Nicaragua, de Nelson Gabriel Garc\u00eda Mendoza (Chinandega, Nicaragua)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9.jpg\" >\n        <img width=\"1152\" height=\"864\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9.jpg\" class=\"wp-image-599\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9-800x600.jpg 800w\" sizes=\"(max-width: 1152px) 100vw, 1152px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-9.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Proceso conocido como \u00abdestripar el pescado\u00bb, acopio familiar. Municipio de El Realejo, Chinandega. 2016, Hora: 7:30 a.m. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-d73ceda3\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"1152x864\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Paseo en lancha. Municipio de El Realejo, Chinandega. 2016, Hora: 11:00 am. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Etnografi\u0301a visual: Ser pescador artesanal en El Realejo, Chinandega, Nicaragua, de Nelson Gabriel Garc\u00eda Mendoza (Chinandega, Nicaragua)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10.jpg\" >\n        <img width=\"1152\" height=\"864\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10.jpg\" class=\"wp-image-600\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10-800x600.jpg 800w\" sizes=\"(max-width: 1152px) 100vw, 1152px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/5Nelson-Gabriel-GarciaFotografia-10.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Paseo en lancha. Municipio de El Realejo, Chinandega. 2016, Hora: 11:00 am. Serie: Etnograf\u00eda visual: Ser pescador artesanal en El Realejo<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Nelson Gabriel Garc\u00eda Mendoza    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-6bc52ffe\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1-800x530.jpg 800w\"\n                data-vp-popup-img-size=\"984x652\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Daniel pide permiso para armar el altar. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1.jpg\" >\n        <img width=\"984\" height=\"652\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1.jpg\" class=\"wp-image-808\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1-800x530.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Daniel pide permiso para armar el altar. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-0e77b086\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2-800x530.jpg 800w\"\n                data-vp-popup-img-size=\"984x652\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Juan Organiza las ima\u0301genes de los dioses. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2.jpg\" >\n        <img width=\"984\" height=\"652\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2.jpg\" class=\"wp-image-809\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2-800x530.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Juan Organiza las ima\u0301genes de los dioses. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-d60c5e06\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3.jpg 652w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3-500x755.jpg 500w\"\n                data-vp-popup-img-size=\"652x984\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3.jpg\"\n                data-vp-popup-md-img-size=\"652x984\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3-500x755.jpg\"\n                data-vp-popup-sm-img-size=\"500x755\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Materialidad de Mari\u0301a Lionza. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3.jpg\" >\n        <img width=\"652\" height=\"984\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3.jpg\" class=\"wp-image-810\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3.jpg 652w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3-500x755.jpg 500w\" sizes=\"(max-width: 652px) 100vw, 652px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-3.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Materialidad de Mari\u0301a Lionza. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-f9687ec6\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4-800x530.jpg 800w\"\n                data-vp-popup-img-size=\"984x652\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Imagen maniqui\u0301 espera ser embellecida. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4.jpg\" >\n        <img width=\"984\" height=\"652\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4.jpg\" class=\"wp-image-811\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4-800x530.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-4.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Imagen maniqui\u0301 espera ser embellecida. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-d8dd4819\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5-800x530.jpg 800w\"\n                data-vp-popup-img-size=\"984x652\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Ima\u0301genes aguardan a ser ensambladas. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5.jpg\" >\n        <img width=\"984\" height=\"652\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5.jpg\" class=\"wp-image-812\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5-800x530.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-5.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Ima\u0301genes aguardan a ser ensambladas. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-60f2eb15\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6-800x530.jpg 800w\"\n                data-vp-popup-img-size=\"984x652\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Maquillando a la negra Catalina. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6.jpg\" >\n        <img width=\"984\" height=\"652\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6.jpg\" class=\"wp-image-813\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6-800x530.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-6.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Maquillando a la negra Catalina. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-462a19d3\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7-800x530.jpg 800w\"\n                data-vp-popup-img-size=\"984x652\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Adornando el portal. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7.jpg\" >\n        <img width=\"984\" height=\"652\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7.jpg\" class=\"wp-image-814\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7-800x530.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-7.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Adornando el portal. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-239886ab\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8-800x530.jpg 800w\"\n                data-vp-popup-img-size=\"984x652\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Organizacio\u0301n de ima\u0301genes y maquillaje. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8.jpg\" >\n        <img width=\"984\" height=\"652\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8.jpg\" class=\"wp-image-815\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8-800x530.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-8.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Organizacio\u0301n de ima\u0301genes y maquillaje. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-022db074\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9-800x530.jpg 800w\"\n                data-vp-popup-img-size=\"984x652\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. U\u0301ltimos detalles este\u0301ticos a la Diosa. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9.jpg\" >\n        <img width=\"984\" height=\"652\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9.jpg\" class=\"wp-image-816\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9-800x530.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-9.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. U\u0301ltimos detalles este\u0301ticos a la Diosa. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-e8fdb85b\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10.jpg 652w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10-500x755.jpg 500w\"\n                data-vp-popup-img-size=\"652x984\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10.jpg\"\n                data-vp-popup-md-img-size=\"652x984\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10-500x755.jpg\"\n                data-vp-popup-sm-img-size=\"500x755\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Diosa Mari\u0301a Lionza. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10.jpg\" >\n        <img width=\"652\" height=\"984\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10.jpg\" class=\"wp-image-817\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10.jpg 652w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10-500x755.jpg 500w\" sizes=\"(max-width: 652px) 100vw, 652px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-10.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Diosa Mari\u0301a Lionza. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-c0fec2af\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"984x738\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Altar finalizado con la tema\u0301tica de la zulianidad. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11.jpg\" >\n        <img width=\"984\" height=\"738\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11.jpg\" class=\"wp-image-818\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11-800x600.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-11.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Altar finalizado con la tema\u0301tica de la zulianidad. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-a54c5dd7\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"984x656\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Negra Francisca Bermu\u0301dez durante sesio\u0301n espiritual. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12.jpg\" >\n        <img width=\"984\" height=\"656\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12.jpg\" class=\"wp-image-819\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12-800x533.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-12.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Negra Francisca Bermu\u0301dez durante sesio\u0301n espiritual. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-4f01d1d5\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"984x656\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Ritual de posesio\u0301n y consulta a devotos. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13.jpg\" >\n        <img width=\"984\" height=\"656\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13.jpg\" class=\"wp-image-820\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13-800x533.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-13.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Ritual de posesio\u0301n y consulta a devotos. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-6065f115\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"984x656\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. Al finalizar rituales el altar es limpiado con inciensos. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Un altar para Mari\u0301a Lionza, de Cesar Escalona (Venezuela)\nRevista Plural N\u00fam. 5<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14.jpg\" >\n        <img width=\"984\" height=\"656\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14.jpg\" class=\"wp-image-821\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14.jpg 984w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14-800x533.jpg 800w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Foto-14.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. Al finalizar rituales el altar es limpiado con inciensos. Venezuela, 2016. Serie: Un altar para Mari\u0301a Lionza<\/h2>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        \n\n\n<p><\/p>\n\n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-3bb36405 vp-id-ZuhFLq\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"3\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural N\u00fam. 6\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_01\" data-vp-filter=\"serie_01\" value=\"serie_01\" >\n                Serie 01\n                                    (9)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_02\" data-vp-filter=\"serie_02\" value=\"serie_02\" >\n                Serie 02\n                                    (14)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_03\" data-vp-filter=\"serie_03\" value=\"serie_03\" >\n                Serie 03\n                                    (13)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_04\" data-vp-filter=\"serie_04\" value=\"serie_04\" >\n                Serie 04\n                                    (14)\n                                <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-af76268c\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1920x1850.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1920x1850.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-300x289.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1024x987.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-768x740.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1536x1480.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-2048x1973.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-500x482.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-800x771.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1280x1233.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1850\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-800x771.jpg\"\n                data-vp-popup-md-img-size=\"800x771\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-500x482.jpg\"\n                data-vp-popup-sm-img-size=\"500x482\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Serie: Las mujeres florecen en la Colombia que sangra<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Las mujeres florecen en la Colombia que sangra, de Malely Linares S\u00e1nchez (Colombia\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1920x1850.jpg\" >\n        <img width=\"1920\" height=\"1850\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1920x1850.jpg\" class=\"wp-image-673\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1920x1850.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-300x289.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1024x987.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-768x740.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1536x1480.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-2048x1973.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-500x482.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-800x771.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1280x1233.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia1-1920x1850.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Serie: Las mujeres florecen en la Colombia que sangra<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Malely Linares S\u00e1nchez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-89aed44a\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1920x1272.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1920x1272.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1024x678.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1536x1017.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-2048x1356.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-800x530.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1280x848.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1272\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Serie: Las mujeres florecen en la Colombia que sangra<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Las mujeres florecen en la Colombia que sangra, de Malely Linares S\u00e1nchez (Colombia\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1920x1272.jpg\" >\n        <img width=\"1920\" height=\"1272\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1920x1272.jpg\" class=\"wp-image-674\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1920x1272.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1024x678.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1536x1017.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-2048x1356.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-800x530.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1280x848.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia2-1920x1272.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Serie: Las mujeres florecen en la Colombia que sangra<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Malely Linares S\u00e1nchez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-ec1c4b32\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1920x1272.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1920x1272.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1024x678.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1536x1017.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-2048x1356.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-800x530.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1280x848.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1272\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-800x530.jpg\"\n                data-vp-popup-md-img-size=\"800x530\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Serie: Las mujeres florecen en la Colombia que sangra<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Las mujeres florecen en la Colombia que sangra, de Malely Linares S\u00e1nchez (Colombia\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1920x1272.jpg\" >\n        <img width=\"1920\" height=\"1272\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1920x1272.jpg\" class=\"wp-image-675\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1920x1272.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-300x199.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1024x678.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-768x509.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1536x1017.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-2048x1356.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-800x530.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1280x848.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia3-1920x1272.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Serie: Las mujeres florecen en la Colombia que sangra<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Malely Linares S\u00e1nchez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-cda97ded\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1920x2133.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1920x2133.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-270x300.jpg 270w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-922x1024.jpg 922w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-768x853.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1383x1536.jpg 1383w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1843x2048.jpg 1843w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-500x555.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-800x889.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1280x1422.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x2133\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-800x889.jpg\"\n                data-vp-popup-md-img-size=\"800x889\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-500x555.jpg\"\n                data-vp-popup-sm-img-size=\"500x555\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Serie: Las mujeres florecen en la Colombia que sangra<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Las mujeres florecen en la Colombia que sangra, de Malely Linares S\u00e1nchez (Colombia\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1920x2133.jpg\" >\n        <img width=\"1920\" height=\"2133\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1920x2133.jpg\" class=\"wp-image-676\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1920x2133.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-270x300.jpg 270w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-922x1024.jpg 922w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-768x853.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1383x1536.jpg 1383w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1843x2048.jpg 1843w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-500x555.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-800x889.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1280x1422.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia4-1920x2133.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Serie: Las mujeres florecen en la Colombia que sangra<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Malely Linares S\u00e1nchez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-277975c2\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1920x1236.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1920x1236.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-300x193.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1024x659.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-768x495.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1536x989.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-2048x1319.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-500x322.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-800x515.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1280x824.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1236\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-800x515.jpg\"\n                data-vp-popup-md-img-size=\"800x515\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-500x322.jpg\"\n                data-vp-popup-sm-img-size=\"500x322\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Serie: Las mujeres florecen en la Colombia que sangra<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Las mujeres florecen en la Colombia que sangra, de Malely Linares S\u00e1nchez (Colombia\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1920x1236.jpg\" >\n        <img width=\"1920\" height=\"1236\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1920x1236.jpg\" class=\"wp-image-677\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1920x1236.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-300x193.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1024x659.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-768x495.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1536x989.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-2048x1319.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-500x322.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-800x515.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1280x824.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia5-1920x1236.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Serie: Las mujeres florecen en la Colombia que sangra<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Malely Linares S\u00e1nchez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-0f7a0f36\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1920x994.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1920x994.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-300x155.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1024x530.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-768x398.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1536x795.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-2048x1061.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-500x259.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-800x414.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1280x663.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x994\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-800x414.jpg\"\n                data-vp-popup-md-img-size=\"800x414\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-500x259.jpg\"\n                data-vp-popup-sm-img-size=\"500x259\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Serie: Las mujeres florecen en la Colombia que sangra<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Las mujeres florecen en la Colombia que sangra, de Malely Linares S\u00e1nchez (Colombia\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1920x994.jpg\" >\n        <img width=\"1920\" height=\"994\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1920x994.jpg\" class=\"wp-image-678\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1920x994.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-300x155.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1024x530.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-768x398.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1536x795.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-2048x1061.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-500x259.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-800x414.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1280x663.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6.3-1920x994.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Serie: Las mujeres florecen en la Colombia que sangra<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Malely Linares S\u00e1nchez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-6ac8904e\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1920x1192.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1920x1192.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-300x186.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1024x636.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-768x477.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1536x954.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-2048x1272.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-500x310.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-800x497.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1280x795.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1192\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-800x497.jpg\"\n                data-vp-popup-md-img-size=\"800x497\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-500x310.jpg\"\n                data-vp-popup-sm-img-size=\"500x310\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Serie: Las mujeres florecen en la Colombia que sangra<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Las mujeres florecen en la Colombia que sangra, de Malely Linares S\u00e1nchez (Colombia\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1920x1192.jpg\" >\n        <img width=\"1920\" height=\"1192\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1920x1192.jpg\" class=\"wp-image-679\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1920x1192.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-300x186.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1024x636.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-768x477.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1536x954.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-2048x1272.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-500x310.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-800x497.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1280x795.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia6-1920x1192.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Serie: Las mujeres florecen en la Colombia que sangra<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Malely Linares S\u00e1nchez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-2c305340\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1920x1317.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1920x1317.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-300x206.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1024x702.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-768x527.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1536x1053.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-2048x1404.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-500x343.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-800x549.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1280x878.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1317\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-800x549.jpg\"\n                data-vp-popup-md-img-size=\"800x549\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-500x343.jpg\"\n                data-vp-popup-sm-img-size=\"500x343\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Serie: Las mujeres florecen en la Colombia que sangra<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Las mujeres florecen en la Colombia que sangra, de Malely Linares S\u00e1nchez (Colombia\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1920x1317.jpg\" >\n        <img width=\"1920\" height=\"1317\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1920x1317.jpg\" class=\"wp-image-680\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1920x1317.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-300x206.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1024x702.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-768x527.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1536x1053.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-2048x1404.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-500x343.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-800x549.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1280x878.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia7-1920x1317.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Serie: Las mujeres florecen en la Colombia que sangra<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Malely Linares S\u00e1nchez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-03547380\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1920x2794.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1920x2794.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-206x300.jpg 206w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-704x1024.jpg 704w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-768x1118.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1056x1536.jpg 1056w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1407x2048.jpg 1407w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-500x728.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-800x1164.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1280x1863.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-scaled.jpg 1759w\"\n                data-vp-popup-img-size=\"1920x2794\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-800x1164.jpg\"\n                data-vp-popup-md-img-size=\"800x1164\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-500x728.jpg\"\n                data-vp-popup-sm-img-size=\"500x728\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Serie: Las mujeres florecen en la Colombia que sangra<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Las mujeres florecen en la Colombia que sangra, de Malely Linares S\u00e1nchez (Colombia\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1920x2794.jpg\" >\n        <img width=\"1920\" height=\"2794\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1920x2794.jpg\" class=\"wp-image-681\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1920x2794.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-206x300.jpg 206w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-704x1024.jpg 704w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-768x1118.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1056x1536.jpg 1056w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1407x2048.jpg 1407w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-500x728.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-800x1164.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1280x1863.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-scaled.jpg 1759w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MujeresColombia8-1920x2794.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Serie: Las mujeres florecen en la Colombia que sangra<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Malely Linares S\u00e1nchez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-22e1455f\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1920x1280.jpg\" class=\"wp-image-682\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_01-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-734ef226\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1920x2331.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1920x2331.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-247x300.jpg 247w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-844x1024.jpg 844w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-768x932.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1265x1536.jpg 1265w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1687x2048.jpg 1687w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-500x607.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-800x971.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1280x1554.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x2331\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-800x971.jpg\"\n                data-vp-popup-md-img-size=\"800x971\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-500x607.jpg\"\n                data-vp-popup-sm-img-size=\"500x607\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1920x2331.jpg\" >\n        <img width=\"1920\" height=\"2331\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1920x2331.jpg\" class=\"wp-image-683\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1920x2331.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-247x300.jpg 247w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-844x1024.jpg 844w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-768x932.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1265x1536.jpg 1265w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1687x2048.jpg 1687w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-500x607.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-800x971.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1280x1554.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_02-1920x2331.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-559600e0\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1920x1280.jpg\" class=\"wp-image-684\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_03-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-30249f98\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1920x1280.jpg\" class=\"wp-image-685\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_04-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-1191a947\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1920x1280.jpg\" class=\"wp-image-686\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_05-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-fb41a168\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1920x1280.jpg\" class=\"wp-image-687\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_06-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-d342db9c\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1920x1280.jpg\" class=\"wp-image-688\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_07-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-b6f044e4\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1920x1280.jpg\" class=\"wp-image-689\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_08-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-6e8baa64\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1920x1280.jpg\" class=\"wp-image-690\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_09-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-41ef8aa4\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Serie: Un retrato de la lucha por tierra: ensayo fotogra\u0301fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1920x1280.jpg\" class=\"wp-image-691\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_10-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Serie: Un retrato de la lucha por tierra: ensayo fotogra\u0301fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-605abc7b\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1280x853\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11.jpg\" >\n        <img width=\"1280\" height=\"853\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11.jpg\" class=\"wp-image-692\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11-800x533.jpg 800w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_11.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-2df5b9b7\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1280x853\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12.jpg\" >\n        <img width=\"1280\" height=\"853\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12.jpg\" class=\"wp-image-693\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12-800x533.jpg 800w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_12.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-0b2d4b71\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1280x853\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13.jpg\" >\n        <img width=\"1280\" height=\"853\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13.jpg\" class=\"wp-image-694\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13-800x533.jpg 800w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_13.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-6e9fd409\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Un retrato de la lucha por tierra: ensayo fotogra\u0301fico\ndel Acampamento Terra Livre en Brasil, de Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril (Brasilia, Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1920x1280.jpg\" class=\"wp-image-695\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/MG_14-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. Serie: Un retrato de la lucha por tierra: ensayo fotogr\u00e1fico del Acampamento Terra Livre en Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Daniel Madeira Campos Magalh\u00e3es &amp; Gabriel Ribeiro Bizerril    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-4f2ae2d6\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1.jpg 796w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-500x375.jpg 500w\"\n                data-vp-popup-img-size=\"796x597\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1.jpg\"\n                data-vp-popup-md-img-size=\"796x597\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1.jpg\" >\n        <img width=\"796\" height=\"597\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1.jpg\" class=\"wp-image-696\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1.jpg 796w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-500x375.jpg 500w\" sizes=\"(max-width: 796px) 100vw, 796px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-a5faeaf9\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-2048x1152.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1280x720.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1920x1080.jpg\" class=\"wp-image-697\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-2048x1152.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1280x720.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-8df9900d\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-2048x1152.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1280x720.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1920x1080.jpg\" class=\"wp-image-698\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-2048x1152.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1280x720.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-e84b0f75\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5.jpg 1440w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-169x300.jpg 169w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-576x1024.jpg 576w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-768x1365.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-864x1536.jpg 864w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-1152x2048.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-500x889.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-800x1422.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-1280x2276.jpg 1280w\"\n                data-vp-popup-img-size=\"1440x2560\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-800x1422.jpg\"\n                data-vp-popup-md-img-size=\"800x1422\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-500x889.jpg\"\n                data-vp-popup-sm-img-size=\"500x889\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5.jpg\" >\n        <img width=\"1440\" height=\"2560\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5.jpg\" class=\"wp-image-699\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5.jpg 1440w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-169x300.jpg 169w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-576x1024.jpg 576w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-768x1365.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-864x1536.jpg 864w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-1152x2048.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-500x889.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-800x1422.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-1280x2276.jpg 1280w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-f92b01ca\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-2048x1536.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1280x960.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1920x1440.jpg\" class=\"wp-image-700\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-2048x1536.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1280x960.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-d64f210a\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1920x1080.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-2048x1152.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1280x720.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1080\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1920x1080.jpg\" >\n        <img width=\"1920\" height=\"1080\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1920x1080.jpg\" class=\"wp-image-701\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1920x1080.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1536x864.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-2048x1152.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-800x450.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1280x720.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/7-1920x1080.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-f7fa17d5\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1920x1659.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1920x1659.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-300x259.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1024x885.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-768x664.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1536x1327.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-2048x1770.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-500x432.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-800x691.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1280x1106.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1659\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-800x691.jpg\"\n                data-vp-popup-md-img-size=\"800x691\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-500x432.jpg\"\n                data-vp-popup-sm-img-size=\"500x432\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1920x1659.jpg\" >\n        <img width=\"1920\" height=\"1659\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1920x1659.jpg\" class=\"wp-image-702\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1920x1659.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-300x259.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1024x885.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-768x664.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1536x1327.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-2048x1770.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-500x432.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-800x691.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1280x1106.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-1920x1659.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-c0954179\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-2048x1536.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1280x960.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1920x1440.jpg\" class=\"wp-image-703\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-2048x1536.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1280x960.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-e64db3bf\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-2048x1536.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1280x960.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1920x1440.jpg\" class=\"wp-image-704\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-2048x1536.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1280x960.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-83ff2cc7\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-1920x2560.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-scaled.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-768x1024.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-1152x1536.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-1536x2048.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-500x667.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-800x1067.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-1280x1707.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x2560\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-800x1067.jpg\"\n                data-vp-popup-md-img-size=\"800x1067\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-500x667.jpg\"\n                data-vp-popup-sm-img-size=\"500x667\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-1920x2560.jpg\" >\n        <img width=\"1920\" height=\"2560\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-1920x2560.jpg\" class=\"wp-image-705\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-scaled.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-768x1024.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-1152x1536.jpg 1152w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-1536x2048.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-500x667.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-800x1067.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-1280x1707.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-1920x2560.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-a24a1a18\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12.jpg 1040w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-800x450.jpg 800w\"\n                data-vp-popup-img-size=\"1040x585\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12.jpg\" >\n        <img width=\"1040\" height=\"585\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12.jpg\" class=\"wp-image-706\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12.jpg 1040w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-800x450.jpg 800w\" sizes=\"(max-width: 1040px) 100vw, 1040px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-489a1237\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13.jpg 1032w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-800x450.jpg 800w\"\n                data-vp-popup-img-size=\"1032x581\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13.jpg\" >\n        <img width=\"1032\" height=\"581\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13.jpg\" class=\"wp-image-707\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13.jpg 1032w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-800x450.jpg 800w\" sizes=\"(max-width: 1032px) 100vw, 1032px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-609968c3\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14.jpg 960w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-768x1024.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-500x667.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-800x1067.jpg 800w\"\n                data-vp-popup-img-size=\"960x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-800x1067.jpg\"\n                data-vp-popup-md-img-size=\"800x1067\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-500x667.jpg\"\n                data-vp-popup-sm-img-size=\"500x667\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 Cajueiro y la defensa del medio ambiente frente a la embestida desarrollista, de Julio Itzay\u00e1n Anaya L\u00f3pez (Nordeste de Brasil\/M\u00e9xico)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14.jpg\" >\n        <img width=\"960\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14.jpg\" class=\"wp-image-708\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14.jpg 960w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-768x1024.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-500x667.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-800x1067.jpg 800w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Serie: Cajueiro y la defensa del medio ambiente frente a la embestida  desarrollista<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Julio Itzay\u00e1n Anaya L\u00f3pez    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-65ec7e5e\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-2048x1536.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1280x960.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1920x1440.jpg\" class=\"wp-image-710\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-2048x1536.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1280x960.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/1-DSCN0330-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-aa5729ad\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1920x1440.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-2048x1536.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1280x960.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1440\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1920x1440.jpg\" >\n        <img width=\"1920\" height=\"1440\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1920x1440.jpg\" class=\"wp-image-711\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1920x1440.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1536x1152.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-2048x1536.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-800x600.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1280x960.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/2-DSC00009-1920x1440.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-6b3d6841\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1920x1270.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1920x1270.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-300x198.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1024x677.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-768x508.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1536x1016.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-2048x1354.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-800x529.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1280x846.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1270\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-800x529.jpg\"\n                data-vp-popup-md-img-size=\"800x529\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-500x331.jpg\"\n                data-vp-popup-sm-img-size=\"500x331\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1920x1270.jpg\" >\n        <img width=\"1920\" height=\"1270\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1920x1270.jpg\" class=\"wp-image-712\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1920x1270.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-300x198.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1024x677.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-768x508.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1536x1016.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-2048x1354.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-500x331.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-800x529.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1280x846.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/3-IMG_0147-1920x1270.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-a4863fb2\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1920x1280.jpg\" class=\"wp-image-713\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/4-IMG_5847-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-f5ca398b\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1920x1280.jpg\" class=\"wp-image-714\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/5-IMG_0325-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-3a716e78\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1920x2480.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1920x2480.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-232x300.jpg 232w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-793x1024.jpg 793w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-768x992.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1189x1536.jpg 1189w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1585x2048.jpg 1585w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-500x646.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-800x1033.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1280x1653.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-scaled.jpg 1982w\"\n                data-vp-popup-img-size=\"1920x2480\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-800x1033.jpg\"\n                data-vp-popup-md-img-size=\"800x1033\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-500x646.jpg\"\n                data-vp-popup-sm-img-size=\"500x646\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1920x2480.jpg\" >\n        <img width=\"1920\" height=\"2480\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1920x2480.jpg\" class=\"wp-image-715\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1920x2480.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-232x300.jpg 232w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-793x1024.jpg 793w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-768x992.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1189x1536.jpg 1189w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1585x2048.jpg 1585w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-500x646.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-800x1033.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1280x1653.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-scaled.jpg 1982w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/6-IMG_4669-1920x2480.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-f537f9fb\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1-300x75.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1-500x125.jpg 500w\"\n                data-vp-popup-img-size=\"630x157\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1.jpg\"\n                data-vp-popup-md-img-size=\"630x157\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1-500x125.jpg\"\n                data-vp-popup-sm-img-size=\"500x125\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Tri\u0301ptico 1: partilhar a conscie\u0302ncia social republicana. Serie: Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1.jpg\" >\n        <img width=\"630\" height=\"157\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1.jpg\" class=\"wp-image-881\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1-300x75.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1-500x125.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/7-Tri\u0301pitico-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Tri\u0301ptico 1: partilhar a conscie\u0302ncia social republicana. Serie: Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-7e76c7df\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1920x1280.jpg\" class=\"wp-image-717\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/8-IMG_0333-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-731ee2f7\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1920x1280.jpg\" class=\"wp-image-718\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/9-IMG_3666-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-bca5b504\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1920x1280.jpg\" class=\"wp-image-719\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/10-IMG_3146-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-fce1f18d\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1920x482.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1920x482.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-300x75.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1024x257.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-768x193.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1536x386.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-2048x514.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-500x126.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-800x201.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1280x321.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x482\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-800x201.jpg\"\n                data-vp-popup-md-img-size=\"800x201\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-500x126.jpg\"\n                data-vp-popup-sm-img-size=\"500x126\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1920x482.jpg\" >\n        <img width=\"1920\" height=\"482\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1920x482.jpg\" class=\"wp-image-720\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1920x482.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-300x75.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1024x257.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-768x193.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1536x386.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-2048x514.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-500x126.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-800x201.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1280x321.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/11-Tripitico-2-1920x482.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-335aa67e\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1920x1280.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1280x853.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1280\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Serie: Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1920x1280.jpg\" >\n        <img width=\"1920\" height=\"1280\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1920x1280.jpg\" class=\"wp-image-721\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1920x1280.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1024x683.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1536x1024.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-2048x1365.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-800x533.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1280x853.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/12-IMG_3914-1920x1280.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Serie: Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-f230e792\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1920x1305.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1920x1305.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-300x204.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1024x696.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-768x522.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1536x1044.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-2048x1392.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-500x340.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-800x544.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1280x870.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1305\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-800x544.jpg\"\n                data-vp-popup-md-img-size=\"800x544\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-500x340.jpg\"\n                data-vp-popup-sm-img-size=\"500x340\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Serie: Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1920x1305.jpg\" >\n        <img width=\"1920\" height=\"1305\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1920x1305.jpg\" class=\"wp-image-722\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1920x1305.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-300x204.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1024x696.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-768x522.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1536x1044.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-2048x1392.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-500x340.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-800x544.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1280x870.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/13-IMG_0148-1920x1305.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Serie: Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-3d8bb061\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1920x1244.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1920x1244.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-300x194.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1024x663.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-768x497.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1536x995.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-2048x1327.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-500x324.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-800x518.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1280x829.jpg 1280w\"\n                data-vp-popup-img-size=\"1920x1244\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-800x518.jpg\"\n                data-vp-popup-md-img-size=\"800x518\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-500x324.jpg\"\n                data-vp-popup-sm-img-size=\"500x324\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Do lado de ca\u0301 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos, de Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli (Brasil)\nRevista Plural N\u00fam. 6<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1920x1244.jpg\" >\n        <img width=\"1920\" height=\"1244\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1920x1244.jpg\" class=\"wp-image-723\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1920x1244.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-300x194.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1024x663.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-768x497.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1536x995.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-2048x1327.jpg 2048w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-500x324.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-800x518.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1280x829.jpg 1280w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2021\/05\/14-IMG_0323-1-1920x1244.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. Serie: Do lado de c\u00e1 dos muros: entre centros e periferias do cotidiano escolar, para uma pedagogia dos (des)enquadramentos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luana Carla Martins Campos Akinruli &amp; Samuel Ayobami Akinruli    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        \n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-abe3e4c3 vp-id-2jR0nL\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"3\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural N\u00fam. 7\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_01\" data-vp-filter=\"serie_01\" value=\"serie_01\" >\n                Serie 01\n                                    (12)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_02\" data-vp-filter=\"serie_02\" value=\"serie_02\" >\n                Serie 02\n                                    (9)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_03\" data-vp-filter=\"serie_03\" value=\"serie_03\" >\n                Serie 03\n                                    (14)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_04\" data-vp-filter=\"serie_04\" value=\"serie_04\" >\n                Serie 04\n                                    (21)\n                                <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-cdb54da6\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018.jpg 759w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018-193x300.jpg 193w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018-658x1024.jpg 658w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018-500x778.jpg 500w\"\n                data-vp-popup-img-size=\"759x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018.jpg\"\n                data-vp-popup-md-img-size=\"759x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018-500x778.jpg\"\n                data-vp-popup-sm-img-size=\"500x778\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Collage 1. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de autores varios (Colombia). Participantes de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018.jpg\" >\n        <img width=\"759\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018.jpg\" class=\"wp-image-737\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018.jpg 759w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018-193x300.jpg 193w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018-658x1024.jpg 658w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018-500x778.jpg 500w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/01_Autor-Varios-Titulo-Collage-1-2018.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Collage 1. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Autores varios. Participantes de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-e5b63752\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018.jpg 759w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018-193x300.jpg 193w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018-658x1024.jpg 658w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018-500x778.jpg 500w\"\n                data-vp-popup-img-size=\"759x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018.jpg\"\n                data-vp-popup-md-img-size=\"759x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018-500x778.jpg\"\n                data-vp-popup-sm-img-size=\"500x778\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Collage 2. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de autores varios (Colombia). Participantes de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018.jpg\" >\n        <img width=\"759\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018.jpg\" class=\"wp-image-738\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018.jpg 759w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018-193x300.jpg 193w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018-658x1024.jpg 658w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018-500x778.jpg 500w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/02_Autor-Varios-Titulo-Collage-2-2018.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Collage 2. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Autores varios. Participantes de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-8004a82a\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018.jpg 759w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018-193x300.jpg 193w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018-658x1024.jpg 658w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018-500x778.jpg 500w\"\n                data-vp-popup-img-size=\"759x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018.jpg\"\n                data-vp-popup-md-img-size=\"759x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018-500x778.jpg\"\n                data-vp-popup-sm-img-size=\"500x778\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Collage 3. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de autores varios (Colombia). Participantes de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018.jpg\" >\n        <img width=\"759\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018.jpg\" class=\"wp-image-739\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018.jpg 759w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018-193x300.jpg 193w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018-658x1024.jpg 658w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018-500x778.jpg 500w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/03_Autor-Varios-Titulo-Collage-3-2018.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Collage 3. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Autores varios. Participantes de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-0e25e12c\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018.jpg 759w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018-193x300.jpg 193w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018-658x1024.jpg 658w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018-500x778.jpg 500w\"\n                data-vp-popup-img-size=\"759x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018.jpg\"\n                data-vp-popup-md-img-size=\"759x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018-500x778.jpg\"\n                data-vp-popup-sm-img-size=\"500x778\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Collage 4. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de autores varios (Colombia). Participantes de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018.jpg\" >\n        <img width=\"759\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018.jpg\" class=\"wp-image-740\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018.jpg 759w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018-193x300.jpg 193w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018-658x1024.jpg 658w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018-500x778.jpg 500w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/04_Autor-Varios-Titulo-Collage-4-2018.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Collage 4. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Autores varios. Participantes de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-e4f5e903\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018.jpg 784w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018-768x1157.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018-500x753.jpg 500w\"\n                data-vp-popup-img-size=\"784x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018.jpg\"\n                data-vp-popup-md-img-size=\"784x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018-500x753.jpg\"\n                data-vp-popup-sm-img-size=\"500x753\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Sin t\u00edtulo. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de autor an\u00f3nimo (Colombia). Participantes de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018.jpg\" >\n        <img width=\"784\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018.jpg\" class=\"wp-image-741\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018.jpg 784w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018-199x300.jpg 199w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018-680x1024.jpg 680w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018-768x1157.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018-500x753.jpg 500w\" sizes=\"(max-width: 784px) 100vw, 784px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/05_Autor_Anonimo-2018.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Sin t\u00edtulo. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Autor an\u00f3nimo. Participantes de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-c540dfdc\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Sin t\u00edtulo. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de Francesco Tetti (Colombia). Tallerista de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019.jpg\" class=\"wp-image-742\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/06_Autor_Francesco-Tetti-Sin-Titulo-2019.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Sin t\u00edtulo. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Francesco Tetti. Tallerista de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-a0f240a4\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-300x211.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-1024x721.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-768x540.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-500x352.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-800x563.jpg 800w\"\n                data-vp-popup-img-size=\"1181x831\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-800x563.jpg\"\n                data-vp-popup-md-img-size=\"800x563\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-500x352.jpg\"\n                data-vp-popup-sm-img-size=\"500x352\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Creciendo. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de An\u00edbal Callejas (Colombia). Participante de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018.jpg\" >\n        <img width=\"1181\" height=\"831\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018.jpg\" class=\"wp-image-743\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-300x211.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-1024x721.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-768x540.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-500x352.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018-800x563.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/07_Autor_Anibal-Callejas-Titulo_Creciendo-2018.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Creciendo. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ani\u0301bal Callejas. Participante de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-862ab262\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018.jpg 890w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-226x300.jpg 226w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-772x1024.jpg 772w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-768x1019.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-500x663.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-800x1062.jpg 800w\"\n                data-vp-popup-img-size=\"890x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-800x1062.jpg\"\n                data-vp-popup-md-img-size=\"800x1062\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-500x663.jpg\"\n                data-vp-popup-sm-img-size=\"500x663\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. El socio y yo. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de Jos\u00e9 Crist\u00f3bal Su\u00e1rez Carvajal (Colombia). Participante de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018.jpg\" >\n        <img width=\"890\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018.jpg\" class=\"wp-image-744\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018.jpg 890w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-226x300.jpg 226w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-772x1024.jpg 772w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-768x1019.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-500x663.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018-800x1062.jpg 800w\" sizes=\"(max-width: 890px) 100vw, 890px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/08_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_El-socio-y-yo-2018.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. El socio y yo. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jose\u0301 Cristo\u0301bal Sua\u0301rez Carvajal. Participante de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-d7ffee1f\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019.jpg 879w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019-300x265.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019-768x677.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019-500x441.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019-800x705.jpg 800w\"\n                data-vp-popup-img-size=\"879x775\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019-800x705.jpg\"\n                data-vp-popup-md-img-size=\"800x705\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019-500x441.jpg\"\n                data-vp-popup-sm-img-size=\"500x441\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Los 111. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de Jos\u00e9 Crist\u00f3bal Su\u00e1rez Carvajal (Colombia). Participante de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019.jpg\" >\n        <img width=\"879\" height=\"775\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019.jpg\" class=\"wp-image-748\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019.jpg 879w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019-300x265.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019-768x677.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019-500x441.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019-800x705.jpg 800w\" sizes=\"(max-width: 879px) 100vw, 879px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/09_Autor_Jose-Cristobal-Suarez-Carvajal-Titulo_Los-111-2019.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Los 111. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jose\u0301 Cristo\u0301bal Sua\u0301rez Carvajal. Participante de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-11f2f5c7\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-300x248.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-1024x846.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-768x635.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-500x413.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-800x661.jpg 800w\"\n                data-vp-popup-img-size=\"1181x976\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-800x661.jpg\"\n                data-vp-popup-md-img-size=\"800x661\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-500x413.jpg\"\n                data-vp-popup-sm-img-size=\"500x413\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. El \u00e1rbol de las caras. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de Jhoiner Bellaco (Colombia). Participante de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019.jpg\" >\n        <img width=\"1181\" height=\"976\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019.jpg\" class=\"wp-image-745\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-300x248.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-1024x846.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-768x635.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-500x413.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019-800x661.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10_Autor_Jhoiner-Bellaco-Titulo_el-arbol-de-las-caras-2019.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. El \u00e1rbol de las caras. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Jhoiner Bellaco. Participante de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-ae532392\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019.jpg 1186w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-1024x1020.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-768x765.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-500x498.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-800x797.jpg 800w\"\n                data-vp-popup-img-size=\"1186x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-800x797.jpg\"\n                data-vp-popup-md-img-size=\"800x797\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-500x498.jpg\"\n                data-vp-popup-sm-img-size=\"500x498\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. En que pel\u00edcula estoy. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de Juan Camilo Molina (Colombia). Participante de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019.jpg\" >\n        <img width=\"1186\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019.jpg\" class=\"wp-image-746\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019.jpg 1186w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-1024x1020.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-768x765.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-500x498.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019-800x797.jpg 800w\" sizes=\"(max-width: 1186px) 100vw, 1186px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11_Autor_Juan-Camilo-Molina-Titulo_En-que-pelicula-estoy-2019.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. En que pel\u00edcula estoy. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Juan Camilo Molina. Participante de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-61e87461\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019.jpg 602w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019-300x243.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019-500x405.jpg 500w\"\n                data-vp-popup-img-size=\"602x488\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019.jpg\"\n                data-vp-popup-md-img-size=\"602x488\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019-500x405.jpg\"\n                data-vp-popup-sm-img-size=\"500x405\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Umpalumpa. Serie: Relatos Internos<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Relatos Internos, de Pedro Daniel Joya Alvarado (Colombia). Participante de Relatos Internos\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019.jpg\" >\n        <img width=\"602\" height=\"488\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019.jpg\" class=\"wp-image-747\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019.jpg 602w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019-300x243.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019-500x405.jpg 500w\" sizes=\"(max-width: 602px) 100vw, 602px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12_Autor_Pedro-Daniel-Joya-Alvarado-Titulo_umpalumpa-2019.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Umpalumpa. Serie: Relatos Internos<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pedro Daniel Joya Alvarado. Participante de Relatos Internos    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-83254ffb\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Serie: Postales de una tarde femdom<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Postales de una tarde femdom, de Agust\u00edn Liarte Tiloca y Rolando Nicol\u00e1s Jes\u00fas Mart\u00edn Escudero (Argentina)\nRevista Plural Num. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1.jpg\" class=\"wp-image-751\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Serie: Postales de una tarde femdom<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Agusti\u0301n Liarte Tiloca &amp; Rolando Nicola\u0301s Jesu\u0301s Marti\u0301n Escudero    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-a2907924\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Serie: Postales de una tarde femdom<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Postales de una tarde femdom, de Agust\u00edn Liarte Tiloca y Rolando Nicol\u00e1s Jes\u00fas Mart\u00edn Escudero (Argentina)\nRevista Plural Num. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2.jpg\" class=\"wp-image-752\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Serie: Postales de una tarde femdom<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Agusti\u0301n Liarte Tiloca &amp; Rolando Nicola\u0301s Jesu\u0301s Marti\u0301n Escudero    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-4840710b\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Serie: Postales de una tarde femdom<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Postales de una tarde femdom, de Agust\u00edn Liarte Tiloca y Rolando Nicol\u00e1s Jes\u00fas Mart\u00edn Escudero (Argentina)\nRevista Plural Num. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3.jpg\" class=\"wp-image-753\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Serie: Postales de una tarde femdom<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Agusti\u0301n Liarte Tiloca &amp; Rolando Nicola\u0301s Jesu\u0301s Marti\u0301n Escudero    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-6e9883cd\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Serie: Postales de una tarde femdom<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Postales de una tarde femdom, de Agust\u00edn Liarte Tiloca y Rolando Nicol\u00e1s Jes\u00fas Mart\u00edn Escudero (Argentina)\nRevista Plural Num. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4.jpg\" class=\"wp-image-754\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Serie: Postales de una tarde femdom<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Agusti\u0301n Liarte Tiloca &amp; Rolando Nicola\u0301s Jesu\u0301s Marti\u0301n Escudero    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-0b2a1cb5\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Serie: Postales de una tarde femdom<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Postales de una tarde femdom, de Agust\u00edn Liarte Tiloca y Rolando Nicol\u00e1s Jes\u00fas Mart\u00edn Escudero (Argentina)\nRevista Plural Num. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5.jpg\" class=\"wp-image-755\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Serie: Postales de una tarde femdom<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Agusti\u0301n Liarte Tiloca &amp; Rolando Nicola\u0301s Jesu\u0301s Marti\u0301n Escudero    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-2a9f2a6a\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Serie: Postales de una tarde femdom<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Postales de una tarde femdom, de Agust\u00edn Liarte Tiloca y Rolando Nicol\u00e1s Jes\u00fas Mart\u00edn Escudero (Argentina)\nRevista Plural Num. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6.jpg\" class=\"wp-image-756\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Serie: Postales de una tarde femdom<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Agusti\u0301n Liarte Tiloca &amp; Rolando Nicola\u0301s Jesu\u0301s Marti\u0301n Escudero    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-05fb0aaa\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Serie: Postales de una tarde femdom<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Postales de una tarde femdom, de Agust\u00edn Liarte Tiloca y Rolando Nicol\u00e1s Jes\u00fas Mart\u00edn Escudero (Argentina)\nRevista Plural Num. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7.jpg\" class=\"wp-image-757\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Serie: Postales de una tarde femdom<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Agusti\u0301n Liarte Tiloca &amp; Rolando Nicola\u0301s Jesu\u0301s Marti\u0301n Escudero    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-2df8705e\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Serie: Postales de una tarde femdom<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Postales de una tarde femdom, de Agust\u00edn Liarte Tiloca y Rolando Nicol\u00e1s Jes\u00fas Mart\u00edn Escudero (Argentina)\nRevista Plural Num. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8.jpg\" class=\"wp-image-758\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Serie: Postales de una tarde femdom<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Agusti\u0301n Liarte Tiloca &amp; Rolando Nicola\u0301s Jesu\u0301s Marti\u0301n Escudero    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-60577592\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Serie: Postales de una tarde femdom<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Postales de una tarde femdom, de Agust\u00edn Liarte Tiloca y Rolando Nicol\u00e1s Jes\u00fas Mart\u00edn Escudero (Argentina)\nRevista Plural Num. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9.jpg\" class=\"wp-image-759\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Serie: Postales de una tarde femdom<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Agusti\u0301n Liarte Tiloca &amp; Rolando Nicola\u0301s Jesu\u0301s Marti\u0301n Escudero    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-fd1dc906\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1.jpg\" class=\"wp-image-761\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/1-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-76a13752\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1.jpg\" class=\"wp-image-762\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/2-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-b91a60a1\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1.jpg\" class=\"wp-image-763\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/3-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-baa9cdbb\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1.jpg\" class=\"wp-image-764\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/4-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-75129a48\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1.jpg\" class=\"wp-image-765\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/5-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-feae641c\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1.jpg\" class=\"wp-image-766\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/6-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-311533ef\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1.jpg\" class=\"wp-image-767\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/7-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-f9c93e28\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1.jpg\" class=\"wp-image-768\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/8-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-367269db\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1.jpg\" class=\"wp-image-769\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/9-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-16dd8604\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10.jpg\" class=\"wp-image-770\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/10.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-d966d1f7\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11.jpg\" class=\"wp-image-771\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/11.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-52da2fa3\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12.jpg\" class=\"wp-image-772\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/12.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-9d617850\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13.jpg\" class=\"wp-image-773\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/13.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-9ed2d54a\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 3 J\u00f3venes de identidades diversas en din\u00e1micas metropolitanas, de Guillermina Rodr\u00edguez Velasco (M\u00e9xico)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14.jpg\" class=\"wp-image-774\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/14.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. Serie: Jo\u0301venes de identidades diversas en dina\u0301micas metropolitanas<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Guillermina Rodri\u0301guez Velasco    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-c860d303\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Chullpares (Torres funerarias) de origen aymara y quechua de Huanuni Cachu en la comunidad Pujrata. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares.jpg\" class=\"wp-image-776\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto1.Chullpares.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Chullpares (Torres funerarias) de origen aymara y quechua de Huanuni Cachu en la comunidad Pujrata. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-add24c7b\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-300x198.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-1024x676.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-768x507.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-500x330.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-800x528.jpg 800w\"\n                data-vp-popup-img-size=\"1181x780\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-800x528.jpg\"\n                data-vp-popup-md-img-size=\"800x528\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-500x330.jpg\"\n                data-vp-popup-sm-img-size=\"500x330\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Capilla de Curahuara de Carangas, llamada tambie\u0301n la Capilla Sixtina de los Andes. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas.jpg\" >\n        <img width=\"1181\" height=\"780\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas.jpg\" class=\"wp-image-777\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-300x198.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-1024x676.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-768x507.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-500x330.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas-800x528.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto2.CapillaCurahuaradeCarangas.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Capilla de Curahuara de Carangas, llamada tambie\u0301n la Capilla Sixtina de los Andes. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-85d1368f\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Capilla Curahuara de Carangas. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas.jpg\" class=\"wp-image-778\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto3.CapillaCurahuaradeCarangas.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Capilla Curahuara de Carangas. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-aab5164f\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Capilla Curahuara de Carangas, llamada tambie\u0301n la Capilla Sixtina de los Andes. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas.jpg\" class=\"wp-image-779\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto4.CapillaCurahuaradeCarangas.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Capilla Curahuara de Carangas, llamada tambie\u0301n la Capilla Sixtina de los Andes. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-ec4dd541\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Capilla Curahuara de Carangas, llamada tambie\u0301n la Capilla Sixtina de los Andes. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas.jpg\" class=\"wp-image-780\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto5.CapillaCurahuaradeCarangas.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Capilla Curahuara de Carangas, llamada tambie\u0301n la Capilla Sixtina de los Andes. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-5462764d\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Capilla Curahuara de Carangas, llamada tambie\u0301n la Capilla Sixtina de los Andes. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas.jpg\" class=\"wp-image-781\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto6.CapillaCurahuaradeCarangas.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Capilla Curahuara de Carangas, llamada tambie\u0301n la Capilla Sixtina de los Andes. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-75d74092\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Capilla Curahuara de Carangas, llamada tambie\u0301n la Capilla Sixtina de los Andes. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas.jpg\" class=\"wp-image-782\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto7.CapillaCurahuaradeCarangas.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Capilla Curahuara de Carangas, llamada tambie\u0301n la Capilla Sixtina de los Andes. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-1065dfea\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"1181x886\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Iglesia de Tomarapi en Curahuara de Carangas. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi.jpg\" >\n        <img width=\"1181\" height=\"886\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi.jpg\" class=\"wp-image-783\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-1024x768.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi-800x600.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto8.IglesiadeTomarapi.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Iglesia de Tomarapi en Curahuara de Carangas. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-36bd2d2c\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Iglesia de Tomarapi en Curahuara de Carangas. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi.jpg\" class=\"wp-image-784\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto9.IglesiadeTomarapi.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Iglesia de Tomarapi en Curahuara de Carangas. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-2b78756e\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Volcanes Payachatas (gemelos): Parinacota (6.348 m.s.n.m.) y el Pomerape (6.282 m.s.n.m.). Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota.jpg\" class=\"wp-image-797\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto10.LagunaHuaynacota.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Volcanes Payachatas (gemelos): Parinacota (6.348 m.s.n.m.) y el Pomerape (6.282 m.s.n.m.). Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-64d14266\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape..jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape..jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Los Payachatas Parinacota Pomerape<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape..jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape..jpg\" class=\"wp-image-785\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape..jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape.-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto11.LosPayachatas.Parinacota.Pomerape..jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Los Payachatas Parinacota Pomerape<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-ef6dbc32\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape..jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape..jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Volcanes Payachatas (gemelos): Parinacota (6.348 m.s.n.m.) y el Pomerape (6.282 m.s.n.m.). Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape..jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape..jpg\" class=\"wp-image-786\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape..jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape.-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto12.LosPayachatas.Parinacota.Pomerape..jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Volcanes Payachatas (gemelos): Parinacota (6.348 m.s.n.m.) y el Pomerape (6.282 m.s.n.m.). Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-20d6ebc1\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Nevado Sajama, estratovolca\u0301n con 6.542 m.s.n.m. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama.jpg\" class=\"wp-image-787\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto13.ParqueNacionalSajama.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Nevado Sajama, estratovolca\u0301n con 6.542 m.s.n.m. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-e80ae606\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. Nevado Sajama, estratovolca\u0301n con 6.542 m.s.n.m. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama.jpg\" class=\"wp-image-788\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto14.Nevado.Sajama.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. Nevado Sajama, estratovolca\u0301n con 6.542 m.s.n.m. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-27b1b1f5\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">15. Nevado Sajama, estratovolca\u0301n con 6.542 m.s.n.m. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama.jpg\" class=\"wp-image-789\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto15.Nevado.Sajama.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    15. Nevado Sajama, estratovolca\u0301n con 6.542 m.s.n.m. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-071e5e2a\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">16. Nevado Sajama, estratovolca\u0301n con 6.542 m.s.n.m. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama.jpg\" class=\"wp-image-790\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto16.Nevado.Sajama.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    16. Nevado Sajama, estratovolca\u0301n con 6.542 m.s.n.m. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-c8a509d9\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">17. Nevado Sajama, estratovolca\u0301n con 6.542 m.s.n.m. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama.jpg\" class=\"wp-image-791\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto17.Nevado.Sajama.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    17. Nevado Sajama, estratovolca\u0301n con 6.542 m.s.n.m. Serie: Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-4319f78d\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">18. Balnearios de aguas termales en la comunidad Manasaya. Serie: Tierra de Apus, Achachilas, monta\u00f1as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya.jpg\" class=\"wp-image-792\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto18.BalnearioManasaya.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    18. Balnearios de aguas termales en la comunidad Manasaya. Serie: Tierra de Apus, Achachilas, monta\u00f1as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-12c635dd\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">19. Balnearios de aguas termales en la comunidad Manasaya. Serie: Tierra de Apus, Achachilas, monta\u00f1as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya.jpg\" class=\"wp-image-794\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto20.BalnearioManasaya.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    19. Balnearios de aguas termales en la comunidad Manasaya. Serie: Tierra de Apus, Achachilas, monta\u00f1as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-f8163df2\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"787x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya.jpg\"\n                data-vp-popup-md-img-size=\"787x1181\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">20. Balnearios de aguas termales en la comunidad Manasaya. Serie: Tierra de Apus, Achachilas, monta\u00f1as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya.jpg\" >\n        <img width=\"787\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya.jpg\" class=\"wp-image-795\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya.jpg 787w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya-682x1024.jpg 682w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya-768x1152.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya-500x750.jpg 500w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto21.BalnearioManasaya.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    20. Balnearios de aguas termales en la comunidad Manasaya. Serie: Tierra de Apus, Achachilas, monta\u00f1as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_04 vp-portfolio__item-uid-d9a30b2d\" data-vp-filter=\"serie_04\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">21. Ofrenda Sajama. Serie: Tierra de Apus, Achachilas, monta\u00f1as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 4 Tierra de Apus, Achachilas, montan\u0303as y volcanes Parque Nacional Sajama Oruro-Bolivia, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia)\nRevista Plural N\u00fam. 7<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama.jpg\" class=\"wp-image-796\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/Foto22.OfrendaSajama.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 04<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    21. Ofrenda Sajama. Serie: Tierra de Apus, Achachilas, monta\u00f1as y volcanes Parque Nacional Sajama Oruro-Bolivia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Vero\u0301nica Stella Tejerina Vargas    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        \n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-4fe4c6d2 vp-id-ZMszWN\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"3\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural N\u00fam. 8\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_01\" data-vp-filter=\"serie_01\" value=\"serie_01\" >\n                Serie 01\n                                    (3)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_02\" data-vp-filter=\"serie_02\" value=\"serie_02\" >\n                Serie 02\n                                    (13)\n                                <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-03ca3874\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-800x450.jpg 800w\"\n                data-vp-popup-img-size=\"1181x664\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. La Yuca. Serie: Un Solo Ardor<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Un Solo Ardor, de MayJenn (Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash.jpg\" >\n        <img width=\"1181\" height=\"664\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash.jpg\" class=\"wp-image-805\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash-800x450.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-0CGxmqJvwzs-unsplash.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. La Yuca. Serie: Un Solo Ardor<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De MayJenn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-227f0eab\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-800x450.jpg 800w\"\n                data-vp-popup-img-size=\"1181x664\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-800x450.jpg\"\n                data-vp-popup-md-img-size=\"800x450\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-500x281.jpg\"\n                data-vp-popup-sm-img-size=\"500x281\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Las Afropin\u0303icultores. Serie: Un Solo Ardor<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Un Solo Ardor, de MayJenn (Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash.jpg\" >\n        <img width=\"1181\" height=\"664\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash.jpg\" class=\"wp-image-806\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-300x169.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-1024x576.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-768x432.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-500x281.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash-800x450.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-4t-4_EafVgo-unsplash.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Las Afropin\u0303icultores. Serie: Un Solo Ardor<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De MayJenn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-47cd91d3\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-300x181.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-1024x617.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-768x463.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-500x301.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-800x482.jpg 800w\"\n                data-vp-popup-img-size=\"1181x712\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-800x482.jpg\"\n                data-vp-popup-md-img-size=\"800x482\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-500x301.jpg\"\n                data-vp-popup-sm-img-size=\"500x301\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Las Penas. Serie: Un Solor Ardor<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 1 Un Solo Ardor, de MayJenn (Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash.jpg\" >\n        <img width=\"1181\" height=\"712\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash.jpg\" class=\"wp-image-807\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-300x181.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-1024x617.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-768x463.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-500x301.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash-800x482.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/mayjenn-_-T5U9U7Q1crs-unsplash.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Las Penas. Serie: Un Solor Ardor<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De MayJenn    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-5df889a5\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-300x187.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-1024x640.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-768x480.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-500x312.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-800x500.jpg 800w\"\n                data-vp-popup-img-size=\"1181x738\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-800x500.jpg\"\n                data-vp-popup-md-img-size=\"800x500\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-500x312.jpg\"\n                data-vp-popup-sm-img-size=\"500x312\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Itinerancia en calle. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601.jpg\" >\n        <img width=\"1181\" height=\"738\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601.jpg\" class=\"wp-image-828\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-300x187.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-1024x640.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-768x480.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-500x312.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601-800x500.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0601.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Itinerancia en calle. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-5090ac8d\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594.jpg 835w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-212x300.jpg 212w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-724x1024.jpg 724w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-768x1086.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-500x707.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-800x1131.jpg 800w\"\n                data-vp-popup-img-size=\"835x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-800x1131.jpg\"\n                data-vp-popup-md-img-size=\"800x1131\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-500x707.jpg\"\n                data-vp-popup-sm-img-size=\"500x707\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. La acera. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594.jpg\" >\n        <img width=\"835\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594.jpg\" class=\"wp-image-827\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594.jpg 835w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-212x300.jpg 212w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-724x1024.jpg 724w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-768x1086.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-500x707.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594-800x1131.jpg 800w\" sizes=\"(max-width: 835px) 100vw, 835px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0594.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. La acera. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-6f536f0a\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-300x181.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-1024x617.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-768x463.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-500x301.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-800x482.jpg 800w\"\n                data-vp-popup-img-size=\"1181x712\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-800x482.jpg\"\n                data-vp-popup-md-img-size=\"800x482\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-500x301.jpg\"\n                data-vp-popup-sm-img-size=\"500x301\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Un di\u0301a. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605.jpg\" >\n        <img width=\"1181\" height=\"712\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605.jpg\" class=\"wp-image-830\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-300x181.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-1024x617.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-768x463.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-500x301.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605-800x482.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0605.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Un di\u0301a. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-93e8a1c8\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"1181x787\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Casas de carto\u0301n. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613.jpg\" >\n        <img width=\"1181\" height=\"787\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613.jpg\" class=\"wp-image-832\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-1024x682.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613-800x533.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0613.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Casas de carto\u0301n. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-c2376398\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-300x212.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-1024x725.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-768x544.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-500x354.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-800x566.jpg 800w\"\n                data-vp-popup-img-size=\"1181x836\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-800x566.jpg\"\n                data-vp-popup-md-img-size=\"800x566\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-500x354.jpg\"\n                data-vp-popup-sm-img-size=\"500x354\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. El hogar. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617.jpg\" >\n        <img width=\"1181\" height=\"836\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617.jpg\" class=\"wp-image-834\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-300x212.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-1024x725.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-768x544.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-500x354.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617-800x566.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0617.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. El hogar. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-f4487219\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-300x179.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-1024x610.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-768x457.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-500x298.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-800x476.jpg 800w\"\n                data-vp-popup-img-size=\"1181x703\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-800x476.jpg\"\n                data-vp-popup-md-img-size=\"800x476\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-500x298.jpg\"\n                data-vp-popup-sm-img-size=\"500x298\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. La itinerancia. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591.jpg\" >\n        <img width=\"1181\" height=\"703\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591.jpg\" class=\"wp-image-825\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-300x179.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-1024x610.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-768x457.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-500x298.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591-800x476.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0591.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. La itinerancia. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-d5fd44c6\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-300x187.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-1024x638.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-768x479.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-500x312.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-800x499.jpg 800w\"\n                data-vp-popup-img-size=\"1181x736\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-800x499.jpg\"\n                data-vp-popup-md-img-size=\"800x499\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-500x312.jpg\"\n                data-vp-popup-sm-img-size=\"500x312\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Sub-Alterno. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592.jpg\" >\n        <img width=\"1181\" height=\"736\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592.jpg\" class=\"wp-image-826\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-300x187.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-1024x638.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-768x479.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-500x312.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592-800x499.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0592.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Sub-Alterno. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-742a67cb\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-300x187.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-1024x638.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-768x479.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-500x312.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-800x499.jpg 800w\"\n                data-vp-popup-img-size=\"1181x736\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-800x499.jpg\"\n                data-vp-popup-md-img-size=\"800x499\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-500x312.jpg\"\n                data-vp-popup-sm-img-size=\"500x312\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Paisaje Urbano. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608.jpg\" >\n        <img width=\"1181\" height=\"736\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608.jpg\" class=\"wp-image-831\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-300x187.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-1024x638.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-768x479.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-500x312.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608-800x499.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0608.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Paisaje Urbano. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-a5e7c560\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-300x177.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-1024x604.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-768x453.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-500x295.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-800x472.jpg 800w\"\n                data-vp-popup-img-size=\"1181x697\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-800x472.jpg\"\n                data-vp-popup-md-img-size=\"800x472\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-500x295.jpg\"\n                data-vp-popup-sm-img-size=\"500x295\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Empati\u0301a. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577.jpg\" >\n        <img width=\"1181\" height=\"697\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577.jpg\" class=\"wp-image-824\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-300x177.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-1024x604.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-768x453.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-500x295.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577-800x472.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0577.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Empati\u0301a. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-302dce6c\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-300x184.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-1024x628.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-768x471.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-500x307.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-800x490.jpg 800w\"\n                data-vp-popup-img-size=\"1181x724\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-800x490.jpg\"\n                data-vp-popup-md-img-size=\"800x490\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-500x307.jpg\"\n                data-vp-popup-sm-img-size=\"500x307\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. En vi\u0301a. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615.jpg\" >\n        <img width=\"1181\" height=\"724\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615.jpg\" class=\"wp-image-833\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-300x184.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-1024x628.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-768x471.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-500x307.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615-800x490.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0615.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. En vi\u0301a. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-918a9848\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576.jpg 903w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-229x300.jpg 229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-783x1024.jpg 783w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-768x1004.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-500x654.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-800x1046.jpg 800w\"\n                data-vp-popup-img-size=\"903x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-800x1046.jpg\"\n                data-vp-popup-md-img-size=\"800x1046\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-500x654.jpg\"\n                data-vp-popup-sm-img-size=\"500x654\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. \u201cCostal y cuerpo\u201d. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576.jpg\" >\n        <img width=\"903\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576.jpg\" class=\"wp-image-823\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576.jpg 903w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-229x300.jpg 229w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-783x1024.jpg 783w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-768x1004.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-500x654.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576-800x1046.jpg 800w\" sizes=\"(max-width: 903px) 100vw, 903px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0576.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. \u201cCostal y cuerpo\u201d. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-7b5a9067\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575.jpg 920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-234x300.jpg 234w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-798x1024.jpg 798w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-768x986.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-500x642.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-800x1027.jpg 800w\"\n                data-vp-popup-img-size=\"920x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-800x1027.jpg\"\n                data-vp-popup-md-img-size=\"800x1027\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-500x642.jpg\"\n                data-vp-popup-sm-img-size=\"500x642\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Fri\u0301o 7 a.m. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575.jpg\" >\n        <img width=\"920\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575.jpg\" class=\"wp-image-822\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575.jpg 920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-234x300.jpg 234w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-798x1024.jpg 798w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-768x986.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-500x642.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575-800x1027.jpg 800w\" sizes=\"(max-width: 920px) 100vw, 920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0575.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Fri\u0301o 7 a.m. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-54342e8a\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-300x213.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-1024x727.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-768x546.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-500x355.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-800x568.jpg 800w\"\n                data-vp-popup-img-size=\"1181x839\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-800x568.jpg\"\n                data-vp-popup-md-img-size=\"800x568\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-500x355.jpg\"\n                data-vp-popup-sm-img-size=\"500x355\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. El abismo es el otrx. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Serie 2 Itinerancia en calle, de So\u0308ren Molano-Cajamarca (Bogot\u00e1, Colombia)\nRevista Plural N\u00fam. 8<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603.jpg\" >\n        <img width=\"1181\" height=\"839\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603.jpg\" class=\"wp-image-829\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603.jpg 1181w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-300x213.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-1024x727.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-768x546.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-500x355.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603-800x568.jpg 800w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/DSC_0603.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. El abismo es el otrx. Bogota\u0301, 2021. Serie: Itinerancia en calle<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De So\u0308ren Molano-Cajamarca    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        \n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-3584fded vp-id-2re4ho\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"3\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural N\u00fam. 9\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_01\" data-vp-filter=\"serie_01\" value=\"serie_01\" >\n                Serie 01\n                                    (14)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_02\" data-vp-filter=\"serie_02\" value=\"serie_02\" >\n                Serie 02\n                                    (14)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_03\" data-vp-filter=\"serie_03\" value=\"serie_03\" >\n                Serie 03\n                                    (9)\n                                <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-23b27d7e\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Peces como oro \u201ca precio de huevo\u201d. Mojarra amarilla. Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia). Serie: Peces, redes y tradiciones: Acuosidad social en la regi\u00f3n de la Mojana, Colombia<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1.jpg\" class=\"wp-image-983\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Peces como oro \u201ca precio de huevo\u201d. Mojarra amarilla. Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia). Serie: Peces, redes y tradiciones: Acuosidad social en la regi\u00f3n de la Mojana, Colombia<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-b302790d\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"945x709\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Se llega con el alba. Puerto de Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2.jpg\" >\n        <img width=\"945\" height=\"709\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2.jpg\" class=\"wp-image-909\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-800x600.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Se llega con el alba. Puerto de Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-c1705f06\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. El \u201cjohnsero\u201d (operador de lancha). Ci\u00e9naga de San Marcos, Sucre (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3.jpg\" class=\"wp-image-910\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. El \u201cjohnsero\u201d (operador de lancha). Ci\u00e9naga de San Marcos, Sucre (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-0ecb08f5\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-800x800.jpg 800w\"\n                data-vp-popup-img-size=\"945x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-800x800.jpg\"\n                data-vp-popup-md-img-size=\"800x800\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-500x500.jpg\"\n                data-vp-popup-sm-img-size=\"500x500\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Canalete (remo que impulsa las barquetas). Ci\u00e9naga en el municipio de Sucre, Sucre<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4.jpg\" >\n        <img width=\"945\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4.jpg\" class=\"wp-image-911\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-800x800.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Canalete (remo que impulsa las barquetas). Ci\u00e9naga en el municipio de Sucre, Sucre<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-0a1561f6\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"945x709\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. El arte de la atarraya. Pescador artesanal. Ci\u00e9naga en el municipio de Sucre, Sucre (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5.jpg\" >\n        <img width=\"945\" height=\"709\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5.jpg\" class=\"wp-image-912\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-800x600.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. El arte de la atarraya. Pescador artesanal. Ci\u00e9naga en el municipio de Sucre, Sucre (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-c5ae3605\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"945x709\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Limpiando la atarraya. Pescador artesanal. R\u00edo San Jorge, Sucre (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6.jpg\" >\n        <img width=\"945\" height=\"709\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6.jpg\" class=\"wp-image-913\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-800x600.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Limpiando la atarraya. Pescador artesanal. R\u00edo San Jorge, Sucre (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-497f0c48\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Desenredando la pesca. Pescador artesanal. R\u00edo San Jorge, Sucre (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7.jpg\" class=\"wp-image-914\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Desenredando la pesca. Pescador artesanal. R\u00edo San Jorge, Sucre (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-86c45bbb\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Enredado y sin aire. Bocachico. R\u00edo San Jorge, Sucre (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8.jpg\" class=\"wp-image-915\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Enredado y sin aire. Bocachico. R\u00edo San Jorge, Sucre (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-47ae1a57\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-800x800.jpg 800w\"\n                data-vp-popup-img-size=\"945x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-800x800.jpg\"\n                data-vp-popup-md-img-size=\"800x800\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-500x500.jpg\"\n                data-vp-popup-sm-img-size=\"500x500\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. El humo del tabaco ahuyenta los mosquitos y su ponzo\u00f1a. Ci\u00e9naga de San Marcos, Sucre (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpg\" >\n        <img width=\"945\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpg\" class=\"wp-image-916\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-800x800.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. El humo del tabaco ahuyenta los mosquitos y su ponzo\u00f1a. Ci\u00e9naga de San Marcos, Sucre (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-88154da4\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. El \u201cpatr\u00f3n\u201d va atr\u00e1s impulsando la barqueta y adelante va el atarrayero. R\u00edo San Jorge, Sucre (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10.jpg\" class=\"wp-image-917\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. El \u201cpatr\u00f3n\u201d va atr\u00e1s impulsando la barqueta y adelante va el atarrayero. R\u00edo San Jorge, Sucre (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-6cf33cbd\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11.jpg 756w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-500x625.jpg 500w\"\n                data-vp-popup-img-size=\"756x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11.jpg\"\n                data-vp-popup-md-img-size=\"756x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-500x625.jpg\"\n                data-vp-popup-sm-img-size=\"500x625\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Despu\u00e9s de m\u00e1s de 10 horas en el agua, se llega de la faena. Puerto de Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11.jpg\" >\n        <img width=\"756\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11.jpg\" class=\"wp-image-921\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11.jpg 756w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-240x300.jpg 240w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-500x625.jpg 500w\" sizes=\"(max-width: 756px) 100vw, 756px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Despu\u00e9s de m\u00e1s de 10 horas en el agua, se llega de la faena. Puerto de Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-86beb0bf\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. A\u00fan sin poder ver, la abuela destaja los peces a la perfecci\u00f3n. Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12.jpg\" class=\"wp-image-918\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. A\u00fan sin poder ver, la abuela destaja los peces a la perfecci\u00f3n. Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-e30c2fc7\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Entre escamas y v\u00edsceras. Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13.jpg\" class=\"wp-image-919\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Entre escamas y v\u00edsceras. Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-0941a3c5\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-300x224.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-768x575.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-500x374.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-800x599.jpg 800w\"\n                data-vp-popup-img-size=\"945x707\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-800x599.jpg\"\n                data-vp-popup-md-img-size=\"800x599\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-500x374.jpg\"\n                data-vp-popup-sm-img-size=\"500x374\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. La faena. Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14.jpg\" >\n        <img width=\"945\" height=\"707\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14.jpg\" class=\"wp-image-920\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-300x224.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-768x575.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-500x374.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-800x599.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. La faena. Cascajal, municipio de Magangu\u00e9, Bol\u00edvar (Colombia)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Byron Giovanny Ospina Florido (Brasil-Colombia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-69f30fc2\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1.jpg\" class=\"wp-image-963\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-4f2bfd04\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2.jpg\" class=\"wp-image-964\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-2a99627c\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3.jpg\" class=\"wp-image-965\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-3.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-9b934932\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4.jpg\" class=\"wp-image-969\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-4.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-534f44f5\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5.jpg\" class=\"wp-image-966\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-5.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-1b8bb7e4\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6.jpg\" class=\"wp-image-970\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-6.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-a65c265c\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7.jpg\" class=\"wp-image-967\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-7.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-8e5f5ca8\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8.jpg\" class=\"wp-image-968\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-8.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-b7c7a085\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9.jpg\" class=\"wp-image-958\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-9.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-787cf776\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10.jpg\" class=\"wp-image-959\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-10.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-d946257f\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11.jpg\" class=\"wp-image-971\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-11.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-0fe643cd\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12.jpg\" class=\"wp-image-960\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-12.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-6a54dcb5\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13.jpg\" class=\"wp-image-961\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-13.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-4be1ea6a\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14.jpg\" class=\"wp-image-962\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/Foto-14.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. Manos que cosechan, pies que emigran: safristas de la cosecha de la manzana en Vacaria, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Tiago Zilles Fedrizzi (Brasil), Rumi Regina Kubo (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-7af33ff2\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-800x800.jpg 800w\"\n                data-vp-popup-img-size=\"945x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-800x800.jpg\"\n                data-vp-popup-md-img-size=\"800x800\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-500x500.jpg\"\n                data-vp-popup-sm-img-size=\"500x500\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Vendedor de c\u00e1ntaros en Cuetzalan, Puebla.  Serie Cuando el ind\u00edgena sobrevive en la urbanidad<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules.jpg\" >\n        <img width=\"945\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules.jpg\" class=\"wp-image-977\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules-800x800.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-vende-bules.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Vendedor de c\u00e1ntaros en Cuetzalan, Puebla.  Serie Cuando el ind\u00edgena sobrevive en la urbanidad<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel Reyes P\u00e9rez (M\u00e9xico)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-52f04506\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-800x800.jpg 800w\"\n                data-vp-popup-img-size=\"945x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-800x800.jpg\"\n                data-vp-popup-md-img-size=\"800x800\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-500x500.jpg\"\n                data-vp-popup-sm-img-size=\"500x500\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Ni\u00f1o m\u00fasico en Quer\u00e9taro, Quer\u00e9taro. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero.jpg\" >\n        <img width=\"945\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero.jpg\" class=\"wp-image-978\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero-800x800.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-organillero.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Ni\u00f1o m\u00fasico en Quer\u00e9taro, Quer\u00e9taro. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel Reyes P\u00e9rez (M\u00e9xico)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-6c295f81\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta-300x223.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta-768x571.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta-500x371.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta-800x594.jpg 800w\"\n                data-vp-popup-img-size=\"945x702\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta-800x594.jpg\"\n                data-vp-popup-md-img-size=\"800x594\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta-500x371.jpg\"\n                data-vp-popup-sm-img-size=\"500x371\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Vendedora de textiles en San Crist\u00f3bal de las Casas, Chiapas. Serie Cuando el ind\u00edgena sobrevive en la urbanidad<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta.jpg\" >\n        <img width=\"945\" height=\"702\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta.jpg\" class=\"wp-image-975\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta-300x223.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta-768x571.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta-500x371.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta-800x594.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-color-a-la-venta.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Vendedora de textiles en San Crist\u00f3bal de las Casas, Chiapas. Serie Cuando el ind\u00edgena sobrevive en la urbanidad<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel Reyes P\u00e9rez (M\u00e9xico)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-dd2374cf\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes-300x277.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes-768x708.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes-500x461.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes-800x737.jpg 800w\"\n                data-vp-popup-img-size=\"945x871\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes-800x737.jpg\"\n                data-vp-popup-md-img-size=\"800x737\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes-500x461.jpg\"\n                data-vp-popup-sm-img-size=\"500x461\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Mujeres en Quer\u00e9taro, Quer\u00e9taro. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes.jpg\" >\n        <img width=\"945\" height=\"871\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes.jpg\" class=\"wp-image-979\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes-300x277.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes-768x708.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes-500x461.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes-800x737.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-vendedoras-ambulantes.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Mujeres en Quer\u00e9taro, Quer\u00e9taro. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel Reyes P\u00e9rez (M\u00e9xico)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-584402a9\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora.jpg 951w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-300x298.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-768x763.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-500x497.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-800x795.jpg 800w\"\n                data-vp-popup-img-size=\"951x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-800x795.jpg\"\n                data-vp-popup-md-img-size=\"800x795\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-500x497.jpg\"\n                data-vp-popup-sm-img-size=\"500x497\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Mujer en Puebla, Puebla. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad\u201d<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora.jpg\" >\n        <img width=\"951\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora.jpg\" class=\"wp-image-972\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora.jpg 951w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-300x298.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-768x763.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-500x497.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora-800x795.jpg 800w\" sizes=\"(max-width: 951px) 100vw, 951px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-vendedora.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Mujer en Puebla, Puebla. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad\u201d<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel Reyes P\u00e9rez (M\u00e9xico)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-97ff555a\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-768x766.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-500x498.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-800x797.jpg 800w\"\n                data-vp-popup-img-size=\"945x942\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-800x797.jpg\"\n                data-vp-popup-md-img-size=\"800x797\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-500x498.jpg\"\n                data-vp-popup-sm-img-size=\"500x498\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Vendedora de artesan\u00edas en Quer\u00e9taro, Quer\u00e9taro. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro.jpg\" >\n        <img width=\"945\" height=\"942\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro.jpg\" class=\"wp-image-973\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-768x766.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-500x498.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro-800x797.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-mujer-en-Quere\u0301taro.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Vendedora de artesan\u00edas en Quer\u00e9taro, Quer\u00e9taro. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel Reyes P\u00e9rez (M\u00e9xico)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-944cf840\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1.jpg 939w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-298x300.jpg 298w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-768x773.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-500x503.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-800x805.jpg 800w\"\n                data-vp-popup-img-size=\"939x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-800x805.jpg\"\n                data-vp-popup-md-img-size=\"800x805\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-500x503.jpg\"\n                data-vp-popup-sm-img-size=\"500x503\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Mujer alfarera en Tiapa, Guerrero. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1.jpg\" >\n        <img width=\"939\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1.jpg\" class=\"wp-image-974\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1.jpg 939w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-298x300.jpg 298w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-768x773.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-500x503.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1-800x805.jpg 800w\" sizes=\"(max-width: 939px) 100vw, 939px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-alfarera-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Mujer alfarera en Tiapa, Guerrero. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel Reyes P\u00e9rez (M\u00e9xico)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-c2fefe09\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-768x765.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-500x498.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-800x797.jpg 800w\"\n                data-vp-popup-img-size=\"945x941\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-800x797.jpg\"\n                data-vp-popup-md-img-size=\"800x797\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-500x498.jpg\"\n                data-vp-popup-sm-img-size=\"500x498\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Anciano en Zacatecas, Zacatecas. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios.jpg\" >\n        <img width=\"945\" height=\"941\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios.jpg\" class=\"wp-image-976\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-768x765.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-500x498.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios-800x797.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-una-caridad-por-amor-de-Dios.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Anciano en Zacatecas, Zacatecas. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel Reyes P\u00e9rez (M\u00e9xico)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_03 vp-portfolio__item-uid-beb0e81d\" data-vp-filter=\"serie_03\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro.jpg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro-500x666.jpg 500w\"\n                data-vp-popup-img-size=\"709x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro.jpg\"\n                data-vp-popup-md-img-size=\"709x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro-500x666.jpg\"\n                data-vp-popup-sm-img-size=\"500x666\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Huicholes en el metro de la Ciudad de M\u00e9xico. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Revista Plural N\u00fam. 9<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro.jpg\" >\n        <img width=\"709\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro.jpg\" class=\"wp-image-980\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro.jpg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro-500x666.jpg 500w\" sizes=\"(max-width: 709px) 100vw, 709px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-huicholes-en-el-metro.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 03<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Huicholes en el metro de la Ciudad de M\u00e9xico. Serie: Cuando el ind\u00edgena sobrevive en la urbanidad<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Miguel Reyes P\u00e9rez (M\u00e9xico)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        \n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-ec6a60c3 vp-id-6RhwY\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"3\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural N\u00fam. 10\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_01\" data-vp-filter=\"serie_01\" value=\"serie_01\" >\n                Serie 01\n                                    (21)\n                                <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=serie_02\" data-vp-filter=\"serie_02\" value=\"serie_02\" >\n                Serie 02\n                                    (12)\n                                <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-a3a01d85\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2.jpg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2-500x666.jpg 500w\"\n                data-vp-popup-img-size=\"709x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2.jpg\"\n                data-vp-popup-md-img-size=\"709x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2-500x666.jpg\"\n                data-vp-popup-sm-img-size=\"500x666\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Acredita porque tem f\u00e9 e tem f\u00e9 porque acredita. Local e data: Luiz, Par\u00f3quia Nossa Senhora da Merc\u00eas,  Curitiba, 2022. Serie: Oficina Etnografia do Confinamento, Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2.jpg\" >\n        <img width=\"709\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2.jpg\" class=\"wp-image-990\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2.jpg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2-500x666.jpg 500w\" sizes=\"(max-width: 709px) 100vw, 709px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Acredita porque tem f\u00e9 e tem f\u00e9 porque acredita. Local e data: Luiz, Par\u00f3quia Nossa Senhora da Merc\u00eas,  Curitiba, 2022. Serie: Oficina Etnografia do Confinamento, Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Maria Carmencita Job (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-6c1b4a76\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2.jpg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2-500x666.jpg 500w\"\n                data-vp-popup-img-size=\"709x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2.jpg\"\n                data-vp-popup-md-img-size=\"709x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2-500x666.jpg\"\n                data-vp-popup-sm-img-size=\"500x666\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Acredita porque tem f\u00e9 e tem f\u00e9 porque acredita. Local e data: Luiz, Par\u00f3quia Nossa Senhora da Merc\u00eas, Curitiba, 2022. Serie: Oficina Etnografia do Confinamento, Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2.jpg\" >\n        <img width=\"709\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2.jpg\" class=\"wp-image-991\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2.jpg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2-500x666.jpg 500w\" sizes=\"(max-width: 709px) 100vw, 709px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Acredita porque tem f\u00e9 e tem f\u00e9 porque acredita. Local e data: Luiz, Par\u00f3quia Nossa Senhora da Merc\u00eas, Curitiba, 2022. Serie: Oficina Etnografia do Confinamento, Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Maria Carmencita Job (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-e7a7b422\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1.jpg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1-500x666.jpg 500w\"\n                data-vp-popup-img-size=\"709x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1.jpg\"\n                data-vp-popup-md-img-size=\"709x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1-500x666.jpg\"\n                data-vp-popup-sm-img-size=\"500x666\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Acredita porque tem f\u00e9 e tem f\u00e9 porque acredita. Local e data: Luiz, Par\u00f3quia Nossa Senhora da Merc\u00eas,  Curitiba, 2022. Serie: Oficina Etnografia do Confinamento, Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1.jpg\" >\n        <img width=\"709\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1.jpg\" class=\"wp-image-992\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1.jpg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1-500x666.jpg 500w\" sizes=\"(max-width: 709px) 100vw, 709px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Acredita porque tem f\u00e9 e tem f\u00e9 porque acredita. Local e data: Luiz, Par\u00f3quia Nossa Senhora da Merc\u00eas,  Curitiba, 2022. Serie: Oficina Etnografia do Confinamento, Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Maria Carmencita Job (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-281ce3d1\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-800x800.jpg 800w\"\n                data-vp-popup-img-size=\"945x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-800x800.jpg\"\n                data-vp-popup-md-img-size=\"800x800\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-500x500.jpg\"\n                data-vp-popup-sm-img-size=\"500x500\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Tempo para a produ\u00e7\u00e3o de realidades sens\u00edveis. Local e data: Pareci Novo, Rio Grande do Sul, Brasil. Serie: Oficina Etnografia do Confinamento, Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil. Publicada originalmente en: Ribeiro, C. (2020). Sem vacina. Fotocronografias, 6(14), 180\u2013197. Recuperado de https:\/\/seer.ufrgs.br\/index.php\/poled\/management\/settings\/website\/index.php\/fotocronografias\/article\/view\/128436<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1.jpg\" >\n        <img width=\"945\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1.jpg\" class=\"wp-image-993\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1-800x800.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Tempo para a produ\u00e7\u00e3o de realidades sens\u00edveis. Local e data: Pareci Novo, Rio Grande do Sul, Brasil. Serie: Oficina Etnografia do Confinamento, Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil. Publicada originalmente en: Ribeiro, C. (2020). Sem vacina. Fotocronografias, 6(14), 180\u2013197. Recuperado de https:\/\/seer.ufrgs.br\/index.php\/poled\/management\/settings\/website\/index.php\/fotocronografias\/article\/view\/128436<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Claudia Ribeiro (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-2baf4ecb\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-800x800.jpg 800w\"\n                data-vp-popup-img-size=\"945x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-800x800.jpg\"\n                data-vp-popup-md-img-size=\"800x800\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-500x500.jpg\"\n                data-vp-popup-sm-img-size=\"500x500\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Dura\u00e7\u00e3o do pensar-sentir nos ciclos do viver. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil. Publicada originalmente en: Ribeiro, C. (2020). Sem vacina. Fotocronografias, 6(14), 180\u2013197. Recuperado de https:\/\/seer.ufrgs.br\/index.php\/poled\/management\/settings\/website\/index.php\/fotocronografias\/article\/view\/128436<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1.jpg\" >\n        <img width=\"945\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1.jpg\" class=\"wp-image-994\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-300x300.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-150x150.jpg 150w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-768x768.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-500x500.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1-800x800.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Dura\u00e7\u00e3o do pensar-sentir nos ciclos do viver. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil. Publicada originalmente en: Ribeiro, C. (2020). Sem vacina. Fotocronografias, 6(14), 180\u2013197. Recuperado de https:\/\/seer.ufrgs.br\/index.php\/poled\/management\/settings\/website\/index.php\/fotocronografias\/article\/view\/128436<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Claudia Ribeiro (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-e4141938\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"945x709\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Prote\u00e7\u00e3o em dias de vida cr\u00edtica. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil. Claudia Ribeiro (Brasil). Local e data: Pareci Novo, Rio Grande do Sul, Brasil. Publicada originalmente en: Ribeiro, C. (2020). Sem vacina. Fotocronografias, 6(14), 180\u2013197. Recuperado de https:\/\/seer.ufrgs.br\/index.php\/poled\/management\/settings\/website\/index.php\/fotocronografias\/article\/view\/128436<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1.jpg\" >\n        <img width=\"945\" height=\"709\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1.jpg\" class=\"wp-image-995\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1-800x600.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Prote\u00e7\u00e3o em dias de vida cr\u00edtica. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil. Claudia Ribeiro (Brasil). Local e data: Pareci Novo, Rio Grande do Sul, Brasil. Publicada originalmente en: Ribeiro, C. (2020). Sem vacina. Fotocronografias, 6(14), 180\u2013197. Recuperado de https:\/\/seer.ufrgs.br\/index.php\/poled\/management\/settings\/website\/index.php\/fotocronografias\/article\/view\/128436<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Claudia Ribeiro (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-6fa8e76c\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1.jpg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1-500x666.jpg 500w\"\n                data-vp-popup-img-size=\"709x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1.jpg\"\n                data-vp-popup-md-img-size=\"709x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1-500x666.jpg\"\n                data-vp-popup-sm-img-size=\"500x666\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Experi\u00eancia de confinamento durante a pandemia 2020. Local e data: Porto Alegre, 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1.jpg\" >\n        <img width=\"709\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1.jpg\" class=\"wp-image-996\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1.jpg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1-500x666.jpg 500w\" sizes=\"(max-width: 709px) 100vw, 709px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Experi\u00eancia de confinamento durante a pandemia 2020. Local e data: Porto Alegre, 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Cornelia Eckert (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-a013b09f\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1.jpg 710w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1-500x665.jpg 500w\"\n                data-vp-popup-img-size=\"710x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1.jpg\"\n                data-vp-popup-md-img-size=\"710x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1-500x665.jpg\"\n                data-vp-popup-sm-img-size=\"500x665\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Experi\u00eancia de confinamento durante a pandemia 2020. Local e data: Porto Alegre, 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1.jpg\" >\n        <img width=\"710\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1.jpg\" class=\"wp-image-997\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1.jpg 710w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1-225x300.jpg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1-500x665.jpg 500w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Experi\u00eancia de confinamento durante a pandemia 2020. Local e data: Porto Alegre, 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Cornelia Eckert (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-68cfbd58\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpeg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpeg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-225x300.jpeg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-500x666.jpeg 500w\"\n                data-vp-popup-img-size=\"709x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpeg\"\n                data-vp-popup-md-img-size=\"709x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-500x666.jpeg\"\n                data-vp-popup-sm-img-size=\"500x666\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Experi\u00eancia de confinamento durante a pandemia 2020. Local e data: Porto Alegre, 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpeg\" >\n        <img width=\"709\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpeg\" class=\"wp-image-998\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpeg 709w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-225x300.jpeg 225w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-500x666.jpeg 500w\" sizes=\"(max-width: 709px) 100vw, 709px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9.jpeg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Experi\u00eancia de confinamento durante a pandemia 2020. Local e data: Porto Alegre, 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Cornelia Eckert (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-a774eaab\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1-300x182.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1-768x466.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1-500x303.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1-800x485.jpg 800w\"\n                data-vp-popup-img-size=\"945x573\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1-800x485.jpg\"\n                data-vp-popup-md-img-size=\"800x485\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1-500x303.jpg\"\n                data-vp-popup-sm-img-size=\"500x303\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Corpos (in)vis\u00edveis em Pandemia. Local e Data:  Porto Alegre &#8211; 11\/05\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1.jpg\" >\n        <img width=\"945\" height=\"573\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1.jpg\" class=\"wp-image-999\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1-300x182.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1-768x466.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1-500x303.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1-800x485.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Corpos (in)vis\u00edveis em Pandemia. Local e Data:  Porto Alegre &#8211; 11\/05\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriel Sager Rodrigues (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-9e4c2eec\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1.jpg 587w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1-186x300.jpg 186w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1-500x805.jpg 500w\"\n                data-vp-popup-img-size=\"587x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1.jpg\"\n                data-vp-popup-md-img-size=\"587x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1-500x805.jpg\"\n                data-vp-popup-sm-img-size=\"500x805\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Corpos (in)vis\u00edveis em Pandemia. Local e Data:  Porto Alegre &#8211; 11\/05\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1.jpg\" >\n        <img width=\"587\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1.jpg\" class=\"wp-image-1000\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1.jpg 587w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1-186x300.jpg 186w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1-500x805.jpg 500w\" sizes=\"(max-width: 587px) 100vw, 587px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Corpos (in)vis\u00edveis em Pandemia. Local e Data:  Porto Alegre &#8211; 11\/05\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriel Sager Rodrigues (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-d42b37ca\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1.jpg 758w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1-300x183.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1-500x305.jpg 500w\"\n                data-vp-popup-img-size=\"758x462\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1.jpg\"\n                data-vp-popup-md-img-size=\"758x462\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1-500x305.jpg\"\n                data-vp-popup-sm-img-size=\"500x305\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Corpos (in)vis\u00edveis em Pandemia. Local e Data:  Porto Alegre &#8211; 11\/05\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1.jpg\" >\n        <img width=\"758\" height=\"462\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1.jpg\" class=\"wp-image-1001\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1.jpg 758w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1-300x183.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1-500x305.jpg 500w\" sizes=\"(max-width: 758px) 100vw, 758px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Corpos (in)vis\u00edveis em Pandemia. Local e Data:  Porto Alegre &#8211; 11\/05\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriel Sager Rodrigues (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-7d852c36\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1.jpg 755w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1-300x186.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1-500x311.jpg 500w\"\n                data-vp-popup-img-size=\"755x469\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1.jpg\"\n                data-vp-popup-md-img-size=\"755x469\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1-500x311.jpg\"\n                data-vp-popup-sm-img-size=\"500x311\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">13. Corpos (in)vis\u00edveis em Pandemia. Local e Data:  Porto Alegre &#8211; 11\/05\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1.jpg\" >\n        <img width=\"755\" height=\"469\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1.jpg\" class=\"wp-image-1003\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1.jpg 755w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1-300x186.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1-500x311.jpg 500w\" sizes=\"(max-width: 755px) 100vw, 755px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/13-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    13. Corpos (in)vis\u00edveis em Pandemia. Local e Data:  Porto Alegre &#8211; 11\/05\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriel Sager Rodrigues (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-37e23510\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1.jpg 740w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1-300x192.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1-500x320.jpg 500w\"\n                data-vp-popup-img-size=\"740x473\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1.jpg\"\n                data-vp-popup-md-img-size=\"740x473\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1-500x320.jpg\"\n                data-vp-popup-sm-img-size=\"500x320\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">14. Corpos (in)vis\u00edveis em Pandemia. Local e Data:  Porto Alegre &#8211; 11\/05\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1.jpg\" >\n        <img width=\"740\" height=\"473\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1.jpg\" class=\"wp-image-1002\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1.jpg 740w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1-300x192.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1-500x320.jpg 500w\" sizes=\"(max-width: 740px) 100vw, 740px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/14-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    14. Corpos (in)vis\u00edveis em Pandemia. Local e Data:  Porto Alegre &#8211; 11\/05\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Gabriel Sager Rodrigues (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-6ca14c35\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">15. Sem legenda. Local: S\u00e3o Jos\u00e9 do Rio Preto\/SP. Data: agosto\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15.jpg\" class=\"wp-image-1004\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/15.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    15. Sem legenda. Local: S\u00e3o Jos\u00e9 do Rio Preto\/SP. Data: agosto\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luiz Henrique Campos Pereira (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-26c65513\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">16. Sem legenda. Local: S\u00e3o Jos\u00e9 do Rio Preto\/SP. Data: agosto\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16.jpg\" class=\"wp-image-1005\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/16.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    16. Sem legenda. Local: S\u00e3o Jos\u00e9 do Rio Preto\/SP. Data: agosto\/2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Luiz Henrique Campos Pereira (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-f86f7e79\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">17. Bailando na cozinha: Quando as pr\u00e1ticas art\u00edsticas se adaptam \u00e0s conex\u00f5es digitais e ocupam os espa\u00e7os da Casa. Local e data: Os\u00f3rio\/RS\/Brasil, 01 de setembro de 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17.jpg\" class=\"wp-image-1006\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/17.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    17. Bailando na cozinha: Quando as pr\u00e1ticas art\u00edsticas se adaptam \u00e0s conex\u00f5es digitais e ocupam os espa\u00e7os da Casa. Local e data: Os\u00f3rio\/RS\/Brasil, 01 de setembro de 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Olavo Ramalho Marques (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-b208675f\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18-800x533.jpg 800w\"\n                data-vp-popup-img-size=\"945x630\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18-800x533.jpg\"\n                data-vp-popup-md-img-size=\"800x533\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18-500x333.jpg\"\n                data-vp-popup-sm-img-size=\"500x333\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">18. Bailando na cozinha: Quando as pr\u00e1ticas art\u00edsticas se adaptam \u00e0s conex\u00f5es digitais e ocupam os espa\u00e7os da Casa. Local e data: Os\u00f3rio\/RS\/Brasil, 01 de setembro de 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18.jpg\" >\n        <img width=\"945\" height=\"630\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18.jpg\" class=\"wp-image-1007\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18-300x200.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18-768x512.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18-500x333.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18-800x533.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/18.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    18. Bailando na cozinha: Quando as pr\u00e1ticas art\u00edsticas se adaptam \u00e0s conex\u00f5es digitais e ocupam os espa\u00e7os da Casa. Local e data: Os\u00f3rio\/RS\/Brasil, 01 de setembro de 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Olavo Ramalho Marques (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-a0e7ed1f\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19-800x600.jpg 800w\"\n                data-vp-popup-img-size=\"945x709\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19-800x600.jpg\"\n                data-vp-popup-md-img-size=\"800x600\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19-500x375.jpg\"\n                data-vp-popup-sm-img-size=\"500x375\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">19. Bailando na cozinha: Quando as pr\u00e1ticas art\u00edsticas se adaptam \u00e0s conex\u00f5es digitais e ocupam os espa\u00e7os da Casa. Local e data: Os\u00f3rio\/RS\/Brasil, 01 de setembro de 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19.jpg\" >\n        <img width=\"945\" height=\"709\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19.jpg\" class=\"wp-image-1008\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19.jpg 945w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19-300x225.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19-768x576.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19-500x375.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19-800x600.jpg 800w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/19.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    19. Bailando na cozinha: Quando as pr\u00e1ticas art\u00edsticas se adaptam \u00e0s conex\u00f5es digitais e ocupam os espa\u00e7os da Casa. Local e data: Os\u00f3rio\/RS\/Brasil, 01 de setembro de 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Olavo Ramalho Marques (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-ea80f439\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20.jpg 511w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20-162x300.jpg 162w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20-500x925.jpg 500w\"\n                data-vp-popup-img-size=\"511x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20.jpg\"\n                data-vp-popup-md-img-size=\"511x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20-500x925.jpg\"\n                data-vp-popup-sm-img-size=\"500x925\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">20. O que eu vejo da minha janela. Local e data: Porto Alegre, 18 de maio de 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20.jpg\" >\n        <img width=\"511\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20.jpg\" class=\"wp-image-1009\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20.jpg 511w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20-162x300.jpg 162w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20-500x925.jpg 500w\" sizes=\"(max-width: 511px) 100vw, 511px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/20.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    20. O que eu vejo da minha janela. Local e data: Porto Alegre, 18 de maio de 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Simone Portela de Azambuja (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_01 vp-portfolio__item-uid-01c36d03\" data-vp-filter=\"serie_01\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21.jpg 550w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21-175x300.jpg 175w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21-500x859.jpg 500w\"\n                data-vp-popup-img-size=\"550x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21.jpg\"\n                data-vp-popup-md-img-size=\"550x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21-500x859.jpg\"\n                data-vp-popup-sm-img-size=\"500x859\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">21. O que eu vejo da minha janela. Local e data: Porto Alegre, 18 de maio de 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21.jpg\" >\n        <img width=\"550\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21.jpg\" class=\"wp-image-1010\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21.jpg 550w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21-175x300.jpg 175w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21-500x859.jpg 500w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/21.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 01<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    21. O que eu vejo da minha janela. Local e data: Porto Alegre, 18 de maio de 2020. Serie: Oficina Etnografia do Confinamento, Local e data: Pareci Novo, Rio Grande do Sul, Brasil.  Proyecto del N\u00facleo de Antropologia Visual, de la UFRGS, Brasil \/ Oficina Etnografia do Confinamento, Projeto do N\u00facleo de Antropologia Visual, UFRGS, Brasil<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Simone Portela de Azambuja (Brasil)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-10e3d369\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">1. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3.jpg\" class=\"wp-image-1024\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-3.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    1. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-c9273c1a\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">2. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3.jpg\" class=\"wp-image-1023\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-3.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    2. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-8340253c\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">3. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2.jpg\" class=\"wp-image-1022\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/3-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    3. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-a869a896\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">4. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2.jpg\" class=\"wp-image-1021\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/4-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    4. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-e20eb1b0\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">5. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2.jpg\" class=\"wp-image-1020\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/5-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    5. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-f75f2007\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">6. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2.jpg\" class=\"wp-image-1019\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/6-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    6. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-bd383921\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">7. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2.jpg\" class=\"wp-image-1018\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/7-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    7. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-afd7b361\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">8. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2.jpg\" class=\"wp-image-1017\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/8-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    8. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-e5b0aa47\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">9. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1.jpg\" class=\"wp-image-1016\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/9-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    9. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-baf54a29\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">10. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2.jpg\" class=\"wp-image-1015\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/10-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    10. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-f092530f\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2.jpg 674w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2-214x300.jpg 214w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2-500x701.jpg 500w\"\n                data-vp-popup-img-size=\"674x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2.jpg\"\n                data-vp-popup-md-img-size=\"674x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2-500x701.jpg\"\n                data-vp-popup-sm-img-size=\"500x701\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">11. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2.jpg\" >\n        <img width=\"674\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2.jpg\" class=\"wp-image-1014\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2.jpg 674w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2-214x300.jpg 214w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2-500x701.jpg 500w\" sizes=\"(max-width: 674px) 100vw, 674px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/11-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    11. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-serie_02 vp-portfolio__item-uid-2956bc7c\" data-vp-filter=\"serie_02\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2-500x750.jpg 500w\"\n                data-vp-popup-img-size=\"630x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2.jpg\"\n                data-vp-popup-md-img-size=\"630x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2-500x750.jpg\"\n                data-vp-popup-sm-img-size=\"500x750\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">12. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2.jpg\" >\n        <img width=\"630\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2.jpg\" class=\"wp-image-1013\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2.jpg 630w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2-200x300.jpg 200w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2-500x750.jpg 500w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/12-2.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Serie 02<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    12. Serie ASPO (Aislamiento Social Preventivo Obligatorio)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Pablo Zotalis (Argentina)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        \n\n\n<p><\/p>\n\n\n        <div class=\"wp-block-visual-portfolio\">\n            \n<div class=\"vp-portfolio vp-uid-c3836bf5 vp-id-ZXSpKk\"\n    data-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"10\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-slider-effect=\"slide\" data-vp-slider-items-height=\"350px\" data-vp-slider-items-min-height=\"\" data-vp-slider-slides-per-view=\"2\" data-vp-slider-speed=\"0.3\" data-vp-slider-autoplay=\"6\" data-vp-slider-autoplay-hover-pause=\"false\" data-vp-slider-centered-slides=\"false\" data-vp-slider-loop=\"true\" data-vp-slider-free-mode=\"true\" data-vp-slider-free-mode-sticky=\"true\" data-vp-slider-arrows=\"false\" data-vp-slider-bullets=\"true\" data-vp-slider-bullets-dynamic=\"true\" data-vp-slider-mousewheel=\"true\" data-vp-slider-thumbnails=\"false\" >\n    <div class=\"vp-portfolio__preloader-wrap\">\n        <div class=\"vp-portfolio__preloader\">\n            <img loading=\"eager\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery para WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n        <\/div>\n    <\/div>\n        <div class=\"vp-portfolio__layout-elements vp-portfolio__layout-elements-top vp-portfolio__layout-elements-align-center\">\n                <div class=\"vp-portfolio__filter-wrap\">\n        \n<div class=\"vp-filter vp-filter__style-dropdown\">\n    <select>\n                    <option class=\"vp-filter__item vp-filter__item-active\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224\" data-vp-filter=\"*\" value=\"*\"  selected='selected'>\n                Rev. Plural : Ilustraciones\n                            <\/option>\n                        <option class=\"vp-filter__item\" data-vp-url=\"\/revista-plural\/wp-json\/wp\/v2\/pages\/224?vp_filter=seccion_ilustracion\" data-vp-filter=\"seccion_ilustracion\" value=\"seccion_ilustracion\" >\n                Secci\u00f3n Ilustraci\u00f3n\n                            <\/option>\n                <\/select>\n<\/div>\n        <\/div>\n                <\/div>\n                <div class=\"vp-portfolio__items-wrap\">\n            \n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-0e39d167\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1920x2697.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1920x2697.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-214x300.jpg 214w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-729x1024.jpg 729w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-768x1079.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-500x702.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-800x1124.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1280x1798.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1094x1536.jpg 1094w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1458x2048.jpg 1458w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-scaled.jpg 1823w\"\n                data-vp-popup-img-size=\"1920x2697\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-800x1124.jpg\"\n                data-vp-popup-md-img-size=\"800x1124\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-500x702.jpg\"\n                data-vp-popup-sm-img-size=\"500x702\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n &quot;Las Palabras&quot;, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Revista Plural N\u00fam. 3 (enero-junio, 2019)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural Nro. 3 (enero-junio, 2019)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1920x2697.jpg\" >\n        <img width=\"1920\" height=\"2697\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1920x2697.jpg\" class=\"wp-image-601\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1920x2697.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-214x300.jpg 214w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-729x1024.jpg 729w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-768x1079.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-500x702.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-800x1124.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1280x1798.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1094x1536.jpg 1094w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1458x2048.jpg 1458w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-scaled.jpg 1823w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural3Las-palabras3-1920x2697.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n \u00abLas Palabras\u00bb, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Revista Plural N\u00fam. 3 (enero-junio, 2019)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-2f8ce7b8\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1920x1362.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1920x1362.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-300x213.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1024x726.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-768x545.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-500x355.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-800x568.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1280x908.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1536x1090.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-2048x1453.jpg 2048w\"\n                data-vp-popup-img-size=\"1920x1362\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-800x568.jpg\"\n                data-vp-popup-md-img-size=\"800x568\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-500x355.jpg\"\n                data-vp-popup-sm-img-size=\"500x355\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n &quot;El Uni- Multiverso&quot;, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Revista Plural N\u00fam. 4 (julio-diciembre, 2019)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural N\u00fam. 4 (julio-diciembre, 2019)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1920x1362.jpg\" >\n        <img width=\"1920\" height=\"1362\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1920x1362.jpg\" class=\"wp-image-602\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1920x1362.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-300x213.jpg 300w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1024x726.jpg 1024w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-768x545.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-500x355.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-800x568.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1280x908.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1536x1090.jpg 1536w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-2048x1453.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural4Uni.Multiverso1-1920x1362.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n \u00abEl Uni- Multiverso\u00bb, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Revista Plural N\u00fam. 4 (julio-diciembre, 2019)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-4a3e78c0\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1920x2631.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1920x2631.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-219x300.jpg 219w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-747x1024.jpg 747w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-768x1052.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-500x685.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-800x1096.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1280x1754.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1121x1536.jpg 1121w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1494x2048.jpg 1494w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-scaled.jpg 1868w\"\n                data-vp-popup-img-size=\"1920x2631\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-800x1096.jpg\"\n                data-vp-popup-md-img-size=\"800x1096\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-500x685.jpg\"\n                data-vp-popup-sm-img-size=\"500x685\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n &quot;La riqueza es la vida&quot;, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Revista Plural N\u00fam. 5 (enero-junio, 2020)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRev. Plural N\u00fam. 5 (enero-junio, 2020)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1920x2631.jpg\" >\n        <img width=\"1920\" height=\"2631\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1920x2631.jpg\" class=\"wp-image-603\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1920x2631.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-219x300.jpg 219w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-747x1024.jpg 747w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-768x1052.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-500x685.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-800x1096.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1280x1754.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1121x1536.jpg 1121w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1494x2048.jpg 1494w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-scaled.jpg 1868w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_1Lariquezaesla-vida-1920x2631.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n \u00abLa riqueza es la vida\u00bb, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Revista Plural N\u00fam. 5 (enero-junio, 2020)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-6ce68a06\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1920x2847.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1920x2847.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-202x300.jpg 202w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-691x1024.jpg 691w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-768x1139.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-500x741.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-800x1186.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1280x1898.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1036x1536.jpg 1036w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1381x2048.jpg 1381w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-scaled.jpg 1726w\"\n                data-vp-popup-img-size=\"1920x2847\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-800x1186.jpg\"\n                data-vp-popup-md-img-size=\"800x1186\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-500x741.jpg\"\n                data-vp-popup-sm-img-size=\"500x741\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n &quot;Nuestra Tierra&quot;, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Revista Plural N\u00fam. 5 (enero-junio, 2020)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural N\u00fam. 5  (enero-junio, 2020)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1920x2847.jpg\" >\n        <img width=\"1920\" height=\"2847\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1920x2847.jpg\" class=\"wp-image-604\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1920x2847.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-202x300.jpg 202w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-691x1024.jpg 691w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-768x1139.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-500x741.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-800x1186.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1280x1898.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1036x1536.jpg 1036w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1381x2048.jpg 1381w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-scaled.jpg 1726w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2020\/11\/IlustracionPlural5_2NuestraTierra-1920x2847.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n \u00abNuestra Tierra\u00bb, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Revista Plural N\u00fam. 5 (enero-junio, 2020)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-dbde8b4b\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1920x2723.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1920x2723.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-211x300.jpg 211w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-722x1024.jpg 722w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-768x1089.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1083x1536.jpg 1083w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1444x2048.jpg 1444w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-500x709.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-800x1135.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1280x1816.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-scaled.jpg 1805w\"\n                data-vp-popup-img-size=\"1920x2723\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-800x1135.jpg\"\n                data-vp-popup-md-img-size=\"800x1135\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-500x709.jpg\"\n                data-vp-popup-sm-img-size=\"500x709\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n 1 &quot;El llamado de la montan\u0303a&quot;, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) &#8211; Revista Plural N\u00fam. 7 (enero-junio, 2021)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural N\u00fam. 7 (enero-junio, 2021)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1920x2723.jpg\" >\n        <img width=\"1920\" height=\"2723\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1920x2723.jpg\" class=\"wp-image-734\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1920x2723.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-211x300.jpg 211w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-722x1024.jpg 722w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-768x1089.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1083x1536.jpg 1083w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1444x2048.jpg 1444w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-500x709.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-800x1135.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1280x1816.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-scaled.jpg 1805w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion1-1920x2723.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n 1 \u00abEl llamado de la montan\u0303a\u00bb, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) &#8211; Revista Plural N\u00fam. 7 (enero-junio, 2021)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-130818a1\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1920x2723.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1920x2723.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-211x300.jpg 211w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-722x1024.jpg 722w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-768x1089.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1083x1536.jpg 1083w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1444x2048.jpg 1444w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-500x709.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-800x1135.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1280x1816.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-scaled.jpg 1805w\"\n                data-vp-popup-img-size=\"1920x2723\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-800x1135.jpg\"\n                data-vp-popup-md-img-size=\"800x1135\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-500x709.jpg\"\n                data-vp-popup-sm-img-size=\"500x709\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n 2 &quot;El llamado de la montan\u0303a&quot;, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) &#8211; Revista Plural N\u00fam. 7 (enero-junio, 2021)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural N\u00fam. 7 (enero-junio, 2021)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1920x2723.jpg\" >\n        <img width=\"1920\" height=\"2723\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1920x2723.jpg\" class=\"wp-image-731\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1920x2723.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-211x300.jpg 211w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-722x1024.jpg 722w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-768x1089.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1083x1536.jpg 1083w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1444x2048.jpg 1444w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-500x709.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-800x1135.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1280x1816.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-scaled.jpg 1805w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion2-1920x2723.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n 2 \u00abEl llamado de la montan\u0303a\u00bb, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) &#8211; Revista Plural N\u00fam. 7 (enero-junio, 2021)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-efb3d663\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1920x2723.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1920x2723.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-211x300.jpg 211w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-722x1024.jpg 722w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-768x1089.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1083x1536.jpg 1083w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1444x2048.jpg 1444w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-500x709.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-800x1135.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1280x1816.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-scaled.jpg 1805w\"\n                data-vp-popup-img-size=\"1920x2723\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-800x1135.jpg\"\n                data-vp-popup-md-img-size=\"800x1135\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-500x709.jpg\"\n                data-vp-popup-sm-img-size=\"500x709\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n 3 &quot;El llamado de la montan\u0303a&quot;, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) &#8211; Revista Plural N\u00fam. 7 (enero-junio, 2021)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural N\u00fam. 7 (enero-junio, 2021)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1920x2723.jpg\" >\n        <img width=\"1920\" height=\"2723\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1920x2723.jpg\" class=\"wp-image-733\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1920x2723.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-211x300.jpg 211w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-722x1024.jpg 722w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-768x1089.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1083x1536.jpg 1083w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1444x2048.jpg 1444w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-500x709.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-800x1135.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1280x1816.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-scaled.jpg 1805w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion3-1920x2723.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n 3 \u00abEl llamado de la montan\u0303a\u00bb, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) &#8211; Revista Plural N\u00fam. 7 (enero-junio, 2021)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-ce06e0bc\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1920x2723.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1920x2723.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-211x300.jpg 211w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-722x1024.jpg 722w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-768x1089.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1083x1536.jpg 1083w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1444x2048.jpg 1444w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-500x709.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-800x1135.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1280x1816.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-scaled.jpg 1805w\"\n                data-vp-popup-img-size=\"1920x2723\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-800x1135.jpg\"\n                data-vp-popup-md-img-size=\"800x1135\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-500x709.jpg\"\n                data-vp-popup-sm-img-size=\"500x709\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n 4 &quot;El llamado de la montan\u0303a&quot;, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) &#8211; Revista Plural N\u00fam. 7 (enero-junio, 2021)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural N\u00fam. 7\n (enero-junio, 2021)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1920x2723.jpg\" >\n        <img width=\"1920\" height=\"2723\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1920x2723.jpg\" class=\"wp-image-730\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1920x2723.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-211x300.jpg 211w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-722x1024.jpg 722w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-768x1089.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1083x1536.jpg 1083w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1444x2048.jpg 1444w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-500x709.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-800x1135.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1280x1816.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-scaled.jpg 1805w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion4-1920x2723.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n 4 \u00abEl llamado de la montan\u0303a\u00bb, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) &#8211; Revista Plural N\u00fam. 7 (enero-junio, 2021)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-786b91c6\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1920x2723.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1920x2723.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-211x300.jpg 211w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-722x1024.jpg 722w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-768x1089.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1083x1536.jpg 1083w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1444x2048.jpg 1444w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-500x709.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-800x1135.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1280x1816.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-scaled.jpg 1805w\"\n                data-vp-popup-img-size=\"1920x2723\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-800x1135.jpg\"\n                data-vp-popup-md-img-size=\"800x1135\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-500x709.jpg\"\n                data-vp-popup-sm-img-size=\"500x709\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n 5 &quot;El llamado de la montan\u0303a&quot;, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) &#8211; Revista Plural N\u00fam. 7 (enero-junio, 2021)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural N\u00fam. 7 (enero-junio, 2021)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1920x2723.jpg\" >\n        <img width=\"1920\" height=\"2723\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1920x2723.jpg\" class=\"wp-image-732\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1920x2723.jpg 1920w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-211x300.jpg 211w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-722x1024.jpg 722w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-768x1089.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1083x1536.jpg 1083w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1444x2048.jpg 1444w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-500x709.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-800x1135.jpg 800w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1280x1816.jpg 1280w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-scaled.jpg 1805w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/05\/SajamaIlustracion5-1920x2723.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n 5 \u00abEl llamado de la montan\u0303a\u00bb, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) &#8211; Revista Plural N\u00fam. 7 (enero-junio, 2021)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-410ead9b\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n.jpg 840w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-213x300.jpg 213w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-728x1024.jpg 728w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-768x1080.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-500x703.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-800x1125.jpg 800w\"\n                data-vp-popup-img-size=\"840x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-800x1125.jpg\"\n                data-vp-popup-md-img-size=\"800x1125\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-500x703.jpg\"\n                data-vp-popup-sm-img-size=\"500x703\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n portadilla &quot;U\u0301nicamente la oscuridad tiene esqueleto&quot;, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Plural N\u00fam. 8 (julio-diciembre, 2021)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural N\u00fam. 8 (julio-diciembre, 2021)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n.jpg\" >\n        <img width=\"840\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n.jpg\" class=\"wp-image-897\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n.jpg 840w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-213x300.jpg 213w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-728x1024.jpg 728w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-768x1080.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-500x703.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n-800x1125.jpg 800w\" sizes=\"(max-width: 840px) 100vw, 840px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina1interioresIlustracio\u0301n.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n portadilla \u00abU\u0301nicamente la oscuridad tiene esqueleto\u00bb, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Plural N\u00fam. 8 (julio-diciembre, 2021)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-f71937e5\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n.jpg 840w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-213x300.jpg 213w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-728x1024.jpg 728w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-768x1080.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-500x703.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-800x1125.jpg 800w\"\n                data-vp-popup-img-size=\"840x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-800x1125.jpg\"\n                data-vp-popup-md-img-size=\"800x1125\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-500x703.jpg\"\n                data-vp-popup-sm-img-size=\"500x703\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n contraportadilla &quot;U\u0301nicamente la oscuridad tiene esqueleto&quot;, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Plural N\u00fam. 8 (julio-diciembre, 2021)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural N\u00fam. 8 (julio-diciembre, 2021)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n.jpg\" >\n        <img width=\"840\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n.jpg\" class=\"wp-image-898\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n.jpg 840w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-213x300.jpg 213w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-728x1024.jpg 728w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-768x1080.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-500x703.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n-800x1125.jpg 800w\" sizes=\"(max-width: 840px) 100vw, 840px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Pa\u0301gina2FinterioresIlustracio\u0301n.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n contraportadilla \u00abU\u0301nicamente la oscuridad tiene esqueleto\u00bb, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Plural N\u00fam. 8 (julio-diciembre, 2021)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-a81d7d87\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_.jpg 836w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-212x300.jpg 212w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-725x1024.jpg 725w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-768x1085.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-500x706.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-800x1130.jpg 800w\"\n                data-vp-popup-img-size=\"836x1181\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-800x1130.jpg\"\n                data-vp-popup-md-img-size=\"800x1130\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-500x706.jpg\"\n                data-vp-popup-sm-img-size=\"500x706\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n &quot;U\u0301nicamente la oscuridad tiene esqueleto&quot;, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Revista Plural N\u00fam. 8 (julio-diciembre, 2021)<\/h3>\n                                        <div class=\"vp-portfolio__item-popup-description\">Autora: Ver\u00f3nica Stella Tejerina Vargas (Cochabamba, Bolivia)\nRevista Plural N\u00fam. 8 (julio-diciembre, 2021)<\/div>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_.jpg\" >\n        <img width=\"836\" height=\"1181\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_.jpg\" class=\"wp-image-896\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_.jpg 836w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-212x300.jpg 212w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-725x1024.jpg 725w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-768x1085.jpg 768w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-500x706.jpg 500w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_-800x1130.jpg 800w\" sizes=\"(max-width: 836px) 100vw, 836px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2022\/06\/Ilustracio\u0301n.Color1_.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n \u00abU\u0301nicamente la oscuridad tiene esqueleto\u00bb, de Ver\u00f3nica Stella Tejerina Vargas &#8211; Revista Plural N\u00fam. 8 (julio-diciembre, 2021)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-d576b989\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1.jpg 730w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1-232x300.jpg 232w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1-500x647.jpg 500w\"\n                data-vp-popup-img-size=\"730x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1.jpg\"\n                data-vp-popup-md-img-size=\"730x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1-500x647.jpg\"\n                data-vp-popup-sm-img-size=\"500x647\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n \u201cEl Kh\u00e1os\u201d, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) \u2013 Revista Plural N\u00fam. 10 (julio-diciembre, 2022)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1.jpg\" >\n        <img width=\"730\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1.jpg\" class=\"wp-image-987\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1.jpg 730w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1-232x300.jpg 232w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1-500x647.jpg 500w\" sizes=\"(max-width: 730px) 100vw, 730px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/1-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n \u201cEl Kh\u00e1os\u201d, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) \u2013 Revista Plural N\u00fam. 10 (julio-diciembre, 2022)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n        <div class=\"vp-portfolio__item-wrap category-seccion_ilustracion vp-portfolio__item-uid-fd75c37d\" data-vp-filter=\"seccion_ilustracion\">\n                        <div class=\"vp-portfolio__item-popup\"\n                style=\"display: none;\"\n                data-vp-popup-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1.jpg\"\n                data-vp-popup-img-srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1.jpg 730w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1-232x300.jpg 232w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1-500x647.jpg 500w\"\n                data-vp-popup-img-size=\"730x945\"\n                data-vp-popup-md-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1.jpg\"\n                data-vp-popup-md-img-size=\"730x945\"\n                data-vp-popup-sm-img=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1-500x647.jpg\"\n                data-vp-popup-sm-img-size=\"500x647\"\n            >\n                                    <h3 class=\"vp-portfolio__item-popup-title\">Ilustraci\u00f3n \u201cEl Kh\u00e1os\u201d, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) \u2013 Revista Plural N\u00fam. 10 (julio-diciembre, 2022)<\/h3>\n                                <\/div>\n                                    <figure class=\"vp-portfolio__item\">\n                \n<div class=\"vp-portfolio__item-img-wrap\">\n    <div class=\"vp-portfolio__item-img\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1.jpg\" >\n        <img width=\"730\" height=\"945\" src=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1.jpg\" class=\"wp-image-988\" alt=\"\" srcset=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1.jpg 730w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1-232x300.jpg 232w, https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1-500x647.jpg 500w\" sizes=\"(max-width: 730px) 100vw, 730px\" \/>\n        <\/a>    <\/div>\n<\/div>\n\n<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-align-center\">\n    <div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n        <a  href=\"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-content\/uploads\/2023\/02\/2-1.jpg\" tabindex=\"-1\" class=\"vp-portfolio__item-meta\" >\n        \n<div class=\"vp-portfolio__item-meta-categories\">\n            <div class=\"vp-portfolio__item-meta-category\">\n            <span  >Secci\u00f3n Ilustraci\u00f3n<\/span>        <\/div>\n        <\/div>\n\n<h2 class=\"vp-portfolio__item-meta-title\">\n    Ilustraci\u00f3n \u201cEl Kh\u00e1os\u201d, de Ver\u00f3nica Stella Tejerina Vargas (Bolivia) \u2013 Revista Plural N\u00fam. 10 (julio-diciembre, 2022)<\/h2>\n\n<div class=\"vp-portfolio__item-meta-inline\">\n    \n<div class=\"vp-portfolio__item-meta-part vp-portfolio__item-meta-author\">\n    <span class=\"vp-portfolio__item-meta-part-icon\">\n        <span class=\"vp-screen-reader-text\">\n            Autor        <\/span>\n        \n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <circle cx=\"10\" cy=\"6\" r=\"5\" stroke=\"currentColor\" stroke-width=\"1.5\" fill=\"transparent\" \/>\n    <path d=\"M2 18.5C2.55106 14.3854 5.84867 11.5 10 11.5C14.1513 11.5 17.4489 14.3854 18 18.5\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n    <\/span>\n    <span class=\"vp-portfolio__item-meta-part-text\">\n        De Ver\u00f3nica Stella Tejerina Vargas (Bolivia)    <\/span>\n<\/div>\n<\/div>\n\n        <\/a>    <\/div>\n<\/figcaption>\n            <\/figure>\n                    <\/div>\n        \n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n        <\/div>\n        \n<\/div>\n        <\/div>\n        ","protected":false},"excerpt":{"rendered":"<p>Galer\u00eda fotogr\u00e1fica de la revista Plural. Antropolog\u00edas desde Am\u00e9rica Latina y del Caribe, organizada por n\u00famero y serie fotogr\u00e1fica<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[]},"_links":{"self":[{"href":"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-json\/wp\/v2\/pages\/224"}],"collection":[{"href":"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-json\/wp\/v2\/comments?post=224"}],"version-history":[{"count":142,"href":"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-json\/wp\/v2\/pages\/224\/revisions"}],"predecessor-version":[{"id":1032,"href":"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-json\/wp\/v2\/pages\/224\/revisions\/1032"}],"wp:attachment":[{"href":"https:\/\/asociacionlatinoamericanadeantropologia.net\/revista-plural\/wp-json\/wp\/v2\/media?parent=224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}